Martin Popoff

Dublin's Thin Lizzy have become one of the most revered cult acts of all time, studious and discerning fans of hard rock the world over revelling in the storytelling acumen of the legendary Phil Lynott and the craft and class of his band. Through numerous interviews with most of the principals involved and a mountain of painstaking research Emerald; Thin Lizzy's Golden Era examines the band's career up to 1976 culminating in the superlative and sparkling Jailbreak, home of such hits as 'Cowboy Song', 'Emerald', 'Jailbreak' and 'The Boys Are Back In Town' and followed by Johnny The Fox that included the hit single 'Don't Believe A Word'. Along the way, alcohol and drugs wreaked havoc between band members, producers and managers, but despite line-up changes and a mostly grinding, rock scrabble existence, Ireland's favourite sons persevered, finally achieving the smash hit record they'd deserved for so long. Immerse yourself in Popoff's celebrated record-by-record methodology and emerge a rejuvenated Lizzy fan, newly appreciative of the deep album tracks hiding within this singular band's often forgotten early years. A revised and expanded version of Popoff's previous Dublin To Jailbreak Emerald; Thin Lizzy's Golden Era is based on interviews the author conducted specifically for the book with band members Eric Bell, Scott Gorham, Brian Downey, Gary Moore and Brian Robertson; managers Terry O'Neill and Ted Carroll; producers Nick Tauber and Ron Nevison; Nigel Grange from Vertigo; road manager Frank Murray and cover artist Jim Fitzpatrick. Revealing Phil Lynott in all his dastardly guises Emerald; Thin Lizzy's Golden Era, is an essential read for the devoted Lizzy fans.

Through a confluence of grinding hard rock grooves, pioneering electronics and liquid lighting, Dave Brock and his assembled astronauts of mind and space have been defining for more than fifty years now what it means to be the ultimate cult band. Ripping into the public consciousness with the Space Ritual live album of 1973, Hawkwind have never looked back, discovering new ways to equate the subatomic with the infinite, the endless void of space with totality, using the exotic language of their ever-evolving yet complex musical language, one that defies genre classification, but perhaps creates a genre all its own, namely space rock. Accompanying their more than thirty studio albums and myriad companion pieces along the way are the graphics thereof, visuals that further attempt to explain themes that are hard to articulate. Hawkwind: A Visual Biography concentrates the third eye on this part of the package, presenting pretty pictures of record covers, promo items, advertisements, ticket stubs, paper goods pertaining to side-projects and numerous photos, most previously unpublished, of Brock and crew resplendent in their live space, in hopes that the Hawk manifesto just might become a little more knowable. Aiding in that cause, Martin Popoff has provided a detailed timeline of the band's complicated and dramatic career goings-on, helping to guide one's way through each year and era, each hiring and firing and misfiring, each cluster of notions, audio magic potions, each sailing upon inter-stellar topographic oceans. The ultimate aim is to send older fans as well as the next generation of blaster-offer back to the original scriptures, the studio albums serving as space-flung signposts, in search of the charming and astounding sounds that gave rise to Hawkwind: A Visual Biography.

In Dominance and Submission: The Blue Oyster Cult Canon, three-time BOC book author Martin Popoff turns the microphone away from himself to moderate a gathered and esteemed panel of Cult experts for deep-dive discussions on every Blue Oyster Cult studio album. No stone is left unturned, as we look at the personalities in the band, every song, every album cover, the band's highly regarded lyrics as poetry, their music as ground-breaking and genre-defying. Dominance and Submission is set-up in Q&A format, allowing for pure and piercing prose that is also conversational and easy-access. In the end, the author is confident that the wise words from this cabal of music authorities-with Popoff not pulling any punches either, joining in the fun when the door is opened-will have you playing the band's "canon" with a renewed appreciation as to the complexity laced throughout such albums as Tyranny and Mutation, Agents of Fortune-with its career defining hit "(Don't Fear) The Reaper"-Spectres, Fire of Unknown Origin and the daunting Imaginos. But have no fear, Martin and his team have taken us right up to the band's effusively received comeback album, The Symbol Remains, bringing band and fan full circle-umlauts included, of course. Finally, augmenting the learning (and listening) experience, Dominance and Submission provides a plethora of images that make these essays on the band's fifteen albums that much more visceral. Bottom line: if you thought Martin had covered everything you need to know in his definitive Agents of Fortune: The Blue Oyster Cult Story, think again-the analysis proffered by his panel even sent Popoff back to the sacred texts for a rock 'n' roll re-imagining. If he's been made smarter by what these guys have to say, you will be too.

