Mike Marqusee

When Muhammad Ali died, many mourned the life of the greatest sportsman the world had ever seen. In Redemption Song, Mike Marqusee argues that Ali was not just a boxer but a remarkable political figure in a decade of tumultuous change. Playful, popular, always confrontational, Ali refashioned the role of a political activist and was central, alongside figures such as Malcolm X and Martin Luther King, to the black liberation and the anti-war movements. Marqusee shows that sport and politics were always intertwined, and this is the reason why Ali remained an international beacon of hope, long after he had left the ring.

WINNER OF THE LORD ABERDARE LITERARY PRIZE, 1994SHORTLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARD, 1994Now with a new introduction by Rahul Bhattacharya, Anyone But England is a detailed exploration into the origins of cricket; the romance, cultural identity, hypocrisy, flaws of governance and glory of the game.Mike Marqusee, an American who fell in love with cricket when he moved to the UK in the 1970s, looks at the history of elitism and empire, and how race and class have always been issues in the game. Scrutinising the long saga of South Africa’s exclusion from world cricket, Marqusee charts England’s collusion with apartheid, and also details an eye-opening account of Pakistan’s controversial ‘ball-tampering’ tour of England, which provoked intense debate amongst cricket fans about the role of both the media and racism in the modern game.Showing that supporting the game does not mean you need be blind to its flaws, Marqusee’s passion and enthusiasm for cricket is threaded through every element of Anyone But England.

If I Am Not For Myself is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author's upbringing in 1960s Jewish-American suburbia, his anti-war and pro-Palestinian activism on the British left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather's life in Jewish New York of the 1930s and 40s, his struggles with anti-Semitism and the twists and turns that led him from anti-fascism to militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as "self-haters" by the Jewish establishment.

"In this remarkable reflection on the culture of the sixties, Mike Marqusee restores the forgotten moral and political contexts of Dylan's supernova years. In doing so, he rescues one of the most urgent poetic voices in American history from the condescension of his own later cynicism."--Mike Davis, author of "City of Quartz"Bob Dylan's abrupt abandonment of overtly political songwriting in the mid-1960s caused an uproar among critics and fans. In "Wicked Messenger," acclaimed cultural-political commentator Mike Marqusee describes the rise of Dylan's artistic ambition at the expense of his activism. Marqusee advances the new thesis that Dylan did not drop politics from his songs but changed the manner of his critique to address the changing political and cultural climate and, more importantly, his own evolving aesthetic."Wicked Messenger" is also a riveting political history of the United States in the 1960s. Beginning with the march on Washington in the summer of 1964, Marqusee traces the formation of the Southern voter registration movement and the rise of the Students for a Democratic Society and the Weathermen. The twists and turns of political and cultural dissent movements, Marqusee says, were anticipated in the poetic aesthetic--anarchic, unaccountable, contradictory, punk--of Dylan's mid-1960s albums "Bringing It All Back Home," "Highway 61 Revisited," and "Blonde on Blonde."Dylan's anguished, self-obsessed, prickly artistic evolution, Marqusee asserts, was not what everyone thinks it was: a movement away from politics. It was a movement away from protest and from activism, it was a movement away from the front lines, it was a deeply creative response to a deeply disturbing situation. "He can no longer tell the story straight," Marqusee concludes, "because any story told straight is a false one."Mike Marqusee is the author of a number of groundbreaking books on politics and popular culture, including "Anyone But England," "War Minus the Shooting," and "Redemption Song." Born and raised in the United States, he has lived in London since the 1970s.

This work traces the English game of cricket from its origins in the 18th century to the present. The author portrays the hypocrisy, elitism and commercialism of the national game, looking beneath the surface of events to show that cricket's crisis is linked to that of England as a nation.

"I'm in it to win. That's my attitude to life and to politics."-Neil Kinnock, December 1989Defeat from the Jaws of Victory takes the reader behind closed doors to witness Kinnock's Labour hierarchy in action-fixing votes, stage-managing meetings, dispensing patronage to favourites and settling scores with enemies.Riding high on the backlash against the Bennite rebellion of the early 1980s, Kinnock went on to build the most autocratic regime in Labour's history. Centralizing power in a vastly expanded private office, he destroyed the party's democratic structures, stripped it of any trace of radical policy, and purged it of hundreds of dissident members. Every nook and cranny of the Labour machine was filled with careerists whose primary qualification was personal loyalty to their leader. Under Kinnock's aegis the party ran up a £2.5 million overdraft, and proved incapable of removing an unpopular Tory government in the midst of the worst recession since the war.Heffernan and Marqusee employ extensive research in Labour's archives and interviews with leading MPs, party employees and constituency members to chronicle, with unsparing accuracy, a decade-long drive for power which was ruthless, reactionary and, in the final analysis, spectacularly unsuccessful.