Makoto Fujimura

Our writers celebrate the work of repair – of objects, relationships, communities, and landscapes – and reckon with its limits. Consumers campaign for a “right to repair” in protest of products’ wasteful “planned obsolescence.” Repair cafés spring up, in which old-timers teach greenhorns to mend clothes and appliances. But much more than our possession stand in need of repair. For some, the Jewish phrase tikkun olam – to repair the world – may have become little more than a secular social justice mandate, not unlike the Christian cliché “God has no hands but ours.” Yet while we wait on God to repair the cosmos, there are indeed countless ways one can participate in this work, whether one is a mother, a handyman, a farmer, an artist, an teacher, or a pastor. The work may not be glamorous, but it calls forth our creativity and holds its own rewards. On this theme: - A handyman settles for humble work and doesn’t wish more for his children. - A mother mends her daughters’ clothes into extravagant works of arts. - A pastor in a declining denomination asks where to start repairing the church. - A farmer says a restored landscape will be more than it was before. - Yazidi, Rohingya, and Uyghur survivors of sexual violence find ways to reclaim their dignity. - Painter Makoto Fujimura says artists don’t fight culture wars, they make culture. - Prisoners and staff say prisons don’t rehabilitate, but education in prison just might. - A schoolteacher says education requires family, school, and community. - A church that prays in the language of Jesus, scattered by war, lives on in new places. Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

From a widely celebrated artist, this dazzling book takes readers on a profound journey into the heart of creativity When Makoto Fujimura painted as a child, he felt a mysterious electrical charge pass through him. Over decades of art making, writing, and reflecting in his studio, he has come to understand this charge as his Creator—a source he connects with most profoundly when making art. To be human is to be creative, Fujimura believes, and art making is a discipline of awareness, prayer, and praise by which we journey back to our original light. In this book, Fujimura takes readers along on his meandering journey as an artist. We witness him making his “process-driven slow art”—using pulverized minerals, gold, or pigments made from oyster shell—as he considers the plants and wildlife on the land where he lives. He draws on Japanese aesthetics, modernist art, Christian theology, sado (art of tea), literature, ecology, and personal narrative, with inspiration ranging from William Blake’s poetry to the art of Mark Rothko and Josef Albers, and from the wisdom of Scripture and Japanese tea master Sen no Rikyu to the traditional Japanese painting technique called Nihonga. Bringing together the author’s written reflections and his paintings, drawings, and photographs, Art Is invites us to see the world in prismatic and diverse lights, helping us navigate the fractured, divisive times we live in.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise. . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, Mark Rothko, and Japanese Kintsugi technique, he shows how, unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, an “accidental theologian,” one who comes to spiritual questions always through the prism of art.

An invitation to explore the life-giving lessons we can learn from the Earth, featuring stunning photography and reflections from an acclaimed visual artist The Earth is the first tangible gift we were given. Yet when did you last pause to appreciate the immensity of the ocean, wander in silence through an ancient forest, or behold the grandeur of a mountain? How long has it been since you've felt grass beneath your feet? Accompanied by awe-inspiring full-color photography from landscape cinematographer and visual artist Stephen Proctor, Wild Wonder: What Nature Teaches Us About Slowing Down and Living Well combines pastoral observations about creation with an exploration of how it can provide healing to our minds and bodies. Divided into five parts that are each devoted to a unique aspect of nature--oceans, forests, rivers, ice, and mountains--Proctor encourages readers to recognize how being outside restores us and offers us a renewed sense of awe and wonder for the Creator. In each of the thirty brief essays, he points to some of the deep lessons nature can teach us. We can appreciate the gift of silence while observing a glacier, gain a new perspective on top of a mountain, learn the skill of slowing down from a river, and experience a metaphor of redemptive life after death through nurse logs. Each part includes an interview from an artist whose inspiration has been drawn from nature and ends with a "Time to Fly " section that features reflection questions, simple action prompts, and sources for further exploration. Whether outdoor enthusiasts or armchair adventurers, readers of this book will be drawn into a more holistic and contemplative way of life and a deeper awareness of the beautiful world around them.

Embark on a profound journey through the depths of human emotion and spirituality in the updated anniversary edition of Refractions by renowned artist Makoto Fujimura.This timeless collection of reflective essays invites you to explore themes of grief, loss, tragedy, and disruption through the eyes of an artist's soul. Originally conceived in the shadow of the fallen twin towers of the World Trade Center, near where Fujimura's New York art studio stood, this anniversary edition includes new essays unpacking the author's further insights into his concepts of culture care and a theology of making. Refractions carries the weight of history and the urgency of the moment, illuminating beauty, healing, and hope. A gift for any artist or supporter of the arts, Refractions connects faith, art, and life, offering insight intohealing with the wisdom and perspective of a leading contemporary artist and follower of Jesus, making beauty from ashes, andthe gospel as a message as breathtaking and intricate as the lives it touches.In a world marred by violence and despair, Fujimura guides you toward a deep understanding of life's intricate tapestry, where beauty emerges from unexpected places, and healing finds its roots in the goodness of God and human resilience.

