Michel Henry

From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called “radical.” His phenomenology leads back to the original dimension of life—to a reality that precedes and conditions the natural sciences and even objectivity as such. The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry’s most important essays. Sixteen chapters are divided into four parts, demonstrating the profound implications of Henry’s philosophy of life for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.

From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called “radical.” His phenomenology leads back to the original dimension of life—to a reality that precedes and conditions the natural sciences and even objectivity as such. The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry’s most important essays. Sixteen chapters are divided into four parts, demonstrating the profound implications of Henry’s philosophy of life for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.

In Words of Christ (Paroles du Christ) -- here translated into English for the first time -- Michel Henry asks how Christ can be both human and divine. He considers, further, how we as humans can experience Christ's humanity and divinity through his words. Are we able to recognize this speech as divine, and if so, then how? What can testify to the divine nature of these words? What makes them intelligible? Startling possibilities -- and further questions -- emerge as Henry systematically explores these enigmas. For example, how does the phenomenology of life bring to light the God of which scripture speaks? Might this new region of phenomenality broaden or transform the discipline of phenomenology itself, or theology? Henry approaches these questions starting from the angle of material phenomenology, but his study has far-reaching implications for other disciplines too. Intended for a wide audience, his work is a uniquely philosophical approach to the question of Christ and to the place of this question in human experience. This highly original, interdisciplinary perspective on Christ's words was Henry's last work, published shortly after his death in 2002.

According to Michel Henry, no thinker has been more influential than Marx, and no one has been more misunderstood. With his characteristic clarity and elegance, Henry seeks to pull out the philosophical heart of Marx's work and the reasons this complex philosophy has so often been simplified, distorted and obscured.Marx: An Introduction is not just a recovery of the theoretical centre of Marx's thinking, but also a brilliant introduction to the work of Marx in general; concise and punchy without glossing over the difficult material, it provides a totally fresh reading of Marx's corpus.Michel Henry shares with Marx a concern for the living work and the living individual and this shared preoccupation is brilliantly conveyed throughout the book. An essential read for those wrestling with Marx for the first time, and those looking for a new way to approach well-trodden territory.

According to Michel Henry, no thinker has been more influential than Marx, and no one has been more misunderstood. With his characteristic clarity and elegance, Henry seeks to pull out the philosophical heart of Marx's work and the reasons this complex philosophy has so often been simplified, distorted and obscured.Marx: An Introduction is not just a recovery of the theoretical centre of Marx's thinking, but also a brilliant introduction to the work of Marx in general; concise and punchy without glossing over the difficult material, it provides a totally fresh reading of Marx's corpus.Michel Henry shares with Marx a concern for the living work and the living individual and this shared preoccupation is brilliantly conveyed throughout the book. An essential read for those wrestling with Marx for the first time, and those looking for a new way to approach well-trodden territory.

Both a unique witness of transformative events in the late 20th century, and a prescient analysis of our present economic crises from a major French philosopher, Michel Henry's From Communism to Capitalism adds an important economic dimension to his earlier social critique. It begins by tracing the collapse of communist regimes back to their failure to implement Marx's original insights into the irreplaceable value of the living individual. Henry goes on to apply this same criticism to the surviving capitalist economic systems, portending their eventual and inevitable collapse. The influence of Michel Henry's radical revision of phenomenological thought is only now beginning to be felt in full force, and this edition is the first English translation of his major engagement with socio-economic questions. Now available in paperback, From Communism to Capitalism reinterprets politics and economics in light of the failure of socialism and the pervasiveness of global capitalism, and Henry subjects both to critique on the basis of his own philosophy of life. His notion of the individual is one that, as subjective affect, subtends both Marxist collectivism and liberalism simultaneously. In addition to providing a crucial economic elaboration of Henry's influential social critiques, this work provides a context for understanding the 2008 financial shock and offers important insights into the political motivations behind the 'Arab spring'.