Wild Mood Swings: Disintegrating The Cure Album by Album, Martin Popoff’s innovative new project on iconic post-punk pioneers The Cure, celebrates 50 years now since key actor of the band Robert Smith got hold of his first guitar. And the form this celebration takes is a critical analysis of the band’s 13 studio albums, utilising a panel of thoughtful and engaging music critics culled from the author’s and Marco D’Auria’s video channel, The Contrarians. Presented in easy-to-read Q&A format, Martin gathers these wise music swamis into small teams with an aim toward deconstructing and reassembling each album, hopefully generating myriad new ways for the reader and Cure fan to appreciate the band’s seminal records, beginning with Three Imaginary Boys in 1979 and ending with 4:13 Dream in 2008. As bonus to the discussion, Popoff has created a detailed timeline linked to each album, echoing the format used for his many celebrated visual biographies issued through Wymer Publishing in recent years. The end result presents a fresh methodology with which to consider a band’s catalogue, with the hope being that the mix of hard chronological reference material and freewheeling opinion, review and analysis makes for a lively celebration of—and subsequent richer appreciation for—everything Robert Smith has done for millions of Cure fans around the world, much of it therapeutic, redemptive and in so many inspiring instances, urgently life-saving.

Take a deep dive into one of the best-selling albums ever on the 50th anniversary of its release with this beautifully produced and authoritatively written slipcased edition.Veteran rock critic Martin Popoff leaves no stone unturned in taking apart Pink Floyd’s generation-spanning masterpiece, The Dark Side of the Moon, while exploring each of the album’s 10 tracks and their themes of madness, anxiety, and alienation. Chapters cover:The state of Pink Floyd as of 1972, with special emphasis on deposed founder Syd BarrettThe recording sessions at famed Abbey Road Studios, including techniques used and the roles of personnel such as engineer Alan ParsonsSong-by-song studies of each album side, including analyses of lyrics and the guitars, drums, keyboards, and synthesizers employed by members David Gilmour, Roger Waters, Nick Mason, and Richard WrightThe ground-breaking art and packaging created by design firm Hipgnosis and its founder Storm ThorgersonThe continent-hopping tours that supported the album and also introduced the songs before its releaseThe rock group’s trajectory post-Dark Side, including notable albums, tours, and the departure of WatersPopoff also takes you on side journeys examining each band member, session players, prog rock, the Live at Pompeii concert and film, Waters’ singular writing technique, Dark Side collectibles, awards, and more. There’s even a brief discography and complete LP tour dates.Presented in a 10.5" × 10.5" slipcased book, Pink Floyd and The Dark Side of the Moon is illustrated with stunning performance and candid off-stage photography as well as rare memorabilia.The result is a richly presented celebration and your ultimate tribute to the prog-rock masterpiece.The Great Albums series presents authoritative explorations of rock’s most revered records, beautifully packaged for fans to treasure. Delve into even more groundbreaking releases with: The Who & Quadrophenia, Prince and Purple Rain, Bruce Springsteen and Born to Run, and Queen & A Night at the Opera, with more to come.

One of the world’s most prolific bands is being broken down track by track, album by album—and you have tickets to the details, facts, and secrets in Led Zeppelin?. Formed by the unlikely alliance of two ace London studio musicians and two bar-band bumpkins, Led Zeppelin went on to create the template for the marauding modern rock ’n’ roll band. Often described as “heavy,” any true fan will tell you that the band’s 9 studio albums and 81 tracks thereon are actually a complex amalgam of blues, psychedelia, rock, folk, and country that reveal the influences of Led Zeppelin’s four members. Veteran music journalist Martin Popoff picks apart each of these 81 tracks in exquisite detail, and for the first time ever, you can come along for the ride. Popoff analyzes the circumstances that led to their creation, the recording processes, the historical contexts, and more. Offstage and performance photography, as well as images of rare memorabilia, bring the band’s story to vivid life. Included as a special bonus, he also offers an introductory essay on each of the band’s nine studio albums, and sidebar features that explore influences on the band as well as song details, such as running time, instruments played, engineers, and studios.

