Margaret L Laird

The combination of portrait statue, monumental support, and public lettering was considered emblematic of Roman public space even in antiquity. This book examines ancient Roman statues and their bases, tombs, dedicatory altars, and panels commemorating gifts of civic beneficence made by the Augustales, civic groups composed primarily of wealthy ex-slaves. Margaret L. Laird examines how these monuments functioned as protagonists in their built and social environments by focusing on archaeologically attested commissions made by the Augustales in Roman Italian towns. Integrating methodologies from art history, architectural history, social history, and epigraphy with archaeological and sociological theories of community, she considers how dedications and their accompanying inscriptions created webs of association and transformed places of display into sites of local history. Understanding how these objects functioned in ancient cities, the book argues, illuminates how ordinary Romans combined public lettering, honorific portraits, emperor worship, and civic philanthropy to express their communal identities.

The abbey of San Sebastiano, which lies not far from the town of Alatri in Southern Lazio, preserves within its walls almost fifteen hundred years of history. This history is unusually bound to a number of important figures, from Saint Benedict to Pope Nicholas V and his circle of humanists. For the past four years a small team has been investigating the standing structures of the abbey, analyzing the stratigraphy of the standing walls and tracing the various phases through the building.The study has produced some startling discoveries: the plan and preserved walls of one of the oldest monasteries in Europe, and one of the earliest Renaissance villas. The book gives an account of the architecture and the history of the building, showing how each phase relates to the last both structurally and thematically. The project was initiated at the American Academy in Rome, where Elizabeth Fentress was Andrew Mellon Professor, and Caroline Goodson, Margaret L. Laird and Stephanie C. Leone were Fellows. Margaret Laird and Stephanie Leone are now assistant professors at the University of Washington, Seattle and at Boston College. Other contributors include Caroline Bruzelius, Professor of the History of Art at Duke University, Antonio Manfredi, Vatican Library, Serena Romano, Professor of the History of Art at the University of Lausanne, Marco Rossi, director of the Museum of Alatri, and Ingrid Rowland, Andrew Mellon Professor at the American Academy in Rome.