Michelle Pace

I don't like the shadows or the darkness that they hide though it's all I've ever known. Fear resides there-lurking and consuming what little is left of me. I'm intimate with my demons. I know their game, but I cannot master it. I've been running for a long time but there's only so far to go before they catch me and force me into a devious dance so dark that there'll be no turning back.And that's why I need him. That's why I came home. My brother's my salvation from this malevolence. He's taken inventory of my skeletons and knows how to calm the rage when it washes over me like a typhoon, drowning me in pain and regret. But August doesn't know the monster that I've become. I'm afraid of what he'll do if he finds out. He's my salvation and I refuse to lose him.Not because I got carried away.And certainly not to her.Because my older brother has plenty of demons too.And one of them is sleeping in his bed.

"It's the sign of a true artisan when he can create beauty from what others consider trash. It takes heart to use a twisted bit of scrap and make something from it as if it were good wood." Somehow Joe survived the unlivable, and now he's just going through the motions. An endless string of one night stands does little to dull the ache from all he's lost. Even though he distracts himself daily with back-breaking work, his violent rage still simmers just under the surface. Then along comes Molly, the feisty baby sister of his two best friends. Joe hasn't seen her in years, and he's unprepared for his reaction to her when she falls out of the food truck and into his arms. Molly is still as mouthy as ever, and now she's as delicious as the food she's serving up. It's totally against "The Bro Code", but he just can't seem to keep his hands off of her. Molly has come back home to Austin to mend fences and feed a whole new crowd. Dealing with Joe's demons doesn't figure into her business model. Something is very different about him and she craves the 'Old Joe' she used to have a crush on. Still, the broody carpenter's swagger is damn near irresistible. And all work and no play makes Molly a cranky girl.

Un-welcome to Denmark critically assesses Denmark’s migration regime by directly engaging the voices of multiple stakeholders impacted by its harshness. It puts forward the theory of the unwelcome migrant by undertaking an extensive analysis of the programmatic and legal foundations for the undeserving migrant as well as of the lived experiences of Syrian refugees, and welfare professionals and private businesses tasked with supporting them. It thereby documents the ways in which the Danish migration gaze produces and perpetuates the hyper precarity of the everyday lives of Syrians and the anxiety that overshadows the manner in which Syrians and those who support them navigate its maze. By so doing, it traces how a once admired, liberal, tolerant and open society with a strong reverence for human rights has turned into one of the harshest migration regimes in Europe, if not internationally.

The Palestinian Authority in the West Bank explores the manner in which the Palestinian Authority’s performative acts affect and shape the lives and subjective identities of those in its vicinity in the occupied West Bank. The nature of Palestinians’ statelessness has to contend with the rituals of statecraft that the Palestinian Authority (PA) and its Palestinian functionaries engage in. These rituals are also economically maintained by an international donor community and are vehemently challenged by Palestinian activists, antagonistic to the prevalence of the statist agenda in Palestine. Conceptually, the understanding of the PA’s ‘theater of statecraft’ is inspired by Judith Butler’s conception of performativity as one that encompasses several repetitive and ritual performative acts. The authors explore what they refer to as the ‘fuzzy state' (personified in the form and conduct of the PA) looks like for those living it, from the vantage point of PA institutions, NGOs, international representative offices, and activists. Methodologically, the book adopts an ethnographic approach, by way of interviews and observations in the occupied West Bank and East Jerusalem. The Palestinian Authority in the West Bank makes an important and long-due intervention by integrating performance studies and politics to suggest an understanding of the theatrics of woeful statecraft in Palestine. The book is an essential resource for students and scholars interested in the study of the state, International Relations and Politics, Palestine Studies, and the Middle East.

The Palestinian Authority in the West Bank explores the manner in which the Palestinian Authority’s performative acts affect and shape the lives and subjective identities of those in its vicinity in the occupied West Bank. The nature of Palestinians’ statelessness has to contend with the rituals of statecraft that the Palestinian Authority (PA) and its Palestinian functionaries engage in. These rituals are also economically maintained by an international donor community and are vehemently challenged by Palestinian activists, antagonistic to the prevalence of the statist agenda in Palestine.Conceptually, the understanding of the PA’s ‘theater of statecraft’ is inspired by Judith Butler’s conception of performativity as one that encompasses several repetitive and ritual performative acts. The authors explore what they refer to as the ‘fuzzy state' (personified in the form and conduct of the PA) looks like for those living it, from the vantage point of PA institutions, NGOs, international representative offices, and activists. Methodologically, the book adopts an ethnographic approach, by way of interviews and observations in the occupied West Bank and East Jerusalem. The Palestinian Authority in the West Bank makes an important and long-due intervention by integrating performance studies and politics to suggest an understanding of the theatrics of woeful statecraft in Palestine. The book is an essential resource for students and scholars interested in the study of the state, International Relations and Politics, Palestine Studies, and the Middle East.

A keen analysis of the impact of European regionalism in the Mediterranean, focusing on the politics of representation and constructions of identity.The Mediterranean - as a region, as an area of EU policy and as a place on the fringe of a rapidly integrating Europe - has been a theoretically under-researched area. Containing empirical research on Greece, Malta and Morocco, this theory-led investigation into the political effects of the Mediterranean's symbolic geography, complements work done on the constitution of entities such as nations, Europe and the West. The Politics of Regional Identity draws on the field of critical IR and critical geopolitics to examine both the theoretical and empirical manifestations of these changing geopolitical images and discourses.This book will be of great interest to all students and scholars of politics, international relations and the European Union.