Max Decharne

'Enormously enjoyable' Dominic Sandbrook, Sunday Times Excellent ... illuminates a fascinating and still under-explored period in British youth culture and social history' Jon Savage, New Statesman With their draped suits, suede creepers and immaculately greased hair, the Teddy Boys defined a new era for a generation of teenagers raised on a diet of drab clothes, Blitz playgrounds and tinned dinners. From the Edwardian origins of their fashion to the tabloid fears of delinquency, drunkenness and disorder, the story of the Teds throws a fascinating light on a British society that was still reeling from the Second World War. In the 1950s, working-class teenagers found a way of asserting themselves in how they dressed, spoke and socialised on the street. When people saw Teds, they stepped aside. Musician and author Max Décharné traces the rise of the Teds and the shockwave they sent through post-war Britain, from the rise of rock 'n' roll to the Notting Hill race riots. Full of fascinating insight, deftly sketching the milieu of Elvis Presley and Derek Bentley, Billy Fury and Oswald Mosley, Teddy Boys is the story of Britain's first youth counterculture.

The story of Britain's first youth counterculture

The King's Road in Chelsea was at the epicentre of not one, but two worldwide cultural shifts. In the mid-sixties, it became a focal point and shop window for the new 'swinging' London, encompassing music, theatre, the visual arts, fashion and much more. It remained at the forefront of developing trends throughout the following decade until it became the breeding-ground for UK punk rock, helping inspire youthful rebellion the world over. In short, it was the place to be. In the time between the formation of the Rolling Stones and the demise of the Sex Pistols, the King's Road had the attention of the world. Just how this came to be is a classic rise-and-fall story of satisfaction and sedition, featuring some of the most famous people of the late twentieth century and many of the pivotal moments of the fifties, sixties and seventies. This revised and expanded edition of King's Road covers the cultural history of the King's Road, tracking many key figures who lived or spent time there, from Henry VIII to David Bowie, Margaret Thatcher to Vivienne Westwood, Karl Marx to The Beatles, and Mozart to Mary Quant.

Over seven centuries London has changed dramatically - from walled medieval settlement to bustling modern metropolis. But throughout its history there has been one inescapable constant: murder. It winds through the heart of the capital as surely as the River Thames. Capital Crimes tells the story of crime and punishment in the city, ­from the killing of infamous 'questmonger' Roger Legett during the Peasants' Revolt of 1381 through to the hanging of Styllou Christofi in 1954. Along the way we encounter such shocking characters as railway murderer Franz Muller, the ‘baby farmers’ of Finchley and the notorious political assassin John Bellingham. Some are well known, some obscure; the lives and fates of all, however, have much to tell us, providing a glimpse into the workings of London’s mysterious underworld and reminding us that dark deeds are not so far removed from everyday life as we would perhaps like to believe.

Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. Décharné traces the music to its Memphis roots.

Righteous jive for all you weedheads, moochers, b-girls, gassers, bandrats, triggermen, grifters, snowbirds, and long-gone daddies.Much of the slang popularly associated with the hippie generation of the 1960s actually dates back to before World War II, hijacked in the main from jazz and blues street expressions, mostly relating to drugs, sex, and drinking. Why talk when you can beat your chops, why eat when you can line your flue, and why snore when you can call some hogs? You're not drunk-you're just plumb full of stagger juice, and your skin isn't pasty, it's just caf? sunburn. Need a black coffee? That's a shot of java, nix on the moo juice. Containing thousands of examples of hipster slang drawn from pulp novels, classic noir and exploitation films, blues, country, and rock 'n' roll lyrics, and other related sources from the 1920s to the 1960s, Straight from the Fridge, Dad is the perfect guide for all hep cats and kittens. Think of it as a sort of Thirty Days to a More Powerful Vocabulary for the beret-wearing, bongo-banging set. Solid, Jackson.