Mary Morris

The most popular teenager in Britain comes to the stage! "Tracy Beaker Gets Real" has been adapted by Mary Morris with music by Grant Olding from one of the most successful children's books ever, Jacqueline Wilson's "The Story of Tracy Beaker." We join Tracy, aged 15, as she returns to the 'Dumping Ground' and looks back on the last four years of her life, from being fostered - and dumped - and fostered again, to finding a happy, if not altogether harmonious home with writer Cam. When Tracy's mum unexpectedly reappears in her life, Tracy hopes that her days of being passed around like a parcel are over, but she soon comes to realize that the people she has always tried to push away are the ones she really needs the most. Touching and very funny, this play brings Tracy Beaker's trademark talent for troublemaking, fun and friendship to any production.

Award-winning novelist Mary Morris weaves together an unsolved family mystery, a poignant coming-of-age story, and a little-known corner of World War II history in this lyrical novel of family, loss and, ultimately, love. Thirty years ago, Laura's mother, Viola, went missing. She left behind her purse, her keys and her mysterious paintings of a red house. Viola was never found, and her family never recovered. Laura, an artist herself, held on to the paintings. On the back of each work, her mother scrawled in Italian, "I will not be here forever." The family never understood what Viola meant. Decades later, at a crossroads in her marriage and her life, Laura returns to Italy, where her parents met after World War II. Laura spent the earliest years of her childhood there before the family moved to New Jersey and settled into an American dream that eventually became a nightmare. Viola, who claimed to be an orphan, staunchly refused to speak of her life before marriage. In Italy, Laura finds herself on a strange scavenger hunt to solve the puzzle of her mother's lost years. She is certain that the paintings of the red house hold the answer to her mother's past and her search takes her from her hometown of Brindisi, deep into Puglia where she encounters a man who knew her mother and who illuminates little-known secrets of Italy's Second World War. Blending elements of true crime with settings that evoke Elena Ferrante, Laura follows her mother's trajectory as she ventures north to Naples, Turin and finally home. Along the way, she confronts the dark truth of her mother's story and at last makes sense of her own.

Weaving diverse cultures, vast landscapes, and ecological concerns, crossing beauty with danger, these poems are an invitation to the realm of possibility and enchantment. A flamenco dancer seduces his audience in Spain, and lovers travel through Istanbul. Writers live in exile while a menu for a dictator endangers the earth. The full moon shines over the Serengeti as nocturnal animals gather. Glaciers of Mount Kilimanjaro melt too quickly. A poet writes from his house near the beached skeleton of a whale. Lanterns in the Night Market is a love letter to the world.

A compelling collection of poems, Late Self-Portraits conveys an intimate description of lives through a collage of portraits and affliction. Weaving history and the sacred, both intimate and worldly, one encounters a blind Jorge Luis Borges with his mother, a glass confessional in the of Notre Dame Cathedral, Frida Kahlo in Mexico, ghosts, a neurosurgeon’s prognosis, and Marie Laveau in New Orleans. Whether in a field with Joan of Arc, encountering the artist Jean-Michel Basquiat, or having dinner with Hades, these are haunting poems of loss and unearthing, equally bold, personal, and tender. From “Dinner with Hades”: He shows me a birthday cake, candled. My name is written in pomegranate seeds. It’s like vertigo. Just before he seeks to devour, he halts to birdsong— sound of goldfinch, bluebird, hawk, lilting of sparrows. Of whippoorwill and dove. Wings flap, so many wings, a cool breeze as leaves unfurl into a once forgotten green and I am back on earth, held in my mother’s arms.

One of NPR's Best Books of the Year From the author of Nothing to Declare, a moving travel narrative examining healing, redemption, and what it means to be a solo woman on the road. In February 2008, a casual afternoon of ice skating derailed the trip of a lifetime. Mary Morris was on the verge of a well-earned sabbatical, but instead she endured three months in a wheelchair, two surgeries, and extensive rehabilitation. One morning, when she was supposed to be in Morocco, Morris was lying on the sofa reading Death in Venice, casting her eyes over these words again and again: "He would go on a journey. Not far. Not all the way to the tigers." Disaster shifted to possibility and Morris made a decision. When she was well enough to walk again, she would go "all the way to the tigers." So begins a three-year odyssey that takes Morris to India on a tiger safari in search of the world's most elusive apex predator. Written in over a hundred short chapters accompanied by the author's photographs, this travel memoir offers an elegiac, wry, and wise look at a woman on the road and the glorious, elusive creature she seeks.

'A volume in which rich and unexpected seams of precious materials await discovery' GuardianThree hundred years of wanderlust are captured in this collection as women travel for peril or pleasure, whether to gaze into Persian gardens or imbibe the French countryside, to challenge the fierce Sahara or climb an impossible mountain. The extraordinary women in this collection are observers of the world in which they wander; their prose rich in description, remarkable in detail. Mary McCarthy conveys the vitality of Florence while Willa Cather's essay on Lavandou foreshadows her descriptions of the French countryside in later novels. Others are more active participants in the culture they are visiting, such as Leila Philip, as she harvests rice with Japanese women. Whether it is curiosity about the world, a thirst for adventure or escape from personal tragedy, all of these women are united in that they approached their journeys with wit, intelligence, compassion and empathy for the lives of those they encountered along the way. Also includes writing by Willa Cather, Joan Didion, Vita Sackville-West, M. F. K Fisher, Christina Dodwell and more.

