Mark C. Taylor

Religion, Mark C. Taylor argues in "After God", is more complicated than either its defenders or critics think and, indeed, is much more influential than any of us realize. Our world, Taylor maintains, is shaped by religion even when it is least obvious. Faith and value, he insists, are unavoidable and inextricably interrelated for believers and nonbelievers alike. The first comprehensive theology of culture since the pioneering work of Paul Tillich, "After God" redefines religion for our contemporary age. This volume is a radical reconceptualization of religion and Taylor's most path breaking work yet, bringing together various strands of theological argument and cultural analysis four decades in the making.

We live in a moment of unprecedented complexity, an era in which change occurs faster than our ability to comprehend it. With "The Moment of Complexity", Mark C. Taylor offers a map for the unfamiliar terrain opening in our midst, unfolding an original philosophy of our time through a remarkable synthesis of science and culture. According to Taylor, complexity is not just a breakthrough scientific concept but the defining quality of the post-Cold War era. The flux of digital currents swirling around us, he argues, has created a new network culture with its own distinctive logic and dynamic. Drawing on resources from information theory and evolutionary biology, Taylor explains the operation of complex adaptive systems in natural, social and cultural processes. To appreciate the significance of emerging network culture, he claims, it is necessary not only to understand contemporary scientific and technological transformations, but also to explore the subtle influences of art, architecture, philosophy, religion and education. "The Moment of Complexity" is a remarkable work of cultural analysis on a scale rarely seen today. To follow its trajectory is to learn how we arrived at this critical moment in our culture, and to know where we might head in the 21st century.

Nots is a virtuoso exploration of negation and negativity in theology, philosophy, art, architecture, postmodern culture, and medicine. In nine essays that range from nihility in Buddhism to the embodiment of negativity in disease, Mark C. Taylor looks at the surprising ways in which contrasting concepts of negativity intersect. In the first section of this book, Taylor discusses the question of the "not" in the religious thought of Anselm, Hegel, Derrida, and Nishitani. In the second part, he analyzes artistic efforts "to figure not" in the work of artists Arakawa and Madeline Gins, architect Daniel Libeskind, pop artist David Sallee, and pop icon Madonna. The final section consists of a deeply personal and scientifically informed chapter that discusses the workings of negativity in immunology and illness. Taylor's essays work toward a sense of the not as unnameable as it is irrepressible—an "unthinkable third" that falls between being and nonbeing. Bringing together concerns that span Taylor's early investigations of Hegel and Kierkegaard and recent studies of art and architecture, Nots is an important contribution by one of the most original and distinctive voices now writing on the American scene. Religion and Postmodernism series

Nots is a virtuoso exploration of negation and negativity in theology, philosophy, art, architecture, postmodern culture, and medicine. In nine essays that range from nihility in Buddhism to the embodiment of negativity in disease, Mark C. Taylor looks at the surprising ways in which contrasting concepts of negativity intersect. In the first section of this book, Taylor discusses the question of the "not" in the religious thought of Anselm, Hegel, Derrida, and Nishitani. In the second part, he analyzes artistic efforts "to figure not" in the work of artists Arakawa and Madeline Gins, architect Daniel Libeskind, pop artist David Sallee, and pop icon Madonna. The final section consists of a deeply personal and scientifically informed chapter that discusses the workings of negativity in immunology and illness. Taylor's essays work toward a sense of the not as unnameable as it is irrepressible--an "unthinkable third" that falls between being and nonbeing. Bringing together concerns that span Taylor's early investigations of Hegel and Kierkegaard and recent studies of art and architecture, Nots is an important contribution by one of the most original and distinctive voices now writing on the American scene. Religion and Postmodernism series

Readers familiar with Mark C. Taylor's previous writing will immediately recognize Altarity as a remarkable synthetic project. This work combines the analytic depth and detail of Taylor's earlier studies of Kierkegaard and Hegel with the philosophical and theological scope of his highly acclaimed Erring. In Altarity, Taylor develops a genealogy of otherness and difference that is based on the principle of creative juxtaposition. Rather than relying on a historical or chronological survey of crucial moments in modern philosophical thinking, he explores the complex question of difference through the strategies of contrast, resonance, and design. Taylor brings together the work of thinkers as diverse as Hegel, Heidegger, Merleau-Ponty, Lacan, Bataille, Kristeva, Levinas, Blanchot, Derrida, and Kierkegaard to fashion a broad intellectual scheme. Situated in an interdisciplinary discourse, Altarity signifies a harnessing of continental and American habits of intellectual thought and illustrates the singularity that emerges from such a configuration. As such, the book functions as a mirror of our intellectual moment and offers the academy a rigorous way of acknowledging the limitations of its own interpretive practices.

