Michele Roberts

The power of Colette's work comes from its modernist storytelling. Colette was a pioneering, ground-breaking modernist writer, but has not always had her originality and worth recognized in Britain. Her work provocatively uses unstable narratives, gaps, silences, fairytale, mythical tropes, and sensual evocations of childhood, sex, and landscapes. In this book, Michèle Roberts examines how Colette invents new forms to express her unsettling content on desire, perversion, ageing, and different forms of love. Delving into four keys texts, Roberts explores Colette's willingness to break open taboos about older woman and desire, as well as hidden and forbidden aspects of human longings and pleasures. Through these re-readings, Roberts discovers that Colette's work is even more entrancing, more disturbing, and more original than she first thought.

Exploring a host of female parts, rites of passage, love, loss, danger, revelations, strange relationships, the pleasures and pains of growing up female, a fantastic collection of short stories from some of the best women writers today dealing with all aspects of female life from youth to old age. Includes stories from: Hilary Bailey, Sally Cameron, Betzy Dinesen, Souad Faress, Chrissie Gittins, Bonnie Greer, Vicky Grut, Kirsty Gunn, Brigid Howarth, Mizzy Hussain, Geraldine Kaye, Carolyn Patrick, Ellen Phethean, Kate Pullinger, Stella Rafferty, Ravinder Randhawa, Máire Ní Réagáin, Michéle Roberts, Daphne Rock, Elisa Segrave, Kirsty Seymour-Ure, Susanna Steele & Karen Whiteson.

Following her critically acclaimed first cookbook French Cooking for One, this new cookbook by Michèle Roberts, illustrated by the author, is about friendship as much as it is about preparing a French dinner for two. A book to stimulate your appetite to invite a dear friend round as soon as possible and cook for them.

'So many micro feasts, and every one of them nourishment for body and soul.' -Rachel Cooke, Observer Food Monthly Whether cooking for one on a daily or an occasional basis, cooking well for yourself means cherishing yourself and your appetites, joyously giving yourself pleasure, opening yourself to new experiences. This book will encourage you to do all that. - M. R. A unique work of literary and culinary joie de vivre, part food memoir, part recipe book, French Cooking for One is Michele Roberts' first cookbook, and a personal and quirky take on Edouard de Pomiane's ten-minute cooking classic. Once a food writer for the New Statesman, Roberts was born in 1949 and raised in a bilingual French-English household, learning to cook from her French grandparents in Normandy. Her love of food and cookery has always shone through in her novels and short stories. French cuisine, classic though it is, still holds delicious surprises. From quick bites for busy days to sumptuous main courses for those who enjoy spending more time in the kitchen, the focus throughout is on dishes that are simple and fun to prepare, and results that are mouthwatering to contemplate and, of course, to eat. With over 160 delicious recipes, the majority of which are vegetarian, combined with piquant storytelling and feminist wit, French Cooking for One is a working cook's book with French flair, bursting with life and illustrated with the author's original ink drawings, full of charm and humour. More than a handbook of classic French dishes, French Cooking for One does something that few, if any, cookbooks do: it bears testimony to a singular literary life. Gorgeously written vignettes of Roberts' childhood in Normandy and of her years living in Pays de la Loire are peppered with anecdotes about intellectual and artistic luminaries: an omelette prepared by Gertrude Stein's cook for Picasso; a simple pasta dish calling to mind the French philosopher Julia Kristeva and the Scottish poet Alison Fell's images of female orgasm; and Emma Bovary's extraordinary wedding cake, among others.

Cut Out by Michèle Roberts is a lyrical tale of family secrets and self-discovery. Denis knows his mother kept things from him. His godmother, Clemence, knows the truth. In rich, sensuous prose, Roberts interweaves Denis's search for answers with Clemence's memories of the time she spent working for Matisse.

Yesterday ended in disaster. Very late at night, I decided to write down everything that had happened; the only way I could think of coping. Following a series of devastating rejections, Michèle Roberts began keeping an account of her life in the hope it might help mend her shattered sense of self. In this intimate and wryly honest journal she reflects on cities and countryside, loss and love, food, friendships, sisterhood, pleasure and memories, her abiding relationship with France and with literature. Over the course of a year a new pattern of being develops, until, finally, she finds a better relationship between inner and outer worlds.

