Miwako Tezuka

The beautiful companion volume to Lee Ufan's largest site-specific outdoor sculpture project in the U.S.In fall 2019, the Hirshhorn Museum and Sculpture Garden debuted 10 new specially commissioned outdoor sculptures from celebrated Korean artist Lee Ufan. This book accompanies the expansive installation, which features sculptures from the artist's signature and continuing "Relatum" series and marks the first exhibition of Lee's work in the nation's capital. For the first time in the Hirshhorn Museum's 44-year history, its 4.3-acre outdoor plaza will be devoted entirely to the work of a single artist, and this book is a beautiful commemoration or keepsake of that event. Lee is a founder of the late 1960s artistic movement Mono-ha, or "School of Things," so his artwork represents an encounter between the viewer, the materials, and the site. The sculptures in this installation and book reflect this: all of the sculptures respond to the museum's unique architecture and continue Lee's iconic practice of placing contrasting materials, such as stainless steel plates and boulders, in dialogue with one another to heighten awareness of the world. The book features more than 100 color illustrations, including preliminary sketches, photographs of the artist selecting materials for the work, images of the installation process, shots of installed sculptures, details of installed sculptures, and more. Accompanying these powerful images are a foreword, essays, artist interview, and short captions that highlight how the works are rooted in contemplation and sensation rather than static representation. Lee Ufan: Open Dimension offers readers an intimate look at the work, artistic process, and impact of one of the pioneering figures of postwar art.

The digital collective teamLab, founded in Tokyo in 2001 by Toshiyuki Inoko, breaks established boundaries between the gallery and art world.This group-comprised of more than four hundred people including programmers, designers, and animators-creates immersive digital experiences outside of the realm of the traditional art world, navigating the confluence of art, technology, design, and the natural world. In many cases, it roots its imagery in historical Japanese art but uses the visual language of high-tech rendering and animation. Over the past few years, teamLab's projects have kept pace with technology and have evolved from two-dimensional screen-based animations to room-sized interactive installations.This book is a collection of essays, interviews and photographs exploring both the presence of teamLab's installations and the ideas and processes behind them. With a focus on the development of their work rather than the actual public displays, this book takes readers behind-the-scenes of a fascinating and thoroughly modern take on art.See the teamLab exhibit-the inaugural display in the Asian Art Museum of San Francisco's new 9,500-square-foot exhibition pavilion: April 24 - September 7, 2020.