Mark Busby

In Voices of Victory, ten men and women share their vivid memories of May 8, 1945, when World War II came to an end in Europe. From the thrill of hearing the news of Germany's surrender to the elation of the celebrations that followed, these first hand accounts reveal what the historic day was truly like.

A City in Mourning The snow fell relentlessly on Munich Airport on February 6, 1958. The cold mirrored the sorrow that would soon blanket Manchester and the world of football. Aboard British European Airways Flight 609 were Manchester United's Busby Babes-a young, vibrant team who had taken the football world by storm under the guidance of their visionary manager, Matt Busby. But tragedy struck. After two aborted take off attempts, the third ended in catastrophe. The plane skidded off the slushy runway, crashing into a house and a fuel tank. Twenty three lives were lost, including eight players. The tragedy stunned the world. How could football recover? How could Manchester United rebuild? This is the story of those who rose from the ashes, From the darkest of nights to the brightest of triumphs.

A City in Mourning The snow fell relentlessly on Munich Airport on February 6, 1958. The cold mirrored the sorrow that would soon blanket Manchester and the world of football. Aboard British European Airways Flight 609 were Manchester United's Busby Babes-a young, vibrant team who had taken the football world by storm under the guidance of their visionary manager, Matt Busby. But tragedy struck. After two aborted take off attempts, the third ended in catastrophe. The plane skidded off the slushy runway, crashing into a house and a fuel tank. Twenty three lives were lost, including eight players. The tragedy stunned the world. How could football recover? How could Manchester United rebuild? This is the story of those who rose from the ashes, From the darkest of nights to the brightest of triumphs.

FVM Magazine Dynamic Issue Special Edition With Gail Porter DAndra Simmons Kevin Wills Dr. Matt Harrington Pablo Adame Luz Luzb Sabina Marthinsen Sandi Bogle Donna Williams Salib Irina Jacobson Kirk Richards Liz McConaghy Lilly Palmer Andrea Jane Bunker

The Trans-Cedar lynching is an infamous tale buried deep in the subconscious of rural Texas history—although it made front-page headlines in the Dallas Morning News and even in national newspapers from May through November of 1899. This horrifying event is at the centre of a compelling novel by author Mark Busby. He has not only researched original documents but has used family oral histories to probe the mysteries that still shroud a lynching that is as horrifying and baffling now as it must have been over a hundred years ago. The ""War of Northern Aggression"" was still fresh in the memory of those who lived through it; hog-stealing, moonshine, secret meetings, and the lore of the Texas Rangers were part of the fabric of country life, and there were many who refused to believe the war was really over. Against this backdrop, a running feud between the Humphries and the Wilkinsons exploded into a triple murder.When young Jefferson Bowie Adams II is given an assignment for a college course in 1964, President Kennedy has just been assassinated, the movement for civil rights is beginning to stir, and developments in Vietnam barely make the back pages of the newspaper. Setting out to record a story from his family's history, Jeff discovers—sitting in his grandfather's hideout while Pampaw smokes a forbidden cigar--a story that is as mesmerising as it is shocking: the tale of a triple lynching in Henderson County in the late spring of 1899, an event Pampaw himself witnessed. Even as the scene of the crime is slowly being submerged by the filling of the Cedar Creek Reservoir, Jeff struggles to uncover the truths of what really happened that fateful night in 1899. Through the various recollections of his aging kin, Adams begins to uncover a web of relationships and a love story that ultimately leads him to a missing girl, a country graveyard, and a realisation that he and his family are part and parcel of the stained history of the South.

The Southwest has attained a mythical status, yet images of picturesque desert geography sometimes overshadow the remarkable variety of cultural contributions that originated in the region, which includes Arizona, Nevada, New Mexico, and Texas. Architectural styles range from adobe constructions to the Santa Fe style to Frank Lloyd Wright's landmark Taliesin to Las Vegas casino kitsch. Regional dialects show the influence of Spanish-English hybrid speech as well as a multitude of Native American languages. Border music thrives in the region, while legendary musicians Leadbelly, Blind Lemon Jefferson, and Stevie Ray Vaughan all contributed to the Texas blues genre. Writers such as Zane Grey and Cormac McCarthy have invented and reinvented the Southwestern tale, while such films as the seminal The Last Picture Show have painted indelible images of Southwestern life. Meanwhile, the American wildlife preservation movement has roots in 19th century Southwest lands and to this day maintains an especially imporant role in Southwestern sports and recreation. Mark Busby, director of the Southwest Regional Humanities Center, presents an authoritative reference on the unquestionably diverse and vibrant aspects of regional cultures in the American Southwest.The Greenwood Encyclopedia of American Regional Cultures is the first rigorous reference collection on the many ways in which American identity has been defined by its regions and its people. Each of its eight regional volumes presents thoroughly researched narrative chapters on Architecture; Art; Ecology & Environment; Ethnicity; Fashion; Film & Theater; Folklore; Food; Language; Literature; Music; Religion; and Sports & Recreation. Each book also includes a volume-specific introduction, as well as a series foreword by noted regional scholar and former National Endowment for the Humanities Chairman William Ferris, who served as Consulting Editor for this encyclopedia.

