Mary Jo Bang

Mary Jo Bang's translation of Paradiso completes her groundbreaking new version of Dante's masterpiece, begun with Inferno and continued with Purgatorio. In Paradiso, Dante has been purified by his climb up the seven terraces of Mount Purgatory, and now, led by the luminous Beatrice, he begins his ascent through the nine celestial spheres of heaven toward the Empyrean, the mind of God. Along the way, we meet the souls of the blessed--those at various proximities to God, but all existing within the bliss of heaven's perfect order. Philosophically rich, spiritually resonant, Paradiso is a reckoning with justice and morality from a time of ethical questioning and political division much like our own. Bang's translation is a revelation in its artistry, readability, and faithfulness to Dante's ambition for an epic poem that dares to employ language and references recognizable to its readers. In her lyric style and her illuminating and generous notes, Bang has made The Divine Comedy for the twenty-first century.

A Film in Which I Play Everyone takes its title from a response David Bowie gave to a fan who asked if he had upcoming film roles. "I'm looking for backing for an unauthorized autobiography that I am writing," Bowie answered. "Hopefully, this will sell in such huge numbers that I will be able to sue myself for an extraordinary amount of money and finance the film version in which I will play everybody." Mary Jo Bang's brilliant poems might be the soundtrack to such a movie, where the first-person speaker plays herself and everyone she's ever met. She falls in and out of love with men, with women, and struggles to realize her ambitions while suffering crushing losses that give rise to dark thoughts. She's drawn to stories that mirror her own condition: those of women who struggle to speak in a world that would silence them. Embedded in these poems are those minor events that inexplicably persist in the memory and become placeholders: the time she lied and had her mouth washed out with soap; the time someone said she wasn't his "original idea of beauty but something. / Something he couldn't quite // put his hands on"; the time she stood in indifferent moonlight on a pier as a cat lapped at the water. Tinged with dark humor and sharpened with keen camerawork, A Film in Which I Play Everyone stars Bang at her best, her most provocative.

The exquisite new collection by the award-winning poet Mary Jo Bang, author of The Last Two Seconds and ElegyWe were ridiculous--me, with my high jinks and hat. Him, with his boredom and drink. I look back now and see buildings so thick that the life I thought I was making then is nothing but interlocking angles and above them, that blot of gray sky I sometimes saw. Underneath is the edge of what wasn't known then. When I would go. When I would come back. What I would be when. --from "One Glass Negative" A Doll for Throwing takes its title from the Bauhaus artist Alma Siedhoff-Buscher's Wurfpuppe, a flexible and durable woven doll that, if thrown, would land with grace. A ventriloquist is also said to "throw" her voice into a doll that rests on the knee. Mary Jo Bang's prose poems in this fascinating book create a speaker who had been a part of the Bauhaus school in Germany a century ago and who had also seen the school's collapse when it was shut by the Nazis in 1933. Since this speaker is not a person but only a construct, she is also equally alive in the present and gives voice to the conditions of both time periods: nostalgia, xenophobia, and political extremism. The life of the Bauhaus photographer Lucia Moholy echoes across these poems--the end of her marriage, the loss of her negatives, and her effort to continue to make work and be known for having made it.

Poems by the author of Elegy, Winner of the National Book Critics Circle Award in Poetry The goblet mouth on the table speaks To your thirst, saying, Longing, your longing, is infinite. -from "H Is Here Is a Song, Now Sing" In her sixth collection, The Bride of E, Mary Jo Bang uses a distinctive mix of humor and directness to sound the deepest sort of anguish: the existential condition. Timeless yet tirelessly inventive, Bang fashions her examination of the lived life into an abecedarius that is as rapturous in its language and music as it is affecting in its awareness of--and yearning for--what isn't there. The title of the first poem, "ABC Plus E: Cosmic Aloneness Is the Bride of Existence," posits the collection's central problem, and a symposium of figures from every register of our culture (from Plato to Pee-wee Herman, Mickey Mouse to Sartre) is assembled to help confront it. Riddled with insight, pathos, and wit, The Bride of E is a brilliant new work by one the most compelling poets of our time.

Elegy by Mary Jo Bang was the winner of the 2007 National Book Critics Circle Award in Poetry, and a 2008 New York Times Notable Book Look at her--It's as ifThe windows of night have been sewn to her eyes. --from "Ode to History"

A new collection of poetry by the author of Louise in Love and Apology for Want draws on the visual arts--painting, film, video, collage, and photography--for inspiration in a poetic exploration of art history, along with such themes as love, death, time, and desire. Original.

This compelling book takes its title from Samuel Beckett's Ohio Impromptu. In Beckett's play, a grieving beloved seeks relief from the haunting presence of a departed lover in a place where "From its single window he could see the downstream extremity of the Isle of Swans." With a bow to Beckett's style and linguistic playfulness, Mary Jo Bang's collection of poems deals compassionately and gracefully with the tangible world.Bang's savvy alliterative insistence sweeps the reader along, as her poems collectively offer a world delicately structured from memorable fragments of experience, emotion, things, and places—inside and outside the human psyche.

In this stunning new collection of poems, Mary Jo Bang jettisons the reader into the dreamlike world of Louise, a woman in love. With language delicate, smooth, and wryly funny, Louise is on a voyage without destination, traveling with a cast of enigmatic others, including her lover, Ham. Louise is as musical as she is mysterious and the reader is invited to listen. In her world, anything goes, provided it is breathtaking. Bang, whose first collection was the prize-winning Apology for Want, both parodies and pays homage to the lyric tradition, borrowing its lush music and dramatic structure to give new voice to the old concerns of the late Romantic poets. Louise in Love is a dramatic postmodern verse-novel with an eloquent free-floating narration. The poems, rife with literary allusion, take journeys to distant lands. And, like anyone on a voyage without a destination, they are endlessly questioning of the enigmatic world around them.