Lisa Belkin

Over the Independence Day weekend in 1960 a young police officer is murdered, shocking his close-knit community in Stamford, Connecticut. The killer remains at large, his identity still unknown. But on a beach not far away, a young Army doctor, on leave from his post at a research lab in a maximum-security prison, faces a chilling realisation. He knows who the shooter is. In fact, the man—a prisoner out on parole—had called him only days before. By helping his former charge and trainee, the doctor, a believer in second chances, may have inadvertently helped set the murder into motion. And with that one phone call, may have sealed a policeman’s fate. Alvin Tarlov, David Troy and Joseph DeSalvo were all born of the Great Depression, all with grandparents who’d left different homelands for the same American Dream. How did one become a doctor, one a police officer and one a convict? In Genealogy of a Murder, journalist Lisa Belkin traces the paths of each of these three men—one of them her stepfather. Her canvas is large, spanning the first half of the 20th century: immigration, the struggles of the working class, prison reform, medical experiments, politics and war, the nature/nurture debate, epigenetics, the infamous Leopold and Loeb case and the history of motorcycle racing. It is also intimate: a look into the workings of the mind and heart. Following these threads to their tragic outcome, Belkin examines the coincidences and choices that led to one fateful night. The result is a brilliantly researched, narratively ingenious story, which illuminates how we shape history even as we are shaped by it.

Independence Day weekend, 1960: a young police officer is murdered, shocking his close-knit community in Stamford, Connecticut. The killer remains at large, his identity still unknown. But on a beach not far away, a young Army doctor, on leave from his post at a research lab in a maximum-security prison, faces a chilling realisation. He knows who the shooter is. In fact, the man—a prisoner out on parole—had called him only days before. By helping his former charge and trainee, the doctor, a believer in second chances, may have inadvertently helped set the murder into motion. And with that one phone call, may have sealed a policeman’s fate. Alvin Tarlov, David Troy and Joseph DeSalvo were all born of the Great Depression, all with grandparents who’d left different homelands for the same American Dream. How did one become a doctor, one a police officer and one a convict? In Genealogy of a Murder, journalist Lisa Belkin traces the paths of each of these three men—one of them her stepfather. Her canvas is large, spanning the first half of the 20th century: immigration, the struggles of the working class, prison reform, medical experiments, politics and war, the nature/nurture debate, epigenetics, the infamous Leopold and Loeb case and the history of motorcycle racing. It is also intimate: a look into the workings of the mind and heart. Following these threads to their tragic outcome in July 1960, and beyond, Belkin examines the coincidences and choices that led to one fateful night. The result is a brilliantly researched, narratively ingenious story, which illuminates how we shape history even as we are shaped by it.

"Crammed with provocative insights, raw emotion, and heartbreaking dilemmas," (The New York Times) First, Do No Harm is a powerful examination of how life and death decisions are made at a major metropolitan hospital in Houston, as told through the stories of doctors, patients, families, and hospital administrators facing unthinkable choices.What is life worth? And when is a life worth living? Journalist Lisa Belkin examines how these questions are asked and answered over one dramatic summer at Hermann Hospital in Houston, Texas. In an account that is fascinating, revealing, and almost novelistic in its immediacy, Belkin takes us inside a major hospital and introduces us to the people who must make life and death decisions every day. As we walk through the hallways of the hospital we meet a young pediatrician who must decide whether to perform a risky last-ditch surgery on a teenager who has spent most of his fifteen years in a hospital; we watch as new parents battle with doctors over whether to disconnect their fragile, premature twins from the machine that keeps them breathing; we are in the operating room as a poor immigrant, paralyzed from a gunshot in the neck, is asked by doctors whether or not he wishes to stay alive; we witness the worry of a kidney specialist as he decides whether or not to transfer an uninsured baby to the county hospital down the road. We experience critical moments in the lives of these real people as Belkin explores challenging issues and questions involving medical ethics, human suffering, modern technology, legal liability, and financial reality. As medical technology advances, the choices grow more complicated. How far should we go to save a life? Who decides? And who pays?

In this highly acclaimed book (the basis of a new HBO miniseries, produced by David Simon, creator of The Wire) Lisa Belkin brings to life a landmark public housing case in Yonkers, New York in riveting detail. What began with a judge's order to build scattered-site public housing in middle-class neighbourhoods, ended in the near destruction of a city - sparking prejudices, fanning emotions into flame and eventually leading to murder and suicide. Belkin's sympathetic portrait of the people at the centre of this crisis - hopeful, fearful, greedy, manipulative, the gamut of human behaviour - is page-turning to its powerful, redemptive end.

The woman Mediaweek says "could very well be the next generation's Anna Quindlen" steps out from behind her celebrated New York Times column in a book about the intersection -- or more accurately collision -- of life and work. A few years ago, award-winning reporter Lisa Belkin left the office to work from home, amid the chaos of two young children, writing deadlines, and everyday domestic details. She began writing a very personal column for and about people trying to "balance" their lives, but hundreds of columns later, she noticed that she had not heard from a single person who had everything under control. Then she realized: Nobody can do it because it simply can't be done. Life's Work is the story of modern motherhood, where true happiness is often reached when you finally give up and give in. Belkin's is the funny, poignant, and always dead-on story of trying to do it all...and learning that doing just some of it is enough.

Not in my backyard -- that's the refrain commonly invoked by property owners who oppose unwanted development. Such words assume a special ferocity when the development in question is public housing. Lisa Belkin penetrates the prejudices, myths, and heated emotions stirred by the most recent trend in public housing as she re-creates a landmark case in riveting detail, showing how a proposal to build scattered-site public housing in middle-class neighborhoods nearly destroyed an entire city and forever changed the lives of many of its citizens.-- Public housing projects are being torn down throughout the United States. What will take their place? Show Me a Hero explores the answer.-- An important and compelling work of narrative nonfiction in the tradition of J. Anthony Lukas's Common Ground.-- A sweeping yet intimate group portrait that assesses the effects of public policy on individual human lives.