Michael Alan Ross

Get an inside look at the irreverent, rule-breaking subculture of hot rodded, or “Outlaw,” Porsches in this handsome volume featuring stunning photography and interviews with key players.Being cool rarely means being “correct.” And few other sports car genres better reflect that ethos than Porsche Outlaws. The enthusiasts and builders behind these modified Porsches defiantly toss out the rulebook along with the factory-correct parts. From custom paint jobs to modified chassis, engine swaps to racing interiors, rally replicas to historic racer tributes, Porsche Outlaws are about building your dream car. These enthusiasts live by the “drive it, don’t hide it” credo, and they’ve become one of the most popular sports car subcultures around the vaunted German marque. Porsche Outlaws chronicles this rapidly growing Porsche cult. The cars are hot rods in every sense of the term, but the basis is a 356, 912, or 911 model rather than a 1932 Ford. Author and photographer Michael Alan Ross presents: The full Outlaw story from its historic roots in the 1950s through todayInterviews with well-known builders and adherents like Rod Emory, Freeman Thomas, Rob Ida, John Oates, Jeff Zwart, and Magnus WalkerHistoric and contemporary photography of a host of fantastic modified PorschesPorsche Outlaws is a must-have addition for any Porsche-enthusiast library.

In June 1870, the residents of the city of New Orleans were already on edge when two African American women kidnapped seventeen-month-old Mollie Digby from in front of her New Orleans home. It was the height of Radical Reconstruction, and the old racial order had been turned upside down: black men now voted, held office, sat on juries, and served as policemen. Nervous white residents, certain that the end of slavery and resulting "Africanization" of the city would bring chaos, pointed to the Digby abduction as proof that no white child was safe. Louisiana's twenty-eight-year old Reconstruction governor, Henry Clay Warmoth, hoping to use the investigation of the kidnapping to validate his newly integrated police force to the highly suspicious white population of New Orleans, saw to it that the city's best Afro-Creole detective, John Baptiste Jourdain, was put on the case, and offered a huge reward for the return of Mollie Digby and the capture of her kidnappers. When the Associated Press sent the story out on the wire, newspaper readers around the country began to follow the New Orleans mystery. Eventually, police and prosecutors put two strikingly beautiful Afro-Creole women on trial for the crime, and interest in the case exploded as a tense courtroom drama unfolded. In The Great New Orleans Kidnapping Case, Michael Ross offers the first full account of this event that electrified the South at one of the most critical moments in the history of American race relations. Tracing the crime from the moment it was committed through the highly publicized investigation and sensationalized trial that followed, all the while chronicling the public outcry and escalating hysteria as news and rumors surrounding the crime spread, Ross paints a vivid picture of the Reconstruction-era South and the complexities and possibilities that faced the newly integrated society. Leading readers into smoke-filled concert saloons, Garden District drawing rooms, sweltering courthouses, and squalid prisons, Ross brings this fascinating era back to life. A stunning work of historical recreation, The Great New Orleans Kidnapping Case is sure to captivate anyone interested in true crime, the Civil War and its aftermath, and the history of New Orleans and the American South.

In June 1870, the residents of the city of New Orleans were already on edge when two African American women kidnapped seventeen-month old Mollie Digby from in front of her New Orleans home. It was the height of Radical Reconstruction. The old racial order had been turned upside down and black men now voted, held office, sat on juries, and served as policemen. Nervous white residents fearing impeding chaos pointed to the Digby abduction as proof that no white child was safe now that slavery had ended and the South had been "Africanized." Newspapers opposed to Louisiana's biracial Reconstruction government stoked those fears by reprinting rumors that the stolen Digby baby had been sacrificed in a Voodoo ceremony on the shore of Lake Pontchartrain. Louisiana's twenty-eight year old Reconstruction Governor Henry Clay Warmoth, in turn, hoped to use the kidnapping to prove that his newly integrated police force, trained in the latest investigative techniques from Boston and New York, could solve the crime. He offered a huge reward for the return of Mollie Digby and the capture of her kidnappers, and his police chief put his best Afro-Creole detective, the dashing Jean Baptiste Jourdain, on the case. The Associated Press sent the story out on the wire and newspaper readers around the country began to follow the New Orleans mystery. Leads poured in from across the Gulf Coast and from as far north as Ohio and New York, and Jourdain became the first black detective in the United States to make national news. Interest in the story only grew when police and prosecutors put two strikingly beautiful Afro-Creole women on trial for the crime and a tense courtroom drama unfolded against the backdrop of a yellow fever epidemic and the momentous events of Reconstruction in the South. A stunning work of historical recreation, Michael Ross's The Great New Orleans Kidnapping Case is the first full account ever written about an event that electrified the South at one of the most critical moments in the history of American race relations. Ross brings the era back to life, leading readers into smoke filled concert saloons, Garden District drawing rooms, sweltering courthouses, and squalid prisons, and he uses the Digby kidnapping, investigation, and trial to offer important new insights into the complexities and possibilities of the Reconstruction era.