"Erring is a thoughtful, often brilliant attempt to describe and enact what remains of (and for) theology in the wake of deconstruction. Drawing on Hegel, Nietzsche, Derrida, and others, Mark Taylor extends—and goes well beyond—pioneering efforts. . . . The result is a major book, comprehensive and well-informed."—G. Douglas Atkins, Philosophy and Literature"Many have felt the need for a study which would explicate in coherent and accessible fashion the principal tenets of deconstruction, with particular attention to their theological implications. This need the author has addressed in a most impressive manner. The book's effect upon contemporary discussion is apt to be, and deserves to be, far-reaching."—Walter Lowe, Journal of Religion

In a time of plague, fundamental questions become immediate and personal. The pandemic, droughts, floods, fire, political violence: the world has been grimly reminded of the proximity and inevitability of death. Jack Miles and Mark C. Taylor—acclaimed public intellectuals and scholars of religion, one a Christian and the other an atheist, close friends for fifty years—have spent their lives grappling with questions of ultimate concern. At the onset of the COVID-19 pandemic, locked down at home and facing an uncertain future, Miles and Taylor embarked on an extended conversation about living and dying in an imperiled world.A Friendship in Twilight is their plague journal. In raw and searching letters, written daily from the first lockdowns through the Capitol riot, Miles and Taylor reflect on life during overlapping crises. Amid the menace of the pandemic and the unceasing political turmoil, they debate the lessons that a catastrophic present can teach about the future and how to read, think, live, and face up to death. Confronting the vulnerability of their aging bodies and the frailty of American democracy, the two friends discuss why and how philosophical reflection matters for a wounded world. Their conversations are imbued with an ever-present sense of urgency about the worth of a life, the fragility of existence, and the uncertainty of endings. Seamlessly moving from heartfelt emotion to philosophical speculation, current events to great art and literature, this book is a powerful and moving testament to the precarity of life and to enduring friendship.

In a time of plague, fundamental questions become immediate and personal. The pandemic, droughts, floods, fire, political violence: the world has been grimly reminded of the proximity and inevitability of death. Jack Miles and Mark C. Taylor—acclaimed public intellectuals and scholars of religion, one a Christian and the other an atheist, close friends for fifty years—have spent their lives grappling with questions of ultimate concern. At the onset of the COVID-19 pandemic, locked down at home and facing an uncertain future, Miles and Taylor embarked on an extended conversation about living and dying in an imperiled world.A Friendship in Twilight is their plague journal. In raw and searching letters, written daily from the first lockdowns through the Capitol riot, Miles and Taylor reflect on life during overlapping crises. Amid the menace of the pandemic and the unceasing political turmoil, they debate the lessons that a catastrophic present can teach about the future and how to read, think, live, and face up to death. Confronting the vulnerability of their aging bodies and the frailty of American democracy, the two friends discuss why and how philosophical reflection matters for a wounded world. Their conversations are imbued with an ever-present sense of urgency about the worth of a life, the fragility of existence, and the uncertainty of endings. Seamlessly moving from heartfelt emotion to philosophical speculation, current events to great art and literature, this book is a powerful and moving testament to the precarity of life and to enduring friendship.

For many today, retirement and the leisure said to accompany it have become vestiges of a slower, long-lost time. In a world where the sense of identity is tied to work and careers, to stop working often is to become nobody. In this deeply perceptive and personal exploration of last works, Mark C. Taylor explores the final reflections of writers and thinkers from Kierkegaard to David Foster Wallace. How did they either face or avoid ending and leaving? What do their lessons in ending teach us about living in the time that remains for us? Some leavings brought relief, even joy, while others brought pain and suffering. Whether the cause was infirmity, impending death, or simply exhaustion and ennui, the ways these influential voices fell silent offer poignant examples of people negotiating the challenges of ending. Throughout this profound and moving book, Taylor probes how the art of living involves learning to leave gracefully.

Mark C. Taylor recounts a poignant love affair not with a person but with a place that, paradoxically, cannot be easily localized. For many years, Taylor has lived in the Berkshire Mountains, where he writes and creates land art and sculpture. In a world of mobile screens and virtual realities, where speed is the measure of success and place is disappearing, his work slows down thought and brings life back to earth to give readers time to ponder the importance of place before it slips away. Taylor extends reflection beyond the page and returns with new insights about what is hiding in plain sight all around us. Weaving together words and images, his artful work enacts what it describes. Things long familiar suddenly appear strange, and the strange, unexpected, and unprogrammed unsettle readers in surprising ways. This timely meditation gives pause in the midst of harried lives and turns attention toward what we usually overlook: night, silence, touch, grace, ghosts, water, earth, stones, bones, idleness, infinity, slowness, and contentment. Recovering Place is a unique work with reflections that linger long after the book is closed.