Mark Rothko’s classic book on artistic practice, ideals, and philosophy, now with an expanded introduction and an afterword by Makoto Fujimura Stored in a New York City warehouse for many years after the artist’s death, this extraordinary manuscript by Mark Rothko (1903–1970) was published to great acclaim in 2004. Probably written in 1940 or 1941, it contains Rothko’s ideas on the modern art world, art history, myth, beauty, the challenges of being an artist in society, the true nature of “American art,” and much more. In his introduction, illustrated with examples of Rothko’s work and pages from the manuscript, the artist’s son, Christopher Rothko, describes the discovery of the manuscript and the fascinating process of its initial publication. This edition includes discussion of Rothko’s “Scribble Book” (1932), his notes on teaching art to children, which has received renewed scholarly attention in recent years and provides clues to the genesis of Rothko’s thinking on pedagogy. In an afterword written for this edition, artist and author Makoto Fujimura reflects on how Rothko’s writings offer a “lifeboat” for “art world refugees” and a model for upholding artistic ideals. He considers the transcendent capacity of Rothko’s paintings to express pure ideas and the significance of the decade-long gap between The Artist’s Reality and Rothko’s mature paintings, during which the horrors of the Holocaust and the atomic bomb were unleashed upon the world.

Your artistry involves you intimately with the world around and beyond you. So your artistry involves profound but simple philosophical matters. As a human person, you are artful and philosophical, at the core of your being. Doorway to Artistry offers a playful, everyday philosophical approach necessary for life, integration, healing, and thriving in artistry. It reflects on the real and how we are involved with it, especially in our creative effort. In short, the real hospitably welcomes us, and in our artistry we reciprocate in noble courtesy. Human persons were made for this communion with the real. Find in this book a hospitable welcome to belong at home beyond where you are.

Your artistry involves you intimately with the world around and beyond you. So your artistry involves profound but simple philosophical matters. As a human person, you are artful and philosophical, at the core of your being. Doorway to Artistry offers a playful, everyday philosophical approach necessary for life, integration, healing, and thriving in artistry. It reflects on the real and how we are involved with it, especially in our creative effort. In short, the real hospitably welcomes us, and in our artistry we reciprocate in noble courtesy. Human persons were made for this communion with the real. Find in this book a hospitable welcome to belong at home beyond where you are.

Publisher's Weekly Best Adult Religion Book of the Year It was art and it was theater at the same time, but it was more. It was what he did not say that spoke most powerfully to the mob that morning. It was a cup of cold water for a thirsty adulteress and an ice-cold drenching in the face to a group of angry Pharisees.To this day we have not the slightest idea what it was Jesus twice scribbled in the sand. By and large the commentaries have asked the wrong question through the ages. They labor over the content, over what he might have written. They ask what without ever realizing that the real question is why. It was not the content that mattered but why he did it. Unexpected. Irritating. Creative. (From chapter one)Singer, songwriter and diligent student of Scripture, Michael Card is well known for the depth of his lyrics and the artistry of his music. But far more significant than the songs he has penned is the source of his inspiration--the creativity embodied in Jesus Christ, the incarnate Word of God.In this book Card explores the biblical foundations of true Christian creativity. Whether we think of ourselves as creative or not, all of us are created in the image of our Creator God, and thus creativity is a vital expression of our discipleship. With Jesus as his model, Card shows how understanding God's creative imagination leads to a lifestyle of humility, obedience and servanthood. And he invites us to follow God's creative call through worship and community.Through Jesus, God has spoken to us in a word we can understand. Likewise, Michael Card has articulated the story of Jesus to others through his own scribblings in the sand. This book shows us how we can do the same.

How do art and faith intersect? How does art help us see our own lives more clearly? What can we understand about God and humanity by looking at the lives of artists? Striving for beauty, art also reveals what is broken. It presents us with the tremendous struggles and longings common to the human experience. And it says a lot about our Creator too. Great works of art can speak to the soul in a unique way.Rembrandt Is in the Wind is an invitation to discover some of the world's most celebrated artists and works and how each of them illuminates something about God, people, and the purpose of life. Part art history, part biblical study, part philosophy, and part analysis of the human experience, this book is nonetheless all story.From Michelangelo to Vincent van Gogh to Edward Hopper, the lives of the artists in this book illustrate the struggle of living in this world and point to the beauty of the redemption available to us in Christ. Each story is different. Some conclude with resounding triumph while others end in struggle. But all of them raise important questions about humanity's hunger and capacity for glory, and all of them teach us to love and see beauty."The artists featured in these pages—artists who devoted their lives and work to what is good, true, and beautiful—remind us that we can, and should, do the same." —Karen Swallow Prior, author of On Reading Well

