Mark Hudson

This ground-breaking publication provides a new view of the great Scottish artist Alan Davie (1920-2014), whose intensely physical gestural painting stood the staid post-war British art world on its head. In advance of a new Davie gallery in Hertford, the visually spectacular book argues that far from being an essentially historical figure, defined by the abstract expressionist era of the Fifties and early Sixties when he enjoyed his greatest fame, Davie was a prophetic artist whose preoccupations with universal creativity and self-realisation are more relevant today than they’ve ever been. Lavishly illustrated with rare archive photographs and little-seen paintings, Alan Davie in Hertford demonstrates that Davie’s visionary art was far more closely bound up with physical places than is generally supposed, not least the quiet market town of Hertford, where he lived for 60 years. A catalogue of 40 works intended as the new gallery’s core collection, provides a “rich and fabulous” survey of Davie’s work, from student works of the Thirties to some of his very last paintings.

Spend 24 hours in the vibrant, divided world of Shogun's Japan. In 1614, Japan stood at a crossroads. As the Tokugawa shogunate tightened its grip on power, samurai prepared for war, Christians faced persecution, and foreign merchants navigated a rapidly shifting political landscape. In 24 Hours in Shogun's Japan, Mark Hudson brings this pivotal moment to life through the eyes of 24 individuals - nobles and farmers, merchants and monks, pirates and poets - each living through one dramatic hour of a single day. From the streets of Kyoto to the slopes of Mount Fuji, this book offers an immersive portrait of this fascinating era of Japanese history.

&i>24 Hours in Shoguns Japan&/i> takes you inside one extraordinary day of 1614, told through the lives of 24 individuals, where samurai clash, secrets simmer and the shoguns grip tightens.

Spend 24 hours in the vibrant, divided world of Shogun’s Japan.In 1614, Japan stood at a crossroads. As the Tokugawa shogunate tightened its grip on power, samurai prepared for war, Christians faced persecution and foreign merchants navigated a rapidly shifting political landscape.In 24 Hours in Shogun’s Japan, Mark Hudson brings this pivotal moment to life through the eyes of 24 individuals – nobles and farmers, merchants and monks, pirates and poets – each living through one dramatic hour of a single day. From the streets of Kyoto to the slopes of Mount Fuji, this book offers an immersive portrait of this fascinating era of Japanese history.Also available:24 Hours in the Viking World (9781789295832)24 Hours in Ancient Rome (9781789291278)24 Hours in Ancient Athens (9781789293500)24 Hours in Ancient Egypt (9781789293517)24 Hours in Ancient China (9781789296488)

Allen Jones has created some of the most powerful and provocative images of the past half century. His Pop Art paintings are icons of Swinging London, while his controversial Furniture sculptures helped set the dystopian mood of the 1970s, the era of A Clockwork Orange and Punk, on which he exerted a crucial influence. Yet Jones’s art hasn’t stood still. From early shaped canvases to current experiments with virtual reality and AI, Jones’s career has developed through a succession of formal innovations – “moves” as he calls them – which are the subject of this ground breaking publication. Lavishly illustrated with many little-seen images, the book examines Jones’s personal iconography, and – not least – his contested approach to the female form in greater depth than any previous study. Far from uncritically reflecting the “male gaze”, as some have claimed, Jones’s art has been preoccupied with themes of gender convergence and interchangeability from the outset. Allen Jones Moves takes us inside the artist’s thinking at the key junctures of his career, highlighting the intellectual curiosity that has powered a life of constant, intense creative activity.

