Louis Barfe

The story of the legendary comedian Tony Hancock in words, pictures, and not without a few interruptions from The Lad Himself, who proves a little infuriated at how his story is told... as those who know and love his work would fully expect!When he appeared on radio and television in the 1950s, Hancock immediately became an archetype and so he has remained. The writers Ray Galton and Alan Simpson basically invented the sitcom form for him, teasing out the threads of his personality and creating from them a universally recognisable figure: the ever-aspiring, grumpy, petty, frustrated everyman pitted against society, bureaucracy, jobsworth vindictiveness and whatever you're having yourself; the best and worst of all of us, down to his last shilling for the meter.WC Fields, Laurel and Hardy, Buster Keaton and Sid Field all came before him. Young Hancock was hugely influenced by them all, just as successive generations of comic actors (Cleese, Fry and Merton, to name a few) have been massively influenced by Hancock. The Office, Black Books, Peep Show and all the other great British sitcoms of the present day are variations on the Hancock template.The Lad Himself is the creation of writer Stephen Walsh and artist Keith Page, exploring the strange life of a much-admired comedian.

The unique story of Eric Morecambe and Ernie Wise – British television's most iconic double act. 'A warm and sympathetic portrait of two pals who conquered the world simply by radiating hilarious friendship' Sunday Times 'Barfe lifts the lid on the lives of TV's most iconic double act... and gets to the heart of what made them so loved by a nation' Sunday Post 'Set to be the definitive account of the television age's funniest pair' New European 'Colour about the characters of [Morecambe and Wise] is mixed with Barfe's usual forensic research' ChortleThe Morecambe and Wise Show was the crème de la crème of TV light entertainment from the late 1960s until the early 1980s. The hardy perennial comedy duo at its heart had even greater longevity, spanning five decades and becoming a national institution whose shows drew audiences in excess of twenty million. They also loved each other like brothers, and the audience repaid that love; they were the nation's best friends.In Sunshine and Laughter, Louis Barfe tells the touching story of Morecambe and Wise, and explores how it is that thirty-seven years after their last television show, the tall handsome one with glasses and the one with the short, fat, hairy legs continue to work their unique brand of comedy magic.

'I suffer from acute kleptomania. But when it gets bad, I take something for it.' Ken Dodd was a legend of British comedy. He launched his career in 1954, adopted his trademark 'tickling stick' two years later and went on to enjoy a sixty-year career as the nation's jester. Dodd's act was frenzied and zany, exploiting his saucer-eyed, buck-toothed appearance and deploying a repertoire of one-liners, whimsical and verbal inventions and liberal doses of saucy – but never dirty – jokes. Louis Barfe charts Dodd's life and extraordinarily long career, revealing him to be the last of the great variety acts – and a comic phenomenon who delighted his audiences across seven decades. Reviews for Happiness and Tears: 'The definitive account' The Times. 'An industriously thorough, entertaining biography' The Spectator. 'Sure to delight Dodd's many admirers' TLS. 'Fascinatingly odd' Daily Express. 'An absolute joy' Choice.

British TV comedy in its glorious forms - from sitcom to sketch shows - is a much-loved highlight of the small-screen schedules. In this must-have collection, Louis Barfe has selected the very best of British television's comedy classics. Unforgettable moments from The Morecambe and Wise Show, Blackadder and Fawlty Towers rub shoulders with classic sketches including Monty Python's 'Dead Parrot' and Hancock's 'The Blood Donor'. Generation-defining examples from That Was the Week That Was and Not the Nine O'Clock News appear alongside relishable offcuts from more recent triumphs including The Office, The Thick of It and Outnumbered. Showcasing our funniest TV comedy stars, their shows and their writers, Britain's Greatest TV Comedy Moments is a hilarious trip down memory lane.

Les Dawson was a Northern lad who climbed out of the slums thanks to an uncommonly brilliant mind. Married twice in real life, he had a third wife in his comic world - a fictional ogre built from spare parts left by fleeing Nazis at the end of World War II - and an equally frightening mother-in-law. He was down to earth, yet given to eloquent, absurd flights of fancy. He was endlessly generous with his time, but slow to buy a round of drinks. He was a mass of contradictions. In short, he was human, he was genuine, and that's why audiences loved him.

With a cast of thousands, including Peter Cook, Ken Dodd, Dusty Springfield, Spike Milligan, Rolf Harris, Bruce Forsyth and Reeves and Mortimer, Turned Out Nice Again reveals a world of comedians and cavorters, dancing girls and crooners. From the early days of vaudeville, via the golden age of radio, live television spectaculars, the rise of the chat show and alternative comedy, Louis Barfe pulls back the curtain of variety to reveal the world of light entertainment in all its glory.

Louis Barfe's elegantly written, authoritative and highly entertaining history charts the meteoric rise and slow decline of the popular recording industry. Barfe shows how the 1920s and 1930s saw the departure of Edison from the phonograph business he created and the birth of EMI and CBS. In the years after the war, these companies, and the buccaneers, hucksters, impresarios and con-men who ran them, reaped stupendous commercial benefits with the arrival of Elvis Presley, who changed popular music (and sales of popular music) overnight. After Presley came the Beatles, when the recording industry became global and record sales reached all time highs. Where Have All The Good Times Gone? also charts the decline from that high-point a generation ago. The 1990s ushered in a period of profound crisis and uncertainty in the industry, encapsulated in one word: Napster. Barfe shows how the almost infinite amounts of free music available online have traumatic and disastrous consequences for an industry that has become cautious and undynamic.