Handbook of Interventions for Structural Heart and Peripheral Vascular Disease is a comprehensive and highly illustrated resource for cardiologists, featuring the latest available treatment modalities and discussion on future developments. Divided into six sections, the book begins with a history of peripheral vascular interventions, with further sections on the evaluation of peripheral vascular disease, structural heart diseases, peripheral vascular interventions, aorta, and recent advances in the field. Topics covered across the book’s 35 chapters include clinical presentation, imaging required for planning surgical procedures, selection of equipment, various surgical techniques, intraoperative pitfalls and possible complications. Over 340 illustrations and tables, including 282 full colour images, enhance this essential resource for practising cardiologists wishing to remain up to date in the field of vascular intervention. Key Points Comprehensive, up to date resource for cardiologistsDiscussion on the latest available treatment modalitiesAnticipates future trends in vascular intervention344 illustrations and tables (including 282 full colour images)

Michel Henry defends the illuminating thesis that Incarnation is not existence in a body, but existence in the flesh. It is not in a body that flesh appears originally, but being in the flesh that comes first. For only in flesh can one see or touch, feel joy or sorrow, hunger or thirst—and undergo each of these impressions as one’s own. But how does flesh come into this condition? How is life given to it so that it can feel itself, or anything else, in this way? Christianity’s fundamental thesis, on which its fate plays out in every generation, is that “the Word was made flesh.” Henry then asks what revelation must be for it to be accomplished as flesh, and what flesh must be to be revelation. He pursues such questions with lucidity and rigor in this astonishing meditation on the human condition.

Michel Henry defends the illuminating thesis that Incarnation is not existence in a body, but existence in the flesh. It is not in a body that flesh appears originally, but being in the flesh that comes first. For only in flesh can one see or touch, feel joy or sorrow, hunger or thirst—and undergo each of these impressions as one’s own. But how does flesh come into this condition? How is life given to it so that it can feel itself, or anything else, in this way? Christianity’s fundamental thesis, on which its fate plays out in every generation, is that “the Word was made flesh.” Henry then asks what revelation must be for it to be accomplished as flesh, and what flesh must be to be revelation. He pursues such questions with lucidity and rigor in this astonishing meditation on the human condition.

Questions du temps present: la doctrine politique de la democratie / par Henry MichelDate de l'edition originale: 1901Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr"

L'idee de l'Etat: essai critique sur l'histoire des theories sociales et politiques en France depuis la Revolution / Henry Michel, ...Date de l'edition originale: 1896Sujet de l'ouvrage: Idees politiques -- France -- HistoireCe livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Notes sur l'enseignement secondaire / Henry MichelDate de l'edition originale: 1902Sujet de l'ouvrage: Enseignement secondaire -- France -- 1870-1914Enseignement -- ReformeCe livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

Both a unique witness of transformative events in the late 20th century, and a prescient analysis of our present economic crises from a major French philosopher, Michel Henry's From Communism to Capitalism adds an important economic dimension to his earlier social critique. It begins by tracing the collapse of communist regimes back to their failure to implement Marx's original insights into the irreplaceable value of the living individual. Henry goes on to apply this same criticism to the surviving capitalist economic systems, portending their eventual and inevitable collapse. The influence of Michel Henry's radical revision of phenomenological thought is only now beginning to be felt in full force, and this edition is the first English translation of his major engagement with socio-economic questions. From Communism to Capitalism reinterprets politics and economics in light of the failure of socialism and the pervasiveness of global capitalism, and Henry subjects both to critique on the basis of his own philosophy of life. His notion of the individual is one that, as subjective affect, subtends both Marxist collectivism and liberalism simultaneously. In addition to providing a crucial economic elaboration of Henry's influential social critiques, this work provides a context for understanding the 2008 financial shock and offers important insights into the political motivations behind the 'Arab spring'.

This is the first English-language translation of Michel Henry's compelling philosophical critique of capitalism, technology and education. "Barbarism" represents a critique, from the perspective of Michel Henry's unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry's work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Heidegger and Husserl. First published in French in 1987, "Barbarism" aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person. Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world. "The Continuum Impacts" are seminal works by the finest minds in contemporary thought, including Adorno, Badiou, Derrida, Heidegger and Deleuze. They are works of such power that they changed the philosophical and cultural landscape when they were first published and continue to resonate today. They represent landmark texts in the fields of philosophy, popular culture, politics and theology.