The Damned are forever in the history books as the first UK punk band to get an album out. Damned Damned Damned was a flamethrower of a record, led by the incendiary violence of “New Rose” (first UK punk single as well) and “Neat Neat Neat,” two shocking punk anthems that defined the golden era of the new wave more purely pogo-mad than anything outta The Clash or the Sex Pistols. And the mayhem never let up, with the band already breaking up and reforming (another first!) by 1979 for one of the greatest punk albums of all time, Machine Gun Etiquette (by the way, The Damned were also the first UK punk band to tour America). More punch-ups and gratuitous vandalism ensued as the band expanded its palette through the years. Popoff has wanted to write Lively Arts: The Damned Deconstructed for decades, and now that it’s finished, he’s been all over video and radio calling it his favourite and best book he’s ever done. For in it, Popoff got to analyse monastically — headphones and repeat button at the ready — every damned Damned song across all the albums and every EP and single. This herculean task represented a joy of an exercise from a penmanship point of view, but it was most satisfying in a proselytizing sense — Martin wants everybody joining him in poring over The Damned catalogue in minute detail. Let this long-suffering band of scrapping, scratching cats in a sack know how important and beloved they are before they’re all dead!

In 1974, Alice Cooper shocked the rock world, scooped up his makeup kit and went solo. Consummated by a legal name change from Vincent Furnier to Alice Cooper, “the man behind the mask” never looked back, writing and recording fully 21 studio albums across a roller-coaster career that is now nearly 60 years on in the business, with almost 50 of that on his own, calling the shots as a man and brand with a plan, often guided by manager Shep Gordon, one of the best in the biz. Feed My Frankenstein: Alice Cooper, the Solo Years charts this action-packed era for Alice, beginning with the smash success of the Welcome to My Nightmare album and tour and hitting a nadir with the blackout years of the early ‘80s, where Alice nearly died from booze and hard drugs before being brought back by his faith in God and by the good graces of his wife Sheryl. Next came Alice’s third wave of major success with Trash and Hey Stoopid, followed by a settling into regular record-making and touring duties, culminating in some of his best work quite recently, with Dirty Diamonds, Along Came a Spider and 2021’s Detroit Stories. All of this is celebrated in Feed My Frankenstein, meticulously charted with timeline entries that are extensively explained and corroborated by a gallery of Alice’s band members throughout the decades. Helping bring the story to life is a smorgasbord of imagery, from live photography through to all manner of memorabilia, underscoring how visceral the visual has always been for this legendary showman. Get on board and get a sense of how each and every one of Alice’s 21 solo albums work, along with an understanding of how absolutely and insanely jam-packed life has been for Alice since 1974 when he and Shep rolled the dice, pooled all their resources and took us on an all-guns-blazing tour of Alice’s sleeping brain. Indeed, once rolling, it just never stopped. Next station was Hell, followed by a visit to the asylum and then, down the road apiece, Brutal Planet, Dragontown and finally Michigan for some Detroit Stories. It’s all here in red, black and blue — bring your camera.

The astonishing run of albums unleashed upon an unsuspecting public within the span of five years created the legend of Alice Cooper that lives on to this day. But we’re talking about the original Alice Cooper group here, a band called that with a lead singer also going by that name. In other words, the legend was built by Vincent “Alice Cooper” Furnier, Michael Bruce, Glen Buxton, Dennis Dunaway and “platinum god” Neal Smith. It is all of them working together — along with producer Bob Ezrin — that created the mystique of songs like “I’m Eighteen,” “Is It My Body,” “Desperado,” “Under My Wheels,” “Be My Lover,” “Elected” and “No More Mr. Nice Guy.” And it is all of them working together — along with crack management in Shep Gordon and Joe Greenberg—that created the shock rock buzz that kept the newspapers full of indignation about this band set out to destroy human civilization. Easy Action: The Original Alice Cooper Group tells the story in meticulous chronological detail, from the band’s early days in Phoenix as The Spiders, through being broke on the Sunset Strip, followed by a career-reviving relocation to a notorious party house on the outskirts of Pontiac, Michigan. Corroborating the improbable sequence of events is a plethora of stories from the band themselves, who explain how the original Alice Cooper group went from politely ignored pariahs in Los Angeles to international Public Enemies No. 1, 2, 3, 4 and 5. Listen to the guys and their good-natured explanations behind the mayhem, and it soon becomes apparent that the ghoulish makeup around the singer’s eyes and the boa constrictor around his neck — not to mention the head-choppings, the hangings and the hard rock — were all served up in good fun. Now it’s time for you, dear reader, to join in the fun and see why Alice Cooper was, for a golden moment in time fully 50 years ago now, the most feared and revered act in all of rock ‘n’ roll.