If you've never even been to Southeast Asia, can you be a Vietnam veteran? In a novel that captures the life and times of a generation, Mark Busby takes us on a journey through an era of hippies, the shootings at Kent State University, integration, and Woodstock. "Fort ""Benning"" Blues" tells the story of Vietnam from this side of the ocean. Drafted in 1969, Jeff Adams faces a war he doesn't understand. While trying to delay the inevitable tour of duty in Vietnam, Adams attends Officer Candidate School in Fort Benning, Georgia, desperately hoping Nixon will achieve "peace with honor" before he graduates. The Army's job is to weed out the "duds," "turkeys," and "dummies" in an effort to keep not only the officers but also the men under their command alive in the rice paddies of Vietnam. It doesn't take long for the stress to create casualties. Lieutenant Rancek, Adams' training officer at OCS, is ready to cut candidates from the program for any perceived weakness. He does this, not for the Army, but because he wants only the best ." . . leading the platoon on my right" when he goes to Vietnam. Hugh Budwell, one of Adams' roommates, brings the laid-back spirit of California with him to Fort Benning. Tired of practicing estate law, he joins the Army to relieve the boredom he feels pervades his life. About Officer Candidate School, Budwell states, "If I wanted to go through it without any trouble, I'd be wondering about myself." Candidate Patrick "Sheriff" Garrett, a black southerner, spends a night with Adams in the low-crawl pit after they both raise Rancek's ire. Expecting racism when he joined the Army, Garrett copes better than most with the rigors of Officer Candidate School. Busby uses song lyrics, newspaper headlines, and the jargon of the era to bring the sixties and seventies alive again. Henry Kissinger is described as "Peter Sellers as Dr. Strangelove" and Lieutenant William "Rusty" Calley as "Howdy Doody in uniform." Of My Lai, Busby says, "At Fort Benning everybody took those actions as a matter of course." As America continues to try to comprehend the effects of one of the most transforming eras in our history, "Fort ""Benning"" Blues" adds another perspective to the meaning of being a Vietnam veteran.

The frontier has evoked a set of images, attitudes, and assumptions that have shaped a peculiarly American literary heritage. This volume reconsiders the whole of American literary tradition by focusing on the imaginative impact of the frontier mythology. Exploring the aesthetic implications of frontier experience, these essays also illustrate the vigorous debate among scholars regarding canon formation. Long dominated by the works of white males from the northeastern region of the country, the American literary canon continues to expand to include works by minorities, women, and authors from various parts of the nation. The eighteen scholars represented here focus on the importance of frontier mythology to many American writers, both traditional and new, thus providing meaningful context for further altering the American canon to include their works. The authors emphasize frontier mythology's central role in the literary dialogue as they discuss such topics as contemporary fiction, regional literature, nature writing, drama, film, and science fiction and focus on writers ranging from Mary Rowlandson and Emily Dickinson to N. Scott Momaday and Rolando Hinojosa. Taken as a whole, this collection asserts that frontier experience has historically created a symbolic vocabulary that is intrinsically dialectical, having elicited ironic responses from the different perspectives of women and minority writers, for example. Scholars and students of American literature will also see from these essays that frontier mythology in American literary tradition shows remarkable continuity, and that an understanding of the dialectical and dialogic nature of this inherited literary tradition will expand the canon and enrich the interpretations of the American dream.

The frontier has evoked a set of images, attitudes, and assumptions that have shaped a peculiarly American literary heritage. This volume reconsiders the whole of American literary tradition by focusing on the imaginative impact of the frontier mythology. Exploring the aesthetic implications of frontier experience, these essays also illustrate the vigorous debate among scholars regarding canon formation. Long dominated by the works of white males from the northeastern region of the country, the American literary canon continues to expand to include works by minorities, women, and authors from various parts of the nation. The eighteen scholars represented here focus on the importance of frontier mythology to many American writers, both traditional and new, thus providing meaningful context for further altering the American canon to include their works. The authors emphasize frontier mythology's central role in the literary dialogue as they discuss such topics as contemporary fiction, regional literature, nature writing, drama, film, and science fiction and focus on writers ranging from Mary Rowlandson and Emily Dickinson to N. Scott Momaday and Rolando Hinojosa. Taken as a whole, this collection asserts that frontier experience has historically created a symbolic vocabulary that is intrinsically dialectical, having elicited ironic responses from the different perspectives of women and minority writers, for example. Scholars and students of American literature will also see from these essays that frontier mythology in American literary tradition shows remarkable continuity, and that an understanding of the dialectical and dialogic nature of this inherited literary tradition will expand the canon and enrich the interpretations of the American dream.