Sidi Bou Said, Tunisia: on the night after the terrorist attack killing thirty-eight tourists on the nearby beach of Sousse, a woman sits facing the sea, and attempts to take stock. Personal tragedies soon resurface, the unexpected deaths of a dear friend - a fellow writer who died just weeks ago at sea, having forsaken the work that had given his life meaning - and of her father, a quiet man who had left all that he held dear in Tunisia to emigrate to France in his later years. Through childhood memories and the prism of modern French classics, the story of Tunisia's Jewish community is pieced together. Shifting from Tunisia to Paris to a Flaubertian village in Normandy, Colette Fellous embarks on a Proustian lyrical journey, in which she gives voice to loved ones silenced by death and to those often unheard in life. Her love letter and adieu to her native country becomes an archive - or refuge - for stories of human resilience.

From the Booker-shortlisted author comes a sensuous, evocative novel exploring the lives of women in Victorian London, for fans of Sarah Waters, Emma Donoghue and Kate Atkinson2011: When Madeleine loses her job as a lecturer, she decides to leave her riverside flat in cobbled Stew Lane, where history never feels far away, and move to Apricot Place. Yet here too, in this quiet Walworth cul-de-sac, she senses the past encroaching: a shifting in the atmosphere, a current of unseen life. 1851: and Joseph Benson has been employed by Henry Mayhew to help research his articles on the working classes. A family man with mouths to feed, Joseph is tasked with coaxing testimony from prostitutes. Roaming the Southwark streets, he is tempted by brothels’ promises of pleasure – and as he struggles with his assignment, he seeks answers in Apricot Place, where the enigmatic Mrs Dulcimer runs a boarding house.As these entwined stories unfold, alive with the sensations of London past and present, the two eras brush against each other – a breath at Madeleine’s neck, a voice in her head – the murmurs of ghosts echoing through time. Rendered in immediate, intoxicating prose, The Walworth Beauty is a haunting tale of desire and exploitation, isolation and loss, and the faltering search for human connection; this is Michèle Roberts at her masterful best.

LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2013Jeanne and Marie-Angèle grow up, side by side yet apart, in the Catholic village of Ste Madeleine. Marie-Angèle is the daughter of the grocer, inflated with ideas of her rightful place in society; Jeanne's mother washes clothes for a living and used to be a Jew. When war arrives, the village must play its part in a game for which no one knows the rules - not the dubious hero who embroils Marie-Angele in the black market, nor the artist living alone with his red canvases. In these uncertain times, the enemy may be hiding in your garden shed and the truth can be buried under a pyramid of recriminations. A mesmerising exploration of guilt, faith, desire and judgement, Ignorance brings to life a people at war.

Chosen as a Fiction Book of the Year in the Daily Telegraph by Maggie O'FarrellIn this witty and subversive collection of stories, Michèle Roberts explores women's desires, memories and loves as only she can. A jilted woman skirts the edges of time and place as she walks the streets of London at night; another returns to the scene of her honeymoon without her husband; a wife takes apt revenge on her vegetarian husband . . .

Rebellion, revolution, experimental living, feminist communes, street theatre, radical magazines, love affairs - gay and straight - sex, drugs and rock and roll.Michèle Roberts, one of Britain's most talented and highly acclaimed novelists, now considers her own life, in this vibrant, powerful portrait of a time and place: alternative London of the 1970s and beyond. A fledgling writer taking a leap into radical politics, Roberts finds alternative homes, new families and lifelong friendships in the streets and houses of Holloway, Peckham, Regent's Park and Notting Hill Gate. From Spare Rib to publishing her first book, Paper Houses is Roberts' story of finding a space in which to live, love and write - and learning to share it.'Beguiling, enthusiastic, charming and vivid, this is an autobiography to be savoured' Amanda Craig, DAILY TELEGRAPH

In the parched soil of Provence, a fifth gospel has been discovered, Mary Magdalene's account of Jesus' teaching and her relationship with him.

More famous for her sensuous novels, Michele Roberts now writes a short, sharp and witty novel in the spirit of Muriel Spark

Who is Aurora? Every time she becomes a new Mrs (three times when we last counted) she becomes a new woman. Her stepmother thinks Aurora is impractical, romantic and dreamy. The fact that she gets married so often only goes to prove it. 'Every woman owes it to herself to get married once, but you don't have to make a habit of it.' But now, all alone. . . ?'Aurora, given the chance to be true to herself, rather than to her trio of husbands, turns out to be a world-class minx. After Hugh's funeral, she goes to Italy to visit her old radical-feminist friend, Leonora, now the abbess of the Brigandine convent in Padenza. True to the tradition of convent-educated girls in fiction, Aurora flings herself into a voluptuous life of lunches and lovers. Chiselled phrasing and dancing plot . . . a sizzling firework display of a book' Sunday Times.

Adam is a writer, struggling to come to terms with the death of his painter father, Robert, and his difficult marriage to Catherine. Before he married Catherine, he had been the lover of her sister, Vinny. The classic menage a trois seems about to repeat itself, when Adam discovers his wife's father was less innocent than he had thought. Set mainly in contemporary London, partly in France, the action also harks back to the 1970's. The narrative evokes the style of the nineteenth century novelists and their themes: desire, guilt, pleasure. Pastoral landscapes alternate with those of the inner city and the past's interaction with the present is acted out by ghosts. The dead father haunts his son; in real life Vinny haunts her sister; and the whole novel is haunted by one of its great earliest exponents, Charlotte Bronte, and her passionate search for creative fulfilment.

In the early 1800s in a small village in rural France, a peasant woman named Louise summons her priest. Fearing she is about to die, Louise begins her final confession to the bored cleric and reveals a lifelong secret involving a famous woman writer, a young English poet, and a wicked and unusual crime. Inspired by the lives and loves of the eighteenth-century pioneer of women's rights, Mary Wollstonecraft, and her contemporary, William Wordsworth, "Fair Exchange" is a spellbinding and sensual novel of passion and guilt.

An orphan enchanted by stories and the incantatory power of words, Genevieve lives an isolated existence as a maid to the widow Patin in a village cafe on the Normandy coast in the early 20th century. Forced to flee the village, she comes under the spell of a charismatic spinner of words, a poet who captivates every woman around him -- his mother, his mistress, his niece, his niece's governess, and eventually, his new maid, who soon begins to spin a story of her own.

What does it take for a woman to be judged saintly? In this wily, wonderfully original novel, Michle Roberts tells the story of the fictional Saint Josephine: her life and death, her childhood and evolution from woman to nun to abbess, her unlikely canonization. The more we discover, the more incredible her sainthood seems. Who was Saint Josephine? Craven nun or fearless miracle worker? Pious role model or seductress? Illuminating Saint Josephine's story are the equally fantastical stories of eleven actual female saints: mad one-armed girls, beauties locked in towers, mothers who encourage their daughters' fatal anorexia, ingenues who seduce and dismember their fathers. Together the stories expose the historical conflict between female sexuality and religion, the roots of female roles in the church, and the troubled love between fathers and daughters. In original exploration of love, faith, and desire, Impossible Saints is a funny, disturbing, and utterly compelling novel about modern women who came before their time.

Always bold, always provocative, Michele Roberts turns now to the forbidden pleasures and pains of the love between father and daughter and unfolds before us the life and death of Saint Josephine. Holy woman or whore? Upholder of pious or pagan delights? Lowly nun or powerful miracle worker? Or both? And woven throughout her story are the heady and sometimes fearful tales of other female saints - one-armed mad girls, beauties locked in towers, seductive daughters - all women who didn't know their place. Rich with fabulous imagery, IMPOSSIBLE SAINTS is as potent and disturbing as its dangerous themes.'Her fictions are high-risk, unconventional, often apparently unstable; yet are steered with such authority that the otherwise cautious reader is taken almost without realising it into dangerous and exhilarating territory ... She is a writer dedicated to challenging the boundaries by which the idle and unthinking might try to circumscribe her' Rachel Cusk, Sunday Express'Hugely entertaining and genuinely thought-provoking' Julia Flynn, Sunday Telegraph

Freddy thinks he has committed matricide, and his fantasies - or perhaps realities - become stories which twist back through time to varying landscapes. He searches for a home, only to find it in an unexpected place. When able and allowed to return to the present, he can choose which tale to tell.