A unique and beautifully produced celebration of the iconic and beloved rock star, Bowie at 75 features a slipcased hardcover with a gatefold timeline, gatefold artwork, frameable pull-out gig poster, and a pull-out photo print!Hendrix, Joplin, Mercury…few rock artists garner as much adulation after passing as they did in life. In Bowie at 75, veteran rock journalist Martin Popoff examines David Bowie’s extraordinary life through the lens of 75 significant career achievements and life events, guiding you through all 27 studio albums, as well as a curated selection of earworm singles. But Popoff delves deeper to reveal the events that helped chart the course of Bowie’s career: Guest appearances with artists like Iggy Pop, Lou Reed, Tina Turner, and QueenKey performances such as Live AidCollaborations with an incredible roster of guitarists that included Mick Ronson, Adrian Belew, Robert Fripp, Stevie Ray Vaughan, Nile Rodgers, and Earl SlickFilm and television rolesRomance…and more.From his eponymous 1967 debut LP and ending with Blackstar, released just two days before his death, Bowie is regarded as one of the most influential musicians and performers of the previous five decades, during which he constantly redefined himself. In examining 75 touchstones, Popoff gives you a unique view of Bowie’s career arc from folkie to the breakthrough single “Space Oddity” to his flamboyant glam rock alter ego, Ziggy Stardust, and beyond.Illustrated with live concert and candid offstage photography as well as memorabilia including gig posters, 7-inch picture sleeves, and more, this incredible package also includes a gatefold timeline, a gatefold painting depicting “A Party of Bowies,” a previously unpublished 8×10-inch glossy print, and a pullout poster by famed gig poster artist Frank Kozik. The result is a stunning tribute to one of the most influential and admired stars in rock history—in a milestone year.

They were the envy of all the more "earthly" rock acts scrambling to make it in the world of '70s hard rock, each and all aspiring to the success levels of Aerosmith, Ted Nugent, Blue Oyster Cult, Styx and Angel label mates Kiss. But the story of Angel is of a band out of time, playing regal progressive heavy metal and then changing to try reach radio, in either guise, not quite clicking with enough Kiss fans-Kiss were the devils in black and Angel were the good guys in white-nor the fans of progressive rock or, later, those more inclined to Foreigner, Journey and Cheap Trick. Along the way, the band went first class, with the best gear, a killer stage show and tons of promotion from Neil Bogart and Casablanca until they had racked up a million dollars of debt by the end of their blessed run, the guys often oblivious to what lesser bands had to go through. Indeed, this is a story of a band hailed as rock stars and indeed often headlining like rock stars, without the record sales to justify the crazy spending that a believing Bogart threw at the band. Then it was all over and we heard virtually nothing from any of them (save for keyboardist Gregg) after 1981 until... well, both Punky Meadows and Frank DiMino stormed back with solo albums. And then, appearing outta nowhere like they did in their famous stage show, Angel returned in 2019 with a blindingly white and quite sprightly new album called Risen. Come celebrate what it was like to live as the alter-ego to Kiss as we examine the band's five studio albums of the original run, the crushing concert album, Live Without a Net, as well as where it all went wrong and the inspiring return of Frank and Punky through the spirited hard rocker that is Risen.

