Matthea Harvey

Lamb and Mary were alike. Unbalanced. Flat-footed. High-strung. This is their story like you've never heard it the tale of a loopy shepherdess and a depressive farm animal. In this version of the children's nursery rhyme, Lamb and Mary fall in love. They swoon, they are smitten. Then Mary has second thoughts. Lamb is a lamb, after all, not a man. Lamb, heartbroken, turns to drinking. Lamb goes to a madhouse. Mary buries her feelings. And then somehow, Lamb pulls it together. He leaves the madhouse mature saddened but more dignified, ready for another chance to win Mary's heart. But will Mary let Lamb back into her life?Award-winning poet Matthea Harvey offers a story told in short packets of verse, and artist Amy Jean Porter brings each stanza vividly to life with her eye-popping illustrations. The collaboration yields a beautiful, off-the-wall tale of a lamb who wants only to be human, and a human who wants the love of a lamb.

The Writer's Notebook compiles the best craft seminars in the history of the Tin House Summer Writers Workshop, along with a variety of craft essays from some of Tin House's favorite writers. The cast of deeply respected poets and prose writers explore topics that vary from writing dialogue to the dos and don'ts of writing about sex. With how-tos, close readings, and personal anecdotes, The Writer's Notebook offers aspiring scribes advice and inspiration to hone their own craft.

Matthea Harvey's "Modern Life" introduces a new voice that tries to exist in the gray area between good and evil, love and hate. In the central sequences, "The Future of Terror" and "The Terror of the Future," Harvey imagines citizens and soldiers at the end of their wits at the impending end of the world. Her prose pieces and lyrics examine the divided, halved self in poems about centaurs, ship figureheads, and a robot boy. Throughout, Harvey's signature wit and concision show us the double-sided nature of reality, of what we see and what we know.