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Kirjailija

Mark Edward

Kirjat ja teokset yhdessä paikassa: 5 kirjaa, julkaisuja vuosilta 2015-2025, suosituimpien joukossa Counterculture UK. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

5 kirjaa

Kirjojen julkaisuhaarukka 2015-2025.

Counterculture UK

Counterculture UK

Mark Sheerin; Coco Khan; Susan Murray; Mark Edward; Penny Pepper; Paul Quinn; Hayley Foster Da Silva; Ellen Cheshire; Dr K. Charlie Oughton; Simon Smith; Jack Bright; Ben Graham; Em Ayson; Tim Burrows; Dr Tim Garrett; Bella Qvist

Aurora Metro Books
2015
nidottu
What is Counterculture? – It’s an alternative lifestyle... – The ideas that spark a revolution... – A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice – or just be entertained. Can we find the creative inspiration to succeed in a postcapitalist future?
Drag: The Basics

Drag: The Basics

Mark Edward; Chris Greenough

TAYLOR FRANCIS LTD
2025
sidottu
Drag: The Basics offers a concise, critical, and intersectional exploration of drag performance through its rich histories, theories, practices, and politics across global contexts.Through sharp analysis and compelling case studies, this accessible volume delves into drag's complex relationships with race, gender, sexuality, class, disability, and media representation. The book traces drag's transformative journey from countercultural expression to mainstream phenomenon, examining its role in protest, activism, and artistic innovation while providing fresh insights that go beyond surface-level understanding.Drag: The Basics is ideal for students and scholars in performance studies, gender theory, queer studies, and cultural history, as well as performers and curious enthusiasts seeking deeper engagement with drag cultures beyond makeup and glitter.
Drag: The Basics

Drag: The Basics

Mark Edward; Chris Greenough

TAYLOR FRANCIS LTD
2025
nidottu
Drag: The Basics offers a concise, critical, and intersectional exploration of drag performance through its rich histories, theories, practices, and politics across global contexts.Through sharp analysis and compelling case studies, this accessible volume delves into drag's complex relationships with race, gender, sexuality, class, disability, and media representation. The book traces drag's transformative journey from countercultural expression to mainstream phenomenon, examining its role in protest, activism, and artistic innovation while providing fresh insights that go beyond surface-level understanding.Drag: The Basics is ideal for students and scholars in performance studies, gender theory, queer studies, and cultural history, as well as performers and curious enthusiasts seeking deeper engagement with drag cultures beyond makeup and glitter.
Total Darkness

Total Darkness

Mark Edward

Lulu.com
2018
sidottu
Total Darkness is a revealing look into the dark mentalism and s ance mind of Mark Edward. A 233 page hardback book with an exclusively designed dust-jacket by artist Vincent Mattina. Featuring a foreword by Tony 'Doc' Shiels, 15 in-depth fully photo illustrated s ance pieces concluding with six more effects in the first published release of The Keith Moon S ance.
Mesearch and the Performing Body

Mesearch and the Performing Body

Mark Edward

Birkhauser Verlag AG
2018
sidottu
This book is an anthology of Mark Edward’s creative practice-led projects. It transmits and communicates his research through varied artistic means, primarily contemporary dance, immersive art installation, drag performance, and photography. Through the innovative practice of 'mesearch', in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance. Instead of being an attempt to undervalue or challenge the accepted notions of style within academic research, it promotes a freedom of expression which allows greater fluidity between the researcher, the performer, and the writer.