Mark Evans

Mark Evans joined AC/DC in 1975, at only nineteen years old, when they were one of the hardest working and loudest rock bands in Australia. In the next few years AC/DC recorded four bestselling albums, and Mark found himself headlining world tours and living the life of a bonafide rock star. His memoir, "Dirty Deeds: My Life Inside and Outside of AC/DC," is the first book written by an AC/DC insider, giving fans insight into the life of not only Evans, but also singer Bon Scott, who died tragically in 1980. Rock and roll icons like George Harrison, Gene Simmons, and members of Metallica feature as well. AC/DC remains one of the top-grossing bands of all time, and Mark s memoir is the first to reveal the band dynamic from behind the scenes, painting a portrait of five extremely hardworking, talented, and mischievous musicians who were yet culpable to the demons that drive many bands apart: sudden fame, sex, drugs, and rock and roll."

This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.

This book is the first critical analysis of the key principles and practices informing the movement training of actors in the modern era. Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor. The volume looks in detail at the influence of the leading figures in movement training — Laban, Alexander, Copeau and Lecoq — on twentieth century professional actor training, and is informed by interviews with students and staff at leading English drama schools. Mark Evans re-evaluates the significance of movement training in the professional drama school, offering a new understanding of the body as a site for performative resistance to industrialization. Despite the publication of a number of ‘how to’ books on movement training for the professional acting student, this is the first text to look behind the curtain and write the unseen biography of the actor’s body.

This book elaborates a plausible and attractive conception of 'self-realisation' as an ideal of how one might live well by developing one's talents and capacities, which is suitable for the modern age. This ideal is a valid concern for modern political theory in that it can contribute to how we can encourage our social and political institutions. It explains that the contention of self-realisation is a fitting concern for 'modern times', yet seeking a secularised conception, removing the monopoly certain Eastern philosophies seem to have adopted. The author demonstrates that utopian ethical and political thinking has value in enriching our imaginations, is not on a slippery slope towards a dangerously totalitarian 'engineering of the soul' and can be used to inspire incremental changes to existing institutions and practices in a robustly 'down-to-earth' conception of the politically feasible.

There has been much passionate debate and emotion aroused by the introduction of contemporary music styles into the modern church. While these debates have rarely produced a victor, the detrimental effects of them have resonated throughout many Protestant churches worldwide. Rather than simply fuelling this debate further, "Open Up The Doors" represents an attempt to provide objective criteria and analytical frameworks by which the quality and function of contemporary congregational music can be assessed. The latest music from Hillsong, Soul Survivor, Parachute, Vineyard, Christian City and others is examined in order to reveal both the beneficial and dangerous trends occurring in modern church music. "Open Up The Doors" considers how well modern music is serving the modern church, and also how effectively it is operating as a musical form in the secular culture that surrounds it.

There has been much passionate debate and emotion aroused by the introduction of contemporary music styles into the modern church. While these debates have rarely produced a victor, the detrimental effects of them have resonated throughout many Protestant churches worldwide. Rather than simply fuelling this debate further, "Open Up The Doors" represents an attempt to provide objective criteria and analytical frameworks by which the quality and function of contemporary congregational music can be assessed. The latest music from Hillsong, Soul Survivor, Parachute, Vineyard, Christian City and others is examined in order to reveal both the beneficial and dangerous trends occurring in modern church music. "Open Up The Doors" considers how well modern music is serving the modern church, and also how effectively it is operating as a musical form in the secular culture that surrounds it.

Magnetism is important in environmental studies for several reasons, the two most fundamental being that most substances exhibit some form of magnetic behavior, and that iron is one of the most common elements in the Earth's crust. Once sequestered in a suitable material, magnetic particles constitute a natural archive of conditions existing in former times. Magnetism provides a tracer of paleo-climatic and paleo-environmental conditions and processes. Environmental Magnetism details the occurrence and uses of magnetic materials in the natural environment. The first half of the volume describes the basic principles. The second half discusses the applications of magnetic measurements in various environmental settings on land, in lakes, in the ocean, and even various biological organisms.