Ihmisen kyky säädellä omia tunteitaan liittyy sosioemotionaalisiin aivotoimintoihin. Kognitiivisten kykyjen lisäksi tulisikin tarkastella sosioemotionaalisia aivotoimintoja. Biologisen iän ja kognitiivisten kykyjen lisäksi tarvitaan tietoa kehitysvammaisen henkilön viitteellisestä emotionaalisesta kehitysiästä. Haasteellinen käyttäytyminen kun saattaa riippua enemmän viitteellisestä emotionaalisesta kehitysiästä kuin kehitysvamman vaikeusasteesta. Tämän tieteelliseen tutkimukseen perustuvan kirjan tavoitteena on edistää kehitysvammaisten henkilöiden hyvinvointia ja mielenterveyttä sekä vähentää ongelmallista käyttäytymistä. Kirjan ensimmäiset kuusi lukua ankkuroivat kehityksellisen lähestymistavan kehityksellisten neurotieteiden ja kehityspsykologian teoreettisiin kehyksiin. Toisessa osassa tarkastellaan emotionaaliseen kehitykseen perustuvaa lähestymistapaa kliinisessä käytännön työssä ja ihmisten päivittäisessä elämässä. Kun tietää, missä emotionaalisessa kehitysvaiheessa kehitysvammainen henkilö toimii, on helpompi ymmärtää, miten hän kokee asioita sisäisesti, mitkä hänen ensisijaiset tarpeensa ovat ja kohdata ne. Näin vuorovaikutuksesta voi tulla miellyttävämpää puolin ja toisin: asianosaisten elämänlaatu paranee ja ohjaajien ja hoitajien työ helpottuu uhkaaviltakin tuntuvissa tilanteissa. Kirja soveltuu terveydenhuollossa, kasvatusalalla ja sosiaalialalla työskenteleville sekä muille, jotka kohtaavat ihmisiä, joilla on kehitysvamma tai muu vaikea kehityshäiriö. Kirjaa voi käyttää itsenäisesti tai arviointivälineiden kanssa (SED-S, SEO-R2). Kirjassa kuvattu teoriatausta ja esimerkit ovat helposti sovellettavissa.

Recent interdisciplinary studies, combining scientific techniques such as ancient DNA analysis with humanistic re-evaluations of the transcultural value of bronze, have presented archaeologists with a fresh view of the Bronze Age in Europe. The new research emphasises long-distance connectivities and political decentralisation. 'Bronzisation' is discussed as a type of proto-globalisation. In this Element, Mark Hudson examines whether these approaches can also be applied to East Asia. Focusing primarily on Island East Asia, he analyses trade, maritime interactions and warrior culture in a comparative Eurasian framework. He argues that the international division of labour associated with Bronze Age trade provided an important stimulus to the rise of decentralised complexity in regions peripheral to alluvial states. Building on James Scott's work, the concept of the 'barbarian niche' is proposed as a way to model the longue durée of premodern Eurasian history. This title is also available as open access on Cambridge Core.

Using a developmental perspective, the authors offer a new, integrated model for supporting people with intellectual disability (ID). This concept builds upon recent advances in attachment informed approaches, by drawing upon a broader understanding of the social, emotional, and cognitive competencies of people with ID, which is grounded in developmental neuroscience and psychology. The book explores in detail how challenging behaviour and mental health difficulties in people with ID arise when their basic emotional needs are not being met by those in the environment. Using individually tailored interventions, which complement existing models of care, practitioners can help to facilitate maturational processes and reduce behaviour that is challenging to others. As a result, the "fit" of a person within his or her individual environment can be improved. Case examples throughout the book illuminate how this approach works by targeting interventions towards the person's stage of emotional development. This book will be of interest to a wide range of professionals working with people with ID, including: clinical psychologists, psychiatrists, occupational therapists, learning disability nurses, speech and language therapists, and teachers in special education settings, as well as parents and caregivers.

Consumption used to be a disease. Now it is the dominant manner in which most people meet their most basic needs and – if they can afford the price – their wildest desires. In this new book, Ian and Mark Hudson critically examine how consumption has been understood in economic theory before analyzing its centrality to our social lives and function in contemporary capitalism. They also outline the consequences it has for people and nature, consequences routinely made invisible in the shopping mall or online catalogue. Hudson and Hudson show, in an approachable manner, how patterns of consumption are influenced by cultures, individual preferences and identity formation before arguing that underlying these determinants is the unavoidable need within capitalism to realize profit. This accessible and comprehensive book will be essential reading for students and scholars of political economy, economics and economic sociology, as well as any reader who wants to confront their own practices of consumption in a meaningful way.

Consumption used to be a disease. Now it is the dominant manner in which most people meet their most basic needs and – if they can afford the price – their wildest desires. In this new book, Ian and Mark Hudson critically examine how consumption has been understood in economic theory before analyzing its centrality to our social lives and function in contemporary capitalism. They also outline the consequences it has for people and nature, consequences routinely made invisible in the shopping mall or online catalogue. Hudson and Hudson show, in an approachable manner, how patterns of consumption are influenced by cultures, individual preferences and identity formation before arguing that underlying these determinants is the unavoidable need within capitalism to realize profit. This accessible and comprehensive book will be essential reading for students and scholars of political economy, economics and economic sociology, as well as any reader who wants to confront their own practices of consumption in a meaningful way.

This book is about the transformation of America that has occurred over the past thirty-five years, as capitalist logic has expanded into previously protected spheres of life. This expansion has had devastating effects on the potential for human development. Looking at how human beings create themselves and their worlds on material foundations of health and the natural environment, through work and politics, the book chronicles how neoliberalism has limited human potential. At a time when neoliberalism’s effects are stirring various forms of popular resistance and opposition, this is a manifesto of sorts for the range of processes that need to be confronted if human potential is to be freed from the increasingly cramped quarters to which neoliberalism has confined it.

Founded in 1955, the Rough-Stuff Fellowship is the world's oldest off-road cycling club. Its archive contains thousands of stunning images, hand-drawn maps and documents - an unexpected treasure trove of incredible value and beauty that is now being brought to a wider public by Isola Press. The photos are evocative of a bygone age and a bygone style - a time when you might set off on a bike ride wearing a shirt and tie or a bobble hat, and no ride was complete without a stop to brew up some tea and smoke a pipe. They are also a record of intrepid adventures. RSF riders explored the Lake District, the Cairngorms, the Alps and further afield, and their exploits were beautifully documented by amateur and professional photographers. In their own very British way, these men and women were pioneers, pedalling and carrying their bikes where angels feared to tread. Mountain bikes, gravel bikes, adventure bikes all owe them a debt. This book celebrates their style and their spirit. It is a stunning visual resource of cycling heritage that will inspire new adventures.

This book is about the transformation of America that has occurred over the past thirty-five years, as capitalist logic has expanded into previously protected spheres of life. This expansion has had devastating effects on the potential for human development. Looking at how human beings create themselves and their worlds on material foundations of health and the natural environment, through work and politics, the book chronicles how neoliberalism has limited human potential. At a time when neoliberalism’s effects are stirring various forms of popular resistance and opposition, this is a manifesto of sorts for the range of processes that need to be confronted if human potential is to be freed from the increasingly cramped quarters to which neoliberalism has confined it.

A conspiracy hidden inside another conspiracy and only hours left to stop it. The most powerful men inside politics circle each other in a deadly chess match to change America's foreign policy and America forever. If either wins, the country loses; can it even be stopped?

First published to accompany major retrospective exhibitions at West Cork Arts Centre and the Irish Museum of Modern Art (IMMA), this full-colour illustrated monograph explores William Crozier’s whole career, taking in the second half of the twentieth century – a key period in the development of British and Irish art. The catalogue is furnished with essays presenting brand new research by renown art historians and curators, Illuminated by unpublished sources and personal memoirs. What emerges is a picture of the continuum that runs through all of Crozier’s work, revealing a fascinating narrative that, far from a story of transformation from darker, earlier imagery into the apparent hedonism of later landscapes, is one of continuity of purpose in Crozier’s mind-set that connects 1950s Britain and Ireland with the concerns of the new millennium. Profoundly affected by post-war existential philosophy, Crozier consciously allied himself and his work with contemporary European art throughout the 1950s and 1960s, towards painters such as Jean Dubuffet, Pierre Soulages, Hans Hartung and Nicolas de Staël. The landscape became the source of visceral paintings: For Crozier, ravaged landscapes symbolised the torment and fear of the post-war condition at the heart of existentialism. Only ten years separate these images of traumatized humanity from the luxuriantly colourful works inspired by the landscape of West Cork. His early skill as a colourist reaches its zenith in paintings that capture the essence and appearance of the West Cork landscape in ways immediately recognisable to the viewer, but they are also concerned to capture a landscape during a period of great physical and social change. Crozier believed that when painting the Irish landscape he must, “Tell the truth. Say it simply.”