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Kirjailija

Musau Mattmeachamjr

Kirjat ja teokset yhdessä paikassa: 46 kirjaa, julkaisuja vuosilta 2018-2019, suosituimpien joukossa MUSAUTHOR'S Law: Language Art Volume 13. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

46 kirjaa

Kirjojen julkaisuhaarukka 2018-2019.

MUSAUTHOR'S Law: Language Art Volume 17

MUSAUTHOR'S Law: Language Art Volume 17

Musau Mattmeachamjr

Independently Published
2019
nidottu
This is an educational guide for writing a film script for the movies based on the concept of Hollywood classicism. Musauthor theory maintains that there are four basic components which supplement and complement blockbuster films. This is volume 17 of a 31 book series which deals with language arts. This particular volume deals with the construction of a typical film script utilizing the four components. It is divided into three parts: 1) the theory; 2) the story and 3) the final film script concept.
Afro Drama: Volume 4

Afro Drama: Volume 4

Musau Mattmeachamjr

Independently Published
2019
nidottu
This is Volume 4 of a thirteen book series dealing with drama- specifically, stage scripts and film scripts. Also, in this series developmental issues of Drama in the Africana are addressed.
Afro Drama: Volume 3

Afro Drama: Volume 3

Musau Mattmeachamjr

Independently Published
2019
nidottu
This is Volume 3 of a book series dealing with stage scripts and film scripts all written by the author