The poems of Dear October chronicle the evolution of the natural world and a daughter caring for her mother during the last year of her life. Months of the final year act as the scaffolding for the collection, as they reflect on the twelve moons. The spirit of home, family, and mother-daughter relationship intertwine with the diversity of culture and ecology in northern New Mexico. Dear October is a gathering of poems on the intimacy of caring for a dying parent at home, while being acutely aware of the progression of time and the natural world. The poems were often the way the author prepared for loss - written through events, memory, landscape, myth, and dreams. The writing regards a childhood in Oklahoma but mostly celebrates the diverse landscape and cultures of New Mexico.

One of NPR's Best Books of the Year From the author of Nothing to Declare, a moving travel narrative examining healing, redemption, and what it means to be a solo woman on the road. In February 2008, a casual afternoon of ice skating derailed the trip of a lifetime. Mary Morris was on the verge of a well-earned sabbatical, but instead she endured three months in a wheelchair, two surgeries, and extensive rehabilitation. One morning, when she was supposed to be in Morocco, Morris was lying on the sofa reading Death in Venice, casting her eyes over these words again and again: "He would go on a journey. Not far. Not all the way to the tigers." Disaster shifted to possibility and Morris made a decision. When she was well enough to walk again, she would go "all the way to the tigers." So begins a three-year odyssey that takes Morris to India on a tiger safari in search of the world's most elusive apex predator. Written in over a hundred short chapters accompanied by the author's photographs, this travel memoir offers an elegiac, wry, and wise look at a woman on the road and the glorious, elusive creature she seeks.

In 1492, two history-altering events occurred: the Jews and Muslims of Spain were expelled, and Columbus set sail for the New World. Many Spanish Jews chose not to flee and instead became Christian in name only, maintaining their religious traditions in secret. Among them was Luis de Torres, who accompanied Columbus as an interpreter. Over the centuries, de Torres' descendants traveled across North America, finally settling in the hills of New Mexico. Now, some five hundred years later, it is in these same hills that Miguel Torres, a young amateur astronomer, finds himself trying to understand the mystery that surrounds him and the town he grew up in: Entrada de la Luna, or Gateway to the Moon. Poor health and poverty are the norm in Entrada, and luck is rare. So when Miguel sees an ad for a babysitting job in Santa Fe, he jumps at the opportunity. The family for whom he works, the Rothsteins, are Jewish, and Miguel is surprised to find many of their customs similar to those his own family kept but never understood. Braided throughout the present-day narrative are the powerful stories of the ancestors of Entrada's residents, portraying both the horrors of the Inquisition and the resilience of families. Moving and unforgettable, Gateway to the Moon beautifully weaves the journeys of the converso Jews into the larger American story.

These poems travel physically and emotionally, addressing the human condition through evocative language. “Enter Water, Swimmer” and you will be steeped in various manifestations of this world and beyond, daring to take on diverse realms of women, belief, culture, and ethics.Day OneYou slipped through me, not by me. How could I have known I would fall through these waters into the country of us?

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Winner of the Anisfield-Wolf Book Award Boomtown Chicago, 1920s--a world of gangsters, musicians, and clubs. Young Benny Lehrman, born into a Jewish hat-making family, is expected to take over his father's business, but his true passion is piano--especially jazz. After dark, he sneaks down to the South Side to hear the bands play. One night he is asked to sit in with a group. His playing is first-rate. The trumpeter, a black man named Napoleon, becomes Benny's friend and musical collaborator. They are asked to play at a saloon Napoleon has christened The Jazz Palace. But Napoleon's main gig is at a mob establishment, which doesn't take kindly to their musicians freelancing . As Benny and Napoleon navigate the highs and the lows of the Jazz Age, a bond is forged between them that is as memorable as it is lasting. Morris brilliantly captures the dynamic atmosphere and dazzling music of an exceptional era.

The newly discovered diary of a wartime nurse - a fascinating, dramatic and unique insight into the experiences of a young nurse in the Second World War.

First Published in 1998. This is Volume XVII of eighteen of a series on the Sociology of Public Policy, Welfare and Social Work. Voluntary work is undertaken for three main reasons; first, there are jobs to be done which cannot be or at least will not be done by paid personnel; second, the opportunity to give service meets a personal need felt by individual people; and third, voluntary action is a powerful force for social progress. These three reasons provide the explanation and the justification for the existence of voluntary work. The purpose of this book is to examine the present position and future role of voluntary work in the United Kingdom and to analyse its value to the individual and to the community. Its limitations as well as its achievements will be considered and criticism as well as praise will be recorded.