This is the first English-language translation of Michel Henry's compelling philosophical critique of capitalism, technology and education. "Barbarism" represents a critique, from the perspective of Michel Henry's unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry's work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Heidegger and Husserl. First published in French in 1987, "Barbarism" aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person. Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world. "The Continuum Impacts" are seminal works by the finest minds in contemporary thought, including Adorno, Badiou, Derrida, Heidegger and Deleuze. They are works of such power that they changed the philosophical and cultural landscape when they were first published and continue to resonate today. They represent landmark texts in the fields of philosophy, popular culture, politics and theology.

Carotid Angioplasty and Stenting (CAS) is a new approach to treat a carotid stenosis. This new book provides interventional cardiologists, both as beginners or fully experienced, with a reference on all aspects of angioplasty and stenting of the carotid and supra-aortic trunks. Focusing on both the entire range of angioplasty and stenting treatment options for the surgeon treating patients on the operating table, and the range of radiological techniques used for the cardiologist to diagnose carotid artery stenosis (CAS) and associated conditions, this important book describes the best indications, the different techniques, the results, and also the limitations of CAS based on randomized studies and particularly the last published data (CREST study). Suitable for both novice and experienced interventionalists, it also addresses diagnosis of a carotid stenosis and complications from CAS and how to manage them.

This book provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky. Michel Henry was one of the leading French philosophers of the twentieth century. His numerous works of philosophy are all organized around the theme of life. In contrast to the scientific understanding of life as a biological process, Henry's philosophy develops a conception of life as an immediate feeling of one's own living."Seeing the Invisible" marks Henry's most sustained engagement in the field of aesthetics. Through an analysis of the life and works of Wassily Kandinsky, Henry uncovers the philosophical significance of Kandinsky's revolution in painting: that abstract art reveals the invisible essence of life. Henry shows that Kandinsky separates colour and line from the constraints of visible form and, in so doing, conveys the invisible intensity of life - a force rooted in the corporeity and pathos of all living beings. More than just a study of art history, this book presents Kandinsky as an artist who is engaged in the project of painting the invisible and thus offers invaluable methodological clues for Henry's own phenomenology of the invisible.

This work provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky. Michel Henry was one of the leading French philosophers of the twentieth century. His numerous works of philosophy are all organized around the theme of life. In contrast to the scientific understanding of life as a biological process, Henry's philosophy develops a conception of life as an immediate feeling of one's own living. "Seeing the Invisible" marks Henry's most sustained engagement in the field of aesthetics. Through an analysis of the life and works of Wassily Kandinsky, Henry uncovers the philosophical significance of Kandinsky's revolution in painting: that abstract art reveals the invisible essence of life.Henry shows that Kandinsky separates colour and line from the constraints of visible form and, in so doing, conveys the invisible intensity of life - a force rooted in the corporeity and pathos of all living beings. More than just a study of art history, this book presents Kandinsky as an artist who is engaged in the project of painting the invisible and thus offers invaluable methodological clues for Henry's own phenomenology of the invisible.

Litterature et philosophie avaient pour lui une finalite commune, exposer la reponse a cette question qui a decide des sa jeunesse de son engagement intellectuel: Je voulais savoir qui j'etais. Sa conception de l'individu, enracine a son insu dans l'absolu et tatonnant dans la nuit interieure de sa subjectivite concrete , se pretait au deploiement d'un imaginaire. Si depuis toujours la litterature decrit la condition des etres et leur destin, il entendait en devoiler l'arriere-plan, exploitant l'incertitude dans laquelle ils evoluent: la vie est incapable de se mettre a distance d'elle-meme dans sa naivete, meme quand sa force se libere de sa passivite premiere. Les etres humains, disait-il, sont des nageurs laches dans un ocean, et supportes par lui, par ses vagues. Et c'est cela la vie: c'est une vague qui se sent elle-meme. Le veritable protagoniste de ses histoires principielles n'est donc autre que la vie, ce qui est plus vaste que nous-meme, tout en etant nous-meme. L'ordre chronologique inverse dans lequel sont presentes ces recits est destine a faire valoir ce qu'il qualifiait la tension terrible de la vie au Fils du Roi (1981), qui met en scene le paradoxe de l'existence, succede ici L'Amour, Les Yeux fermes qui expose le rapport dramatique de l'individu et de la communaute; Le Jeune Officier (1954) traite de la decouverte paradoxale de soi. Une postface donne des indications, recueillies dans des entretiens ou des manuscrits de Michel Henry, sur leur composition. Anne Henry