Foreword INDIES Book of the Year Award Finalist IVP Readers' Choice Award We are people of desire. In The Soul of Desire, psychiatrist Curt Thompson suggests that underneath all our longings is the desire to be known—and what's more, that this fundamental yearning manifests itself in our deep need to make things of beauty, revealing who we are to others. Desire and beauty go hand in hand. But both our craving to be known and our ability to create beauty have been marred by trauma and shame, collapsing our imagination for what God has for us and blinding us to the possibility that beauty could ever emerge from our ashes. Drawing on his work in interpersonal neurobiology and clinical practice, Thompson presents a powerful picture of the capacity of the believing community to reshape our imaginations, hold our desires and griefs together, and invite us into the beauty of God’s presence. The Soul of Desire is a mature, creative work, weaving together neuroscience and spiritual formation to open up new horizons for thinking not only about the nature of the mind, but about what it means to be human.

The Problem with the Dot is rooted in the idea that culture is a garden to be tended (Gen 2:15) rather than a war to be won and uses the analogy of an ecosystem to expand the details of the individual components of the theatrical ecosystem to: 1.Help those with minimal exposure to theater understand the indivisible construct of the theatrical ecosystem; 2.Identify areas of Christian neglect within each component; and 3.Emphasize strategic corrections that will result in the holistic restoration of a healthy global culture. Each chapter strengthens the case for a long-term holistic approach to the care and cultivation of global culture through the theatrical ecosystem, culminating in a call to action that is magnified by the unique opportunity presented by the 2020 global pandemic that forced a hiatus on all theatrical productions. The market will reset, and artists will revive theaters. It is my prayer that when this grand reopening occurs around the globe, Christians are an integral part of the new beginning.

What would you do if a natural disaster decimated a huge part of your country? After Japan's catastrophic Great East Japan Earthquake in 2011, Roger Lowther's family and community found themselves reeling from a series of devastating blows: magnitude 9.0 earthquake, monstrous 120 foot tsunami, exploding nuclear power plants, tens of thousands dead, hundreds of thousands homeless. How can you demonstrate God's presence and goodness to people living in devastation around you? How do you find hope in the middle of so much despair? In the aftermath of one of the worst natural disasters in history, music had a healing power never dreamed possible. An electrifying sense of hope, almost tangible, wafted through the air. In those moments, beauty won over fear and despair. These stories of the aroma of God's beauty and presence in the aftermath and devastation will encourage you, inspire you, and change you.

What would you do if a natural disaster decimated a huge part of your country? After Japan's catastrophic Great East Japan Earthquake in 2011, Roger Lowther's family and community found themselves reeling from a series of devastating blows: magnitude 9.0 earthquake, monstrous 120 foot tsunami, exploding nuclear power plants, tens of thousands dead, hundreds of thousands homeless. How can you demonstrate God's presence and goodness to people living in devastation around you? How do you find hope in the middle of so much despair? In the aftermath of one of the worst natural disasters in history, music had a healing power never dreamed possible. An electrifying sense of hope, almost tangible, wafted through the air. In those moments, beauty won over fear and despair. These stories of the aroma of God's beauty and presence in the aftermath and devastation will encourage you, inspire you, and change you.

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise. . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, Mark Rothko, and Japanese Kintsugi technique, he shows how, unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, an “accidental theologian,” one who comes to spiritual questions always through the prism of art.

Frederick Buechner is one of the most gifted writers of his generation, and his legacy casts a long shadow over Christian letters today. As a memoirist, he opened up an entirely new way to think about the genre. As a novelist, he was a finalist for the Pulitzer. And as a theologian and preacher, he pioneered the art of making theology accessible for a popular audience. Yet for all Buechner's enormous influence, many readers today are unfamiliar with his work, or have read him only in one genre. In this book, Buechner expert Jeffrey Munroe presents a collection of the true "essentials" from across Buechner's diverse catalog, as well as an overview of Buechner's life and a discussion of the state of his literary legacy today. Here is Buechner in all his complex glory, ready to delight and inspire again.

Outreach Magazine Resource of the Year Christianity Today's Book of the Year Award of Merit "Culture is not a territory to be won or lost but a resource we are called to steward with care. Culture is a garden to be cultivated." Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians of the future. This is a book for artists, but artists come in many forms. Anyone with a calling to create—from visual artists, musicians, writers, and actors to entrepreneurs, pastors, and business professionals—will resonate with its message. This book is for anyone with a desire or an artistic gift to reach across boundaries with understanding, reconciliation, and healing. It is a book for anyone with a passion for the arts, for supporters of the arts, and for "creative catalysts" who understand how much the culture we all share affects human thriving today and shapes the generations to come. Culture Care includes a study guide for individual reflection or group discussion.