Mark Doty

Why do dogs speak so profoundly to our inner lives? When Mark Doty decides to adopt a dog as a companion for his dying partner, he finds himself bringing home Beau, a large golden retriever, malnourished and in need of loving care, to join Arden, the black retriever. As Beau bounds back to life, the two dogs become Mark Doty's companions, his solace, and eventually the very life force that keeps him from abandoning all hope during the darkest days - their tenacity, loyalty and love inspiring him when all else fails.

Mark Doty has always felt haunted by Walt Whitman's perennially new American voice, and by his equally radical claims about body and soul. In What Is the Grass, Doty effortlessly blends biography, criticism, and memoir to keep company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet's life and work.

In What Is the Grass, Doty ââ?¬â?? a poet, a lover of men, a New Yorker, and an American ââ?¬â?? keeps company with Whitman and his mutable, landmark work, Leaves of Grass, tracing the resonances between his own experience and the legendary poetââ?¬â?¢s life and work. What is it, then, between us? Whitman asks.

Mark Doty has always felt haunted by Walt Whitman's bold, perennially new American voice, and by his equally radical claims about body and soul and what it means to be a self. In What Is the Grass, Doty--a poet, a New Yorker, and an American--keeps company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet's life and work. What is it then between us? Whitman asks. In search of an answer, Doty explores spaces--both external and internal--where he finds the poet's ghost. He meditates on desire, love, and the mysterious wellsprings of the poet's enduring work: a radical experience of transformation and enlightenment, queer sexuality, and an obsession with death, as well as unabashed love for a great city and for the fresh, rowdy character of American speech. In riveting close readings threaded with personal memoir and illuminated by awe, Doty reveals the power of Whitman's persistent presence in his life and in the American imagination at large.How does a voice survive death? What Is the Grass is a conversation across time and space, a study of the astonishment one poet finds in the accomplishment of another, and an attempt to grasp Whitman's deeply hopeful vision of human possibility.

Mark Doty's poetry has long been celebrated for its risk and candor, an ability to find transcendent beauty even in the mundane and grievous, an unflinching eye that--as Philip Levine says--"looks away from nothing." In the poems of Deep Lane the stakes are higher: there is more to lose than ever before, and there is more for us to gain. "Pure appetite," he writes ironically early in the collection, "I wouldn't know anything about that." And the following poem answers: Down there the little star-nosed engine of desire at work all night, secretive: in the morning a new line running across the wet grass, near the surface, like a vein. Don't you wish the road of excess led to the palace of wisdom, wouldn't that be nice? Deep Lane is a book of descents: into the earth beneath the garden, into the dark substrata of a life. But these poems seek repair, finally, through the possibilities that sustain the speaker aboveground: gardens and animals, the pleasure of seeing, the world tuned by the word. Time and again, an image of immolation and sacrifice is undercut by the fierce fortitude of nature: nature that is not just a solace but a potent antidote and cure. Ranging from agony to rapture, from great depths to hard-won heights, these are poems of grace and nobility.

My Alexandria comprises a series of eloquent meditations on the essential themes- mortality and life, beauty and loss. The collection is haunted by the spectre of AIDS, but is transfigured by Mark Doty's ranging imagination, effortless stylistic skill and huge emotional power.

ââ?¬Ë?Pure appetite,ââ?¬â?¢ he writes ironically early in the collection, ââ?¬Ë?I wouldnââ?¬â?¢t know anything about that.ââ?¬â?¢ And the following poem answers: Down there the little star-nosed engine of desire at work all night, secretive: in the morninga new line running across the wet grass, near the surface, like a vein.

The selected early poems by Mark Doty including the complete texts of Turtle, Swan and Bethlehem in Broad Daylight for which Mr. Doty has contributed a new introduction.

How a writer moves perception to image to written world is at the heart of any literary work. Here, celebrated writer and poet Mark Doty closely examines this essential literary technique and how it varies from writer to writer. Drawing on the sensory experience found in the poems of Blake, Whitman, Bishop and others, Doty gives an insight into this essential craft. Written in clear chapter essays, his book is an invaluable resource for writers, students, critics and anyone with an interest in the art of literature.

"Fire to Fire should solidify Doty's position as a star of contemporary American poetry. . . . The poems combine close attention to the fragile, contingent things of the world with the constant, almost unavoidable chance of transcendence." -- Publishers WeeklyA landmark collection of new and published works by one of our finest poets that is a testament to the clarity and thoughtful lyricism of his poems Fire to Fire collects the best works from seven books of poetry by Mark Doty, acclaimed poet and New York Times bestselling author of two memoirs, Firebird and Dog Years.Doty's subjects--our mortal situation, the evanescent beauty of the world, desire's transformative power, and art's ability to give shape to human lives--echo and develop across twenty years of poems. His signature style encompasses both the plainspoken and the artfully wrought; here one of contemporary American poetry's most lauded, recognizable voices speaks to the crises and possibilities of our times.

In this, his eighth book of poetry, Mark Doty's subjects - our mortal situation, the evanescent beauty of the world, desire's transformative power and poetry's ability to give shape to human lives - echo and develop.

Presents reflections on our feelings for animals and the lessons they teach us about life, love, and loss. This book describes the vulnerability of dogs, the energy and joy they bring, and the gift they bear us of unconditional love.

A Washington Post Book World Best Book of the YearWinner of the Israel Fishman-Stonewall Book Award for Nonfiction"Tender and amusing. . . . Doty brilliantly captures the qualities that make dogs endearing." -- The New YorkerWhen Mark Doty decides to adopt a dog as a companion for his dying partner, he brings home Beau, a large, malnourished golden retriever in need of loving care. Joining Arden, the black retriever, to complete their family, Beau bounds back into life. Before long, the two dogs become Doty's intimate companions, and eventually the very life force that keeps him from abandoning all hope during the darkest days. Dog Years is a poignant, intimate memoir interwoven with profound reflections on our feelings for animals and the lessons they teach us about living, love, and loss.

This work pairs Mark Doty's elegy to his friend, Lynda Hull, with visual details of Murano glass. The poem originally appeared in "Sweet Machine" published by Harper Flamingo in 1998. The Murano glass is from the Getty collection.

A collection of dark and lyrical poetic works by the award-winning author of My Alexandria focuses on the ways in which humans are educated by time and desire, in a volume that ruminates on how works of art and literature reflect an inevitability of despair. Reprint.

This bold, wide-ranging collection -- his sixth book of poems -- demonstrates the unmistakable lyricism, fierce observation, and force of feeling that have made Mark Doty's poems special to readers on both sides of the Atlantic.The poems in Source deepen Doty's exploration of the paradox of selfhood. They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.

Mark Doty's prose has been hailed as "tempered and tough, sorrowing and serene" (The New York Times Book Review) and "achingly beautiful" (The Boston Globe). In Still Life with Oysters and Lemon he offers a stunning exploration of our attachment to ordinary things-how we invest objects with human store, and why.

Tells the story of a ten-year-old in top hat, cane and a red chiffon scarf, interrupted while belting out Judy Garland's 'Get Happy' by an alarmed mother at the bedroom door exclaiming, in shame and exasperation: 'Son, you're a boy'.