The conclusion to the definitive biography of the rock 'n' roll kings of the North...now in paperback Includes two full-colour photo inserts, with unearthed photos of the band. "Popoff's long-time access to the three band members, Geddy Lee, Alex Lifeson, and Neil Peart, and their associates continues to provide a phenomenal treasure trove of insight and detail." -- Library Journal In this conclusion to his trilogy of authoritative books on Canada's most beloved and successful rock band, Martin Popoff takes us through three decades of "life at the top" for Rush's Geddy Lee, Alex Lifeson, and Neil Peart. Though this era begins with the brisk-selling Roll the Bones and sees throngs of fans sell out international tours, there is also unimaginable tragedy, with Peart losing his daughter and his wife within the space of ten months and, two decades later, succumbing to cancer himself. In between, however, there is a gorgeous and heartbreaking album of reflection and bereavement, as well as a triumphant trip to Brazil, a Rock and Roll Hall of Fame induction, and -- some say surprisingly -- the band's first full-blown concept album to close an immense career marked by integrity and idealism.

Documents Yes's career from the eighties to the present day. Built around Popoff's interviews with Anderson, Bruford, Howe, Squire, Wakeman, Downes, White and many others, leaving much of the story to be told in their own words, along with an abundance of concert images and off stage shots.

THE STORIES BEHIND EVERY STUDIO TRACK FROM THE ONLY BAND THAT MATTERS. Established in 1976 at the fore London's punk rock insurgence, The Clash would outlast their peers while creating some of the most influential albums in rock 'n' roll history. Author Martin Popoff dissects each of the Clash's ninety-one studio tracks, examining the circumstances that led to their creation, the recording processes, the historical contexts and more. In addition, introductory essays set the scene for the band's six studio releases (including the double LP London Calling and the triple Sandinista ) and feature sidebars detailing studios, release dates, personnel, and more. Illustrated with rare performance and offstage photography, along with images of 7-inch singles sleeves and gig posters, the resulting volume is a fitting tribute to the foursome whose staunch political stance and groundbreaking amalgam of punk, rockabilly, reggae, and hip-hop earned the title "The Only Band That Matters."

Yes: A Visual Biography I: 1968 - 1981 documents the progressive rock pioneer's first twelve years from the release of their eponymous debut album through to 1980's Drama: A suitable name for a band whose career has been full of drama as documented in Popoff's narrative that charts Yes's ups and downs as the band glided out of the sixties with a full-on assault on the seventies music scene that saw them become one of the biggest global acts-selling out venues around the world from New York's Madison Square Garden to London's Wembley Arena. Popoff takes you on a journey from the early days of the band with original members Chris Squire, Jon Anderson, Bill Bruford, Peter Banks and Tony Kaye; to the hugely successful seventies when the likes of Steve Howe, Patrick Moraz, Rick Wakeman and Alan White all added their individual stamps on the band's identity. Then the surprise union with The Buggles that saw Yes enter the eighties a world apart from the way they had entered the seventies but continuing to delight their legion of fans.

This visual biography timeline acts as a reference book, including the side-projects, and documents the parallel career paths of UFO and Michael Schenker since 1980, along with Waysted. Covering it all in one mighty tome, crammed full of stunning visuals including many previously unpublished photos.

A photo-stuffed coffee table book with the entire fifty plus year history in meticulous timeline order - a rock-hard reference book, with the facts presented mostly soberly and efficiently. This book contains all manner of facts that also takes a detailed look at offshoot bands and side-projects throughout the visually stunning pages.

Accompanying more than thirty studio albums are the graphics thereof. Martin Popoff has provided a detailed timeline of the band's complicated and dramatic career alongside stunning visuals of promo items, advertisements, ticket stubs, paper goods and numerous photos, most previously unpublished, of Brock and crew resplendent in their live space.

Part two of the definitive biography of the rock 'n' roll kings of the North -- covering Rush's most iconic and popular albums, Moving Pictures and Power Windows Includes two full-color photo inserts, with 16 pages of the band on tour and in the studio In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes readers from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory. Limelight: Rush in the '80s is a celebration of fame, of the pushback against that fame, of fortunes made -- and spent ... In the latter half of the decade, as Rush adopts keyboard technology and gets pert and poppy, there's an uproar amongst diehards, but the band finds a whole new crop of listeners. Limelight charts a dizzying period in the band's career, built of explosive excitement but also exhaustion, a state that would lead, as the '90s dawned, to the band questioning everything they previously believed, and each member eying the oncoming decade with trepidation and suspicion.