Michael Kitson

The impact of protectionism is currently a contentious policy issue. This book evaluates the effects of protectionism on the British interwar economy. In contrast to most studies of the period and the conclusions of orthodox economic theory, Kitson and Solomou show that the introduction of the General Tariff in 1932 provided a substantial stimulus to the domestic economy - a stimulus which can help to explain the trend improvement in British economic growth in the 1930s. The authors show that the tariff made encouraging import substitution and macroeconomic expansion. The empirical evidence is examined at two levels. First, a sectoral study shows that the newly protected sector of the 1930s saw an improvement in performance following the introduction of the tariff. Secondly, the large fall in manufacturing imports generated favourable effects on macroeconomic performance by helping to reduce the import propensity of the economy. The policy implication of this study is that trade policies should be constructed in the context of prevailing economic conditions and not solely with reference to sometimes inappropriate theoretical perspectives.

Michael Kitson (1926-98) taught European art history at the Courtauld Institute for thirty years. He had a special interest in landscape, and in the relationship between 17th-century artists and their later followers in Britain. His most substantial scholarly contributions are confined chiefly to the subjects of this book, Claude Lorrain and Nicolas Poussin - especially to Claude. It is fair to say that he transformed the study of Claude Lorrain's work. His approach was informed by his earlier studies of English literature, both in its insistence on close scrutiny of the work of art, and in its emphasis on the aesthetic or 'poetic' qualities of Claude's work. The present volume contains twenty essays and reviews, chiefly concerning Claude Lorrain, but also including one on Gaspard Dughet, two on Nicolas Poussin (including the latest piece, an authoritative review of the 1994 Poussin"exhibition), and a comparison of Claude and Poussin in landscape. The writings range considerably in scale and scope, from closely focussed analyses of one or two paintings, or a group of drawings, to reviews of exhibitions and"catalogues raisonnés, and the introduction to the 1969 Hayward Gallery exhibition, which introduced a wider public to an"appreciation of Claude and ideal landscape. There is an introduction by Dr. Claire Pace covering the work of Professor Kitson, and a comprehensive index.

Michael Kitson (1926-98) taught European art history at the Courtauld Institute for thirty years. He had a special interest in landscape, and in the relationship between 17th-century artists and their later followers in Britain. His most substantial scholarly contributions are confined chiefly to the subjects of this book, Claude Lorrain and Nicolas Poussin - especially to Claude. It is fair to say that he transformed the study of Claude Lorrain's work. His approach was informed by his earlier studies of English literature, both in its insistence on close scrutiny of the work of art, and in its emphasis on the aesthetic or 'poetic' qualities of Claude's work. The present volume contains twenty essays and reviews, chiefly concerning Claude Lorrain, but also including one on Gaspard Dughet, two on Nicolas Poussin (including the latest piece, an authoritative review of the 1994 Poussin"exhibition), and a comparison of Claude and Poussin in landscape. The writings range considerably in scale and scope, from closely focussed analyses of one or two paintings, or a group of drawings, to reviews of exhibitions and"catalogues raisonnés, and the introduction to the 1969 Hayward Gallery exhibition, which introduced a wider public to an"appreciation of Claude and ideal landscape. There is an introduction by Dr. Claire Pace covering the work of Professor Kitson, and a comprehensive index.

The Political Economy of Competitiveness offers an original perspective on the relationship between economic theory and policy. It places the issues within an accessible political economy perspective. Rejecting the narrowness of mainstream economics the authors deploy an interdisciplinary approach to the problem of economic growth, placing it in its historical and political context. Issues covered include: * trade theory and policy * industrial decline and policy * markets, competition and innovation * globalisation, unemployment and government policy. The book provides a valuable guide to the major economic policy issues for both economists and business students.

Rembrandt van Rijn (1606-69) transcends any period or social milieu: he is one of the world’s great masters and though his works reflect the confidence of newly independent Holland, his vision extends far beyond these narrow confines. A deeply perceptive artist (his many self-portraits show his continued interest in the study of human nature), he sought to go beyond superficialities, to endow his biblical paintings, historical narratives, genre scenes and portraits with psychological depths hitherto unknown in Dutch painting. Impatient with conventionally stiffly posed group portraits, he produced such masterpieces as The Night Watch, The Anatomy Lesson of Dr Tulp and the Staal Meesters, while his studies of Saskia, his wife, and his mistress Hendrickje Stoffels reveal his deeply sensuous, compassionate nature.Michael Kitson has revised his highly successful book in the light of the most recent scholarship on Rembrandt, making this the ideal survey of the career of a much-loved genius.

The impact of protectionism is currently a contentious policy issue. This book evaluates the effects of protectionism on the British interwar economy. In contrast to most studies of the period and the conclusions of orthodox economic theory, Kitson and Solomou show that the introduction of the General Tariff in 1932 provided a substantial stimulus to the domestic economy - a stimulus which can help to explain the trend improvement in British economic growth in the 1930s. The authors show that the tariff made encouraging import substitution and macroeconomic expansion. The empirical evidence is examined at two levels. First, a sectoral study shows that the newly protected sector of the 1930s saw an improvement in performance following the introduction of the tariff. Secondly, the large fall in manufacturing imports generated favourable effects on macroeconomic performance by helping to reduce the import propensity of the economy. The policy implication of this study is that trade policies should be constructed in the context of prevailing economic conditions and not solely with reference to sometimes inappropriate theoretical perspectives.