Michael Griffith

As featured on 60 Minutes, Dateline, Inside Edition, and 48 Hours, the shocking true story of banker Edmond Safra's death and the man wrongfully convicted and imprisoned for the crime. When billionaire banker Edmond Safra died in the ashes of Monaco’s La Belle Époque building on December 3, 1999, the event made international headlines—for many reasons. One, of course, was the sheer wealth of the Lebanese mogul and his formidable presence in the international banking world. But the more seductive reason for the worldwide attention was the strange and intriguing way Safra died—ensconced within the armored walls of his vigilantly secured residence in the “safest city in the world.” At 4:45 in the morning, a firestorm gutted Safra’s opulent Monte Carlo penthouse, trapping—and killing—Safra and one of his nurses, Vivian Torrente. When the fire was ruled arson, a fast finger was pointed at the only other nurse present: former Green Beret Ted Maher. The true, bizarre circumstances that led to Safra’s death and to the subsequent imprisonment of Ted Maher are contained within the pages of Framed in Monte Carlo: How I Was Wrongfully Convicted for a Billionaire’s Fiery Death. The story features a play-by-play of that deadly night, as well as Ted’s sham of a trial that put him behind bars for seven years and eight months. Brutal betrayals, harrowing kidnappings, prison breaks straight out of The Great Escape, and more pepper the pages of Framed in Monte Carlo. Ted was freed when the judge from his trial came forward with a stunning revelation. But his life was never the same. And since his return to American soil, he’s continued to unearth more and more disturbing details about his ordeal. Armed with fresh facts, a greater understanding of the players, and a wider lens of perspective, Ted now reveals all, including his never-before-released findings that seek to answer the lingering big question: Who did kill Edmond Safra? The powerful famous names legitimately put forth by the author will shock you.

The Speaking Stone: Stories Cemeteries Tell is a literary love letter to the joys of wandering graveyards. While working on a novel, author and longtime Cincinnati resident Michael Griffith starts visiting Spring Grove Cemetery and Arboretum, the nation’s third-largest cemetery. Soon he’s taking almost daily jaunts, following curiosity and accident wherever they lead. The result is this fascinating collection of essays that emerge from chance encounters with an interesting headstone, odd epitaph, unusual name, or quirk of memory. Researching obituaries, newspaper clippings, and family legacies, Griffith uncovers stories of race, feminism, art, and death. Rather than sticking to the cemetery’s most famous, or infamous, graves, Griffith stays true to the principle of ramble and incidental discovery. The result is an eclectic group of subjects, ranging from well-known figures like the feminist icon and freethinker Fanny Wright to those much less celebrated— a spiritual medium, a temperance advocate, a young heiress who died under mysterious circumstances. Nearly ninety photos add dimension and often an element of playfulness.The Speaking Stone examines what endures and what does not, reflecting on the vanity and poignancy of our attempt to leave monuments that last. In doing so, it beautifully weaves connections born out of the storyteller’s inquisitive mind.

At twenty-six, Brian Schwan is washed up. Four years hacking away on third-rate golf courses across the South have produced a grand total of $19,000 in earnings, zero wins, and a string of spectacular tournament flame-outs. He’s just shot a horrendous opening round, his wife wants him to come home and start a family, and even his father, who dreamed of seeing his son a star golfer, seems to have given up on his game. Critically acclaimed, Spikes is a sharply observed novel about the obscurity of our motivations, our capacity for self-delusion, and the surprising, unexpected possibilities for grace.

Vada Prickett is a 29-year-old Hose Associate at a car wash in South Carolina, and Darla, the woman he loves, is about to marry his friend, rival, and life-long neighbor, Wyatt Yancey. Vada has “spent his life waiting for the thing to get a proper start.” But it will never get that start, for Vada, as this wildly original novel opens, is being crushed to death by Wyatt’s latest animal trophy, a stuffed grizzly bear Vada has been helping him to smuggle—against Darla’s wishes—into Wyatt’s house. It turns out that the cliché is true—at the moment of death, your life does flash before your eyes. Trophy, the account of a man’s final, fleeting instant on earth, joins Vada as he attempts to make that flash last as long as possible. As he lies dying, too soon and too absurdly, Vada tries to unravel the mysteries of his life. He first bargains with God, then rages against the dying of the light. Exhausted, Vada proceeds to prolong, in every way available to a man in his dire circumstances, the time he has remaining. Just beneath Griffith’s dark humor and witty take on our present-day culture lies a meditation on memory and identity and the power of language over both.