In the fall of 2005, Mark C. Taylor, the controversial public intellectual and widely respected scholar, suddenly fell critically ill. For two days a team of forty doctors, many of whom thought he would not live, fought to save him. Taylor would eventually recover, but only to face a new threat: surgery for cancer. "These experiences have changed me in ways I am still struggling to understand," Taylor writes in this absorbing memoir. "After the past year, I am persuaded that I have done enough fieldwork to write a book that combines philosophical and theological reflection with autobiographical narrative. Writing is not only possible but actually seems necessary." Field Notes from Elsewhere is Taylor's unforgettable, inverted journey from death to life. Each of his memoir's fifty-two chapters and accompanying photographs recounts a morning-to-evening experience with sickness and convalescence, mingling humor and hope with a deep exploration of human frailty and, conversely, resilience. When we confront the end of life, Taylor explains, the axis of the lived world shifts, and everything must be reevaluated. As Taylor sorts through his remembrances, much that once seemed familiar becomes strange, paradoxical, and contradictory. He reads his experience with and against ghosts from his past, recasting the meaning of mortality, sacrifice, solitude, and abandonment, along with a host of other issues, in light of modern ways of dying. "You never come back from elsewhere," Taylor concludes, "because elsewhere always comes back with you."

The eminent death-of-God theologian traces his lifelong search for a theory that is contemporary yet biblical.Theologian Thomas J. J. Altizer became both famous and infamous as the chief spokesman for death-of-God theology in the 1960s. In the years that followed, he has created a theological tradition that has influenced all succeeding generations of theologians. Living the Death of God is Altizer's theological memoir. Taking us from his transformation as a theological student to his present life of solitude, Altizer recapitulates the voyage to create a truly new theology. The memoir recounts each stage of this voyage, from being overwhelmed by Satan to a conversion to the death of God and an extensive and even ecstatic preaching of the death of God. However, this is the death of that God who is the wholly alienated God, a death realizing anew the crucified God or the apocalyptic Christ.Written with Altizer's characteristic elegance, this book is fascinating on its own account, but can also serve the reader as a companion or introduction to Altizer's body of work.

Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies between the poles of their thought. He has added a new introduction to the 1980 original edition.

Taylor (humanities and religion, Williams College, Massachusetts) reconsiders the two philosophers based on the notion that all modern philosophy lies between the poles of their thought. He has added a new introduction to the 1980 original edition.

Travelling from high culture to pop culture and back again, this book approaches cyberspace and Las Vegas through Hegel and Kant and reads Melville's "The Confidence-Man" through the film "Wall Street". As juxtapositions and associations proliferate, formerly uncharted territories of virtual culture disclose theological vestiges, showing that faith in contemporary culture is as unavoidable as it is elusive.

Travelling from high culture to pop culture and back again, this book approaches cyberspace and Las Vegas through Hegel and Kant and reads Melville's "The Confidence-Man" through the film "Wall Street". As juxtapositions and associations proliferate, formerly uncharted territories of virtual culture disclose theological vestiges, showing that faith in contemporary culture is as unavoidable as it is elusive.

An exploration of the possibilities of representation after modernism, this study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Mark Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man should be a useful contribution to students and teachers of art.

The age of information, media and virtuality is transforming many aspects of human experience. This is an investigation of the postmodern world which critically examines a wide range of contemporary cultural practices. The postmodern world, Taylor argues, is a world of surfaces, and the postmodern condition is one of "profound superficiality". For many cultural commentators, postmodernism superficiality is a cause for despair. This book, however, shows that the disappearance of depth in postmodern culture is actually a liberation replete with creative possibilities. It examines fashion advertising, and the contemporary preoccupation with body piercing and tattooing, asking whether these practices reveal or conceal. Phrenology and skin diseases, the "religious" architecture of Las Vegas, and the limitless spread of computer networks are all covered in the scope of this study. It attempts to show that postmodernism has provided a new sense of the superficial, one in which the issue is not the absence of meaning, but its uncontrollable, ecstatic proliferation.

In Tears, the author explores theoretical issues raised by the intersection of philosophy, literature, art, architecture, and theology. The critical accounts of thinkers like Derrida, Blanchot, Jabès, Kierkegaard, Hegel, Heidegger, Ricoeur, Gadamer, Austin, Ayre, Rorty, Tillich, Barth, and Altizer developed in this book effectively reshape and refocus the terms of current debate.

Readers familiar with Mark C. Taylor's previous writing will immediately recognize Altarity as a remarkable synthetic project. This work combines the analytic depth and detail of Taylor's earlier studies of Kierkegaard and Hegel with the philosophical and theological scope of his highly acclaimed Erring. In Altarity, Taylor develops a genealogy of otherness and difference that is based on the principle of creative juxtaposition. Rather than relying on a historical or chronological survey of crucial moments in modern philosophical thinking, he explores the complex question of difference through the strategies of contrast, resonance, and design. Taylor brings together the work of thinkers as diverse as Hegel, Heidegger, Merleau-Ponty, Lacan, Bataille, Kristeva, Levinas, Blanchot, Derrida, and Kierkegaard to fashion a broad intellectual scheme. Situated in an interdisciplinary discourse, Altarity signifies a harnessing of continental and American habits of intellectual thought and illustrates the singularity that emerges from such a configuration. As such, the book functions as a mirror of our intellectual moment and offers the academy a rigorous way of acknowledging the limitations of its own interpretive practices.