Martin Chalmers

A highly readable and lighthearted, yet intellectual-stimulating exploration of the modern human condition. This volume concerns itself with the question of time, from the description of a brief fragment passing by in a matter of minutes to stories of the unexpected stock-market crash of 1929, a once-in-a-century event that Europeans call ‘Black Friday’ because Wall Street’s collapse reached the Old World one day later. Through this exploration of time, Kluge ponders some fundamental questions not altered by the passing of time: What can I trust? How can I protect myself? What should I be afraid of? Our age today has achieved a new kind of obscurity. We’ve encountered a pandemic. We’ve witnessed the Capitol riots. We see before us inflation, war, and a burning planet. We gaze at the world with suspense. What we need in our lives is orientation—just like ships that navigate the high seas. We might just find that in Kluge’s vignettes and stories.

A powerful work by the heralded writer, this collection is a touchstone event in German literature of the post-war era. On April 8, 1945, several American bomber squadrons were informed that their German targets were temporarily unavailable due to cloud cover. As it was too late to turn back, the assembled ordnance of more than two hundred bombers was diverted to nearby Halberstadt. A mid-sized cathedral town of no particular industrial or strategic importance, Halberstadt was almost totally destroyed, and a then-thirteen-year-old Alexander Kluge watched his town burn to the ground. Incorporating photographs, diagrams, and drawings, Kluge captures the overwhelming rapidity and totality of the organized destruction of his town from numerous perspectives, bringing to life both the strategy from above and the futility of the response on the ground. Originally published in German in 1977, this exquisite report, fragmentary and unfinished, is one of Kluge’s most personal works and one of the best examples of his literary technique. The English edition of Air Rair includes additional new stories by the author and features an appreciation of the work by W. G. Sebald. “More than a few of Kluge’s many books are essential, brilliant achievements. None are without great interest.”—Susan Sontag

Growing up in Saddam Hussein’s Iraq, a young Kurdish boy named Kerim has ample opportunity to witness the murderous repression that defined the era for thousands of Iraqis. In Sherko Fatah’s The Dark Ship, we experience an extraordinary new voice in fiction, which tells the story of the kind of trauma and striving that leads a man from religious extremism to a vain hope for redemption. We follow Kerim from the fading memories of his childhood to his life running his family’s roadside restaurant. Captured by jihadists, he reluctantly joins the group, and grows fascinated with their charismatic leader. After a narrow escape from martyrdom and a difficult passage to Europe, Kerim, tormented by memories of his violent past, is unable to find his place in his new country. Turning yet again to his faith, he finds solace in the fundamentalist mosques of his new city. But it isn’t long before he learns once again that he cannot escape his history, his culture, or his own doubts. At once a thriller and a political narrative, The Dark Ship tracks the Kurdish experience from the war-torn mountains of northern Iraq to the bureaucracies and mosques of Berlin in a gripping journey across land and water, through ideology and faith.

Growing up in Saddam Hussein's Iraq, a young Kurdish boy named Kerim has ample opportunity to witness the murderous repression that defined the era for thousands of Iraqis. In Sherko Fatah's The Dark Ship, we experience an extraordinary new voice in fiction, which tells the story of the kind of trauma and striving that leads a man from religious extremism to a vain hope for redemption. We follow Kerim from the fading memories of his childhood to his life running his family's roadside restaurant. Captured by jihadists, he reluctantly joins the group, and grows fascinated with their charismatic leader. After a narrow escape from martyrdom and a difficult passage to Europe, Kerim, tormented by memories of his violent past, is unable to find his place in his new country. Turning yet again to his faith, he finds solace in the fundamentalist mosques of his new city. But it isn't long before he learns once again that he cannot escape his history, his culture, or his own doubts. At once a thriller and a political narrative, The Dark Ship tracks the Kurdish experience from the war-torn mountains of northern Iraq to the bureaucracies and mosques of Berlin in a gripping journey across land and water, through ideology and faith.

Scathingly clever short stories. Includes "The Devil in the White House" and "The Development of Iraq as a Case for the Files." At once a genuine story-teller and a literary documentarian, Alexander Kluge's genius lies in the very special way he makes found material his own. Each of the miniatures collected here touches on "facts" and is only several pages long. In just a paragraph he can etch a whole world: he is as great a master of compression as Kafka or Kawabata. Arranged in five chapters, the dozens of stories of The Devil's Blind Spot are condensed, like novels in pill form. The first group of stories illustrates the little-known virtues of the Devil. The second explores love from Kant and opera through the Grand Guignol. The third is entitled "Sarajevo Is Everywhere" and tests how convincing power is. The fourth group concerns the cosmos, and the fifth ranges all our "knowledge" against our feelings. In each piece, Kluge alights on precise particulars: on board the atomic submarine Kursk, for instance, we are marched precisely step by step through a black comedy of the exact, disastrous stages of thinking that lead to catastrophe. Sample titles include "The Devil in the White House," "The Development of Iraq as a Case for the Files," "Intelligence of the Second Degree," and "Love's Mouth Also Kisses the Dog."