Mihoko Suzuki

This book investigates early modern women’s interventions in politics and the public sphere during times of civil war in England and France. Taking this transcultural and comparative perspective, and the period designation “early modern” expansively, Antigone’s Example identifies a canon of women’s civil-war writings; it elucidates their historical specificity as well as the transhistorical context of civil war, a context which, it argues, enabled women’s participation in political thought. 2023 Book Award (Scholarly Monographs), Society for the Study of Early Modern Women and Gender. Mihoko Suzuki’s Antigone’s Example is an extraordinary account of political writings by women in France and England from the late Middle Ages to the early nineteenth century. Crossing the usual boundaries of periodization and nation, Suzuki explores the continuities in how early modern women responded to civil war, as extreme situations enabled and compelled women to write in defense of their families and communities and thus gain a voice in a public sphere that normally excluded them. Whatever side they were on, they presented themselves as mediators, much like Antigone, whose example, Suzuki writes, represented a model of female defiance and political agency. This insightful book opens up fresh perspectives on canonical writings and brings relatively neglected writings to the reader’s attention, showing the importance of transnational study of early modern women. Recipient of 2023 Book Award, Society for the Study of Women and Gender

This book investigates early modern women’s interventions in politics and the public sphere during times of civil war in England and France. Taking this transcultural and comparative perspective, and the period designation “early modern” expansively, Antigone’s Example identifies a canon of women’s civil-war writings; it elucidates their historical specificity as well as the transhistorical context of civil war, a context which, it argues, enabled women’s participation in political thought. 2023 Book Award (Scholarly Monographs), Society for the Study of Early Modern Women and Gender. Mihoko Suzuki’s Antigone’s Example is an extraordinary account of political writings by women in France and England from the late Middle Ages to the early nineteenth century. Crossing the usual boundaries of periodization and nation, Suzuki explores the continuities in how early modern women responded to civil war, as extreme situations enabled and compelled women to write in defense of their families and communities and thus gain a voice in a public sphere that normally excluded them. Whatever side they were on, they presented themselves as mediators, much like Antigone, whose example, Suzuki writes, represented a model of female defiance and political agency. This insightful book opens up fresh perspectives on canonical writings and brings relatively neglected writings to the reader’s attention, showing the importance of transnational study of early modern women. Recipient of 2023 Book Award, Society for the Study of Women and Gender

Considering as evidence literary texts, historical documents, and material culture, this interdisciplinary study examines the entry into public political culture of women and apprentices in seventeenth-century England, and their use of discursive and literary forms in advancing an imaginary of political equality. Subordinate Subjects traces to the end of Elizabeth Tudor's reign in the 1590s the origin of this imaginary, analyses its flowering during the English Revolution, and examines its afterlife from the Restoration of Charles II in 1660 to the Glorious Revolution of 1688-89. It uses post-Marxist theories of radical democracy, post-structuralist theories of gender, and a combination of political theory and psychoanalysis to discuss the early modern construction of the political subject. Subordinate Subjects makes a distinctive contribution to the study of early modern English literature and culture through its chronological range, its innovative use of political, psychoanalytic, and feminist theories, and its interdisciplinary focus on literature, social history, political thought, gender studies, and cultural studies.

Includes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.

Includes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.

Includes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.

Includes a variety of women's political writings from the Seventeenth Century. This collection highlights the principles inherent in female political action in its many and varied forms, from women's Civil War petitioning, to the efforts of Quaker women to reform prisons.

Mary Carleton, commonly known as the German Princess, was a scandalous celebrity in Restoration London. Her notoriety arose from her 1663 trial and acquittal for bigamy, which became the occasion of the publication of The Case of Madam Mary Carleton. Here she narrates her version of her life as a 'German Princess', the daughter of the Earl of Cologne, though by most accounts she was born Mary Moders, the daughter of a Canterbury fiddler who married first a Canterbury shoemaker, Thomas Steadman, and then a surgeon, Thomas Day. Within her own time, Carleton was the subject of more than twenty-six pamphlets published in 1663 and 1673; this volume reprints Carleton's own The Case of Madam Mary Carleton along with representative selections of pamphlets written about her. Her trial produced its own 'pamphlet war' between Mary and her husband John and her story inspired a play and a mock epic, which significantly responded to Carleton's own emphasis on performance and epic romance in fashioning her aristocratic identity.

Elizabeth Cellier, the scandalous celebrity known as the 'Popish midwife', became the focus of a large number of pamphlets in 1680: accounts of her two trials, her self-vindication, Malice Defeated, her opponent Thomas Dangerfield's rejoinder, and various anonymous satiric attacks against her. She was tried twice: the first time for the more serious charge of treason, and the second for libel, for publishing Malice Defeated. She was acquitted the first time, but found guilty the second, though her punishment was to be pilloried, not executed. She reemerges as the author of tracts on midwifery, proposing to James II the establishment of a professional guild of midwives. Her writings exhibit her remarkable determination to publish her accusations of judicial torture and her advocacy of the licensing of midwives as professional women, as well as exemplifying the importance of the printing press for enabling women to participate in the political public sphere.

Considering as evidence literary texts, historical documents, and material culture, this interdisciplinary study examines the entry into public political culture of women and apprentices in seventeenth-century England, and their use of discursive and literary forms in advancing an imaginary of political equality. Subordinate Subjects traces to the end of Elizabeth Tudor's reign in the 1590s the origin of this imaginary, analyses its flowering during the English Revolution, and examines its afterlife from the Restoration of Charles II in 1660 to the Glorious Revolution of 1688-89. It uses post-Marxist theories of radical democracy, post-structuralist theories of gender, and a combination of political theory and psychoanalysis to discuss the early modern construction of the political subject. Subordinate Subjects makes a distinctive contribution to the study of early modern English literature and culture through its chronological range, its innovative use of political, psychoanalytic, and feminist theories, and its interdisciplinary focus on literature, social history, political thought, gender studies, and cultural studies.

Mihoko Suzuki sheds light on a literary tradition that seemingly holds Helen of Troy and her descendants responsible for causing epic conflicts, while it appropriates the woman's perspective as a source of insight and poetic power.