Mona Abaza

Cairo is a city of collective exhaustion. From the 2011 revolution to Sisi’s seizure of power in 2013, like millions of others, Mona Abaza was swallowed by a draining and exhausting daily life of a city caught up in the aftermath of revolt – a daily life that transformed countless people into all-embracing apolitical subjects.Cairo collages narrates four parallel tales about Cairo’s urban transformations in the twenty-first century, examining everyday life and resilience after 2013. Weaving personal narrative with incisive theoretical discussions of the quotidian and the everyday, Abaza raises essential sociological questions regarding global orientations pertaining to emerging military urbanism. With reflections on the long hours of commuting to the gated communities in the desert east of Cairo and the daily material lives and social interactions of residents in decaying middle-class buildings, Abaza’s collage of landscapes weaves together the transmutations underway in the various Cairene geographies.

Cairo is a city of collective exhaustion. From the 2011 revolution to Sisi’s seizure of power in 2013, like millions of others, Mona Abaza was swallowed by a draining and exhausting daily life of a city caught up in the aftermath of revolt – a daily life that transformed countless people into all-embracing apolitical subjects.Cairo collages narrates four parallel tales about Cairo’s urban transformations in the twenty-first century, examining everyday life and resilience after 2013. Weaving personal narrative with incisive theoretical discussions of the quotidian and the everyday, Abaza raises essential sociological questions regarding global orientations pertaining to emerging military urbanism. With reflections on the long hours of commuting to the gated communities in the desert east of Cairo and the daily material lives and social interactions of residents in decaying middle-class buildings, Abaza’s collage of landscapes weaves together the transmutations underway in the various Cairene geographies.

Cotton made the fortune of the Fuda family, Egyptian landed gentry with peasant origins, during the second part of the nineteenth century. This story, narrated and photographed by a family member who has researched and documented various aspects of her own history, goes well beyond the family photo album to become an attempt to convey how cotton, as the main catalyst and creator of wealth, produced by the beginning of the twentieth century two entirely separate worlds: one privileged and free, the other surviving at a level of bare subsistence, and indentured. The construction of lavish mansions in the Nile Delta countryside and the landowners' adoption of European lifestyles are juxtaposed visually with the former laborers' camp of the permanent workers, which became a village ('Izba), and then an urbanized settlement. The story is retold from the perspective of both the landowners and the former workers who were tied to the 'Izba. The book includes family photo albums, photographs of political campaigns and of banquets in the countryside, documents and accounting books, modern portraits of the peasants, and pictures of daily life in the village today. This is a story that fuses the personal and emotional with the scholar's detached ethnographic reporting-a truly fascinating, informative, and colorful view of life on both sides of a uniquely Egyptian socio-economic institution, and a vanished world: the cotton estate.

Egypt's modern art scene has been marked by many influential local and foreign painters. Mona Abaza retraces the highlights of the country's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners, Sherwet Shafei. The 200 color reproductions of paintings from Sherwet Shafei's collection represent works from very early pioneers such as Mahmoud Sa d and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida. In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalization on the art industry. This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.

The second edition of Laryngeal Electromyography is concise and practical; . The book provides laryngologists, neurologists, physiatrists, and other electrophysiologists a complete overview of this procedure, from the anatomy of the laryngeal muscles to the interpretation of the EMG. The second edition is thoroughly updated to reflect the most recent literature on reflux, including new directions for research and recently published practice parameters. This book makes available the information necessary for performing a procedure required for accurate laryngologic diagnosis, which is essential to every voice care team. This book is a highly accessible, easy-to-follow reference guide with clinical applications, case studies, and appendices with extensive resources. Totally revised and updated new edition Concise, practical coverage on electromyographic procedure and diagnostics Expanded coverage plus an additional appendix Extensively referenced and now includes a suggested reading list

This book is a comparative study of the sociological field in two different Muslim societies: Malaysia and Egypt. It analyses the process of the production of 'knowledge' through the example of the modern 'Islamization of knowledge debate' and local empirical variations.