Linda Spalding

________________'This anthology will help turn your intellectual understanding of oppression into an emotional one' - New Statesman'Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you' - Suad Amiry________________The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, ‘the power of culture over the culture of power’.Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world’s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations.Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Miéville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice WalkerWith messages from China Achebe, Michael Ondaatje and J. M. Coetzee________________'Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness … The Palestine Festival of Literature exists to do just that – and I salute it for its work. Not only this year but for as long as it is necessary' - Philip Pullman

Spring 1855 and Virginian farmer John Dickinson has a dangerous secret that will lead to a tragic decision. The family's riches have been wasted by his reckless brother who holds all of them hostage and, adding fuel to John's desperation, the enslaved workers have been visited by a Canadian abolitionist who pushes them to escape. One does, and his pursuit of freedom involves a dangerous quest to find his mother and child North of the border. Meanwhile, the Dickinson family become fugitives of another kind, escaping their losses in a wagon en route to a new life in the West. Confronted by hunger, fear and a near fatal river boat accident, each member of the family is tested to their limits.

Set deep in the Appalachian wilderness between the years of 1779 and 1784, The Land Breakers is a saga like the Norse sagas or the book of Genesis, a story of first and last things, of the violence of birth and death, of inescapable sacrifice and the faltering emergence of community. Mooney and Imy Wright, twenty-one, former indentured servants, long habituated to backbreaking work but not long married, are traveling west. They arrive in a no-account settlement in North Carolina and, on impulse, part with all their savings to acquire a patch of land high in the mountains. With a little livestock and a handful of crude tools, they enter the mountain world-one of transcendent beauty and cruel necessity-and begin to make a world of their own. Mooney and Imy are the first to confront an unsettled country that is sometimes paradise and sometimes hell. They will soon be followed by others. John Ehle is a master of the American language. He has an ear for dialogue and an eye for nature and a grasp of character that have established The Land Breakers as one of the great fictional reckonings with the making of America.

Winner of Canada's Governor General's Award for Fiction Pennsylvania, 1798. Daniel Dickinson, a devout Quaker, has just lost his wife. When he marries a fifteen-year-old Methodist orphan to help with his five small children, his fellow Quakers disown him for his impropriety. Forced out of the only community he's ever known, Daniel moves his family to the Virginia frontier. He has in hand a few land warrants, with which he plans to establish his new homestead. Although determined to hold to his Quaker belief in abolitionism, Daniel is now in a slave state, and he soon finds himself the owner of a young boy named Onesimus. This fatal purchase sets in motion a twisted chain of events that will forever change his children's lives--and his own. An unforgettable story of sacrifice and redemption, The Purchase powerfully explores questions of fate, faith, loyalty, and conscience.

When a murder occurs in beautiful Hawaii, the suspects are two young mainlanders on their honeymoon. Mayann Acker is eighteen-years-old. Her husband, William, is twenty-eight and just out of prison.Linda Spalding is chosen as a juror for Maryann's trail. Surprisingly, the chief witness against her is William. Spalding has her doubts, but on the last day of the trial she is abruptly dismissed from the jury. Maryann is found guilty. Who Named the Knife is the story of how, eighteen years later, Spalding tracks down Maryann and uncovers much more than the answer to the question of her innocence. A complex journey into the twists of fate that spin two lives down different paths, Who Named the Knife offers profound insight into the human heart.

As Jesse Quill watches her husband become obsessed with Maya, a sensuous Hawaiian aged 14, it soon becomes clear that she battles not merely with infidelity, but age-old beliefs of Hawaii. Through Jesse, the author creates a tale of the clash of cultures and people, shaped by their ancestral past.