Matthew Schultz

ICAROS is a psychedelic odyssey that roams from Los Angeles to Andromeda and is set to a soundtrack of 1960s and 70s rock and roll classics.This playful debut collection of prose poems from Matthew Schultz riffs on counterculture literature from The Beats and Surrealists to Science Fiction and Fantasy. An encomium to poets like Max Jacob, Jim Morrison, Terrance Hayes, and Jose Hernandez Diaz, Schultz considered the intersections among prose and poetry, space and time, imagination and reality, the known and the unknown.Poetry. Music.

When famine emigrant Patrick Gallagher, secures passage aboard a transatlantic coffin ship from County Cork, Ireland, to the Grosse Île Quarantine Station, Canada, he finds himself prey to a very different sort of hunger. Meanwhile, Angèle Paris D'Arcantel, a Vodou priestess, flees slavery and impending Civil War in New Orleans. She rides the Underground Railroad north along the Mississippi River to an abandoned lighthouse forsaken in the remote Adirondack wilderness at the brink of a vast, cursed forest and the harrowing bluffs of Lake Champlain. We, The Wanted is a fully illustrated novel charting the unverified and unverifiable mythologies of seemingly disparate folklores: Irish, Haitian, and Native American, that converge beneath the beacon of the Split Rock Lighthouse as a way of exploring the contemporary phenomena of disenchantment. Shining a light upon the mysterious and tragic history of the American Northeast and across the tortured generations who weathered its storm, We, The Wanted is a gothic tale of grim isolation, the consequences of (dis)belief, and the monsters that continue to lurk beyond the pale of civilization hoping to lure us into their darkness.

This quirky book of essays explores subjects as diverse as the death of Moses, the special relationship between gay men and cats, and the afterlife with a light and understanding touch.

The spectres of history haunt Irish fiction. In this compelling study, Matthew Schultz maps these rhetorical hauntings across a wide range of postcolonial Irish novels, and defines the spectre as a non-present presence that simultaneously symbolises and analyses an overlapping of Irish myth and Irish history. By exploring this exchange between literary discourse and historical events, Haunted historiographies provides literary historians and cultural critics with a theory of the spectre that exposes the various complex ways in which novelists remember, represent and reinvent historical narrative. It juxtaposes canonical and non-canonical novels that complicate long-held assumptions about four definitive events in modern Irish history – the Great Famine, the Irish Revolution, the Second World War and the Northern Irish Troubles – to demonstrate how historiographical Irish fiction from James Joyce and Samuel Beckett to Roddy Doyle and Sebastian Barry is both a product of Ireland’s colonial history and also the rhetorical means by which a post-colonial culture has emerged.