Michael O'Sullivan

This is the first book-length study of the humanities and the Irish university. Ireland was a deeply religious country throughout the twentieth century but the colleges of its National University never established a religion or theology department. The official first language of Ireland is Irish but the vast majority of teaching in the arts and humanities is in English. These are two of the anomalies that long constrained humanities education in Ireland. This book charts a history of responses to humanities education in the Irish context. Reading the work of John Henry Newman, Padraig Pearse, Sean O Tuama, Denis Donoghue, Declan Kiberd, Richard Kearney and others, it looks for an Irish humanities ethos. It compares humanities models in the US, France and Asia with those in Ireland in light of work by Immanuel Kant, Pierre Bourdieu and Jacques Derrida. It should appeal to those interested in Irish education and history.

Making Sense of Depression: A guide for mental health staff who work directly with clients with depression provides mental health workers in all public, private and voluntary sectors with information on the nature of depression based on a number of theories from Cognitive Behavioural Therapy, which is the predominant model used in public services at the moment. This guide aims to improve the awareness and skill level of workers using psychological therapies with their clients. The information in each chapter will act as pathway through depression from understanding the condition to working directly with it, to finally planning for recovery.

The image of the university is tarnished: this book examines how recent philosophies of education, new readings of its economics, new technologies affecting research and access, and contemporary novelists' representations of university life all describe a global university that has given up on its promise of greater educational equality.

Examining the nature of weakness has inspired some of the most influential aesthetic and philosophical portraits of the human condition. By reading a selection of canonical literary and philosophical texts, Michael O'Sullivan charts a history of responses to the experience and exploration of weakness. Beginning with Plato and Aristotle, this first book-length study of the concept explores weakness as it is interpreted by Lao Tzu, Nietzsche, Derrida, the Romantics, Dickens and the Modernists. It examines what feminist writers Simone de Beauvoir and Luce Irigaray have made of the gendered biomythology constructed around the figure of the "weaker vessel" and it considers related notions such as im-potentiality, a "syntax of weakness" and human vulnerability in the work of Agamben, Beckett and Coetzee. Through analysis of these differing versions of weakness, O'Sullivan's study challenges the popular myth that aligns masculine identity with strength and force and presents a humane weakness as a guiding motif for debates in ethics.

This is the first book-length study of the humanities and the Irish university. Ireland was a deeply religious country throughout the twentieth century but the colleges of its National University never established a religion or theology department. The official first language of Ireland is Irish but the vast majority of teaching in the arts and humanities is in English. These are two of the anomalies that long constrained humanities education in Ireland. This book charts a history of responses to humanities education in the Irish context. Reading the work of John Henry Newman, Padraig Pearse, Sean O Tuama, Denis Donoghue, Declan Kiberd, Richard Kearney and others, it looks for an Irish humanities ethos. It compares humanities models in the US, France and Asia with those in Ireland in light of work by Immanuel Kant, Pierre Bourdieu and Jacques Derrida. It should appeal to those interested in Irish education and history.

The Incarnation of Language investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. It then examines the interest that Joyce and Proust share in the concept of incarnation. By examining the themes of synthesis and embodiment that incarnation connotes for these writers, it offers a new reading of their work departing from critical readings that have privileged notions of radical alterity and difference.

This study charts a history of weakness in a selection of canonical works in literature and philosophy. Examining the nature of weakness has inspired some of the most influential aesthetic and philosophical portraits of the human condition. By reading a selection of canonical literary and philosophical texts, Michael O'Sullivan charts a history of responses to the experience and exploration of weakness. Beginning with Plato and Aristotle, this first book-length study of the concept explores weakness as it interpreted by Lao Tzu, Nietzsche, the Romantics, Dickens and the Modernists. It examines what feminist critics Elaine Showalter and Luce Irigaray make of the figure of the "weaker vessel" and considers philosophical notions such as radical passivity, a "syntax of weakness" and human vulnerability in the work of Derrida and Beckett and Coetzee. Through analysis of these differing versions of weakness, O'Sullivan's study challenges the popular myth that aligns masculine identity with strength and force and presents a humane weakness as a guiding motif for debates in ethics.

The Incarnation of Language investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. It then examines the interest that Joyce and Proust share in the concept of incarnation. By examining the themes of synthesis and embodiment that incarnation connotes for these writers, it offers a new reading of their work departing from critical readings that have privileged notions of radical alterity and difference.

This book is a timely introduction in English to one of the most wide-ranging and imaginative philosophical projects of the last fifty years. It offers close readings of the main themes of Michel Henry's philosophy, a philosophy that has produced some of the most devastating critiques of phenomenology, Freudianism, and Marxism in this period. The author's contrasting of Henry's material phenomenology with Derridean deconstruction extends the range of recent critical theory in terms of embodiment and affectivity. In an age of rejuvenated evangelism and fundamentalism, the author's reading of Henry's later work on religion as an extension of his material phenomenology also presents a challenging examination of the foundations of Christian faith and belief. Presented in a clear and straightforward manner, with careful explication of the more difficult passages from Henry, this book also makes accessible to English readers, for the first time since their original publication, many of the texts central to Henry's phenomenology. It should be a welcome resource for researchers in the fields of French phenomenology and the phenomenology of religion.

Hailed as the new O'Casey by Irish critics in 1958, Behan is now often portrayed as the archetypal Irishman and spectacular drunk. Behind the myth lies the more compelling story of a writer who was never able to fully harness his larger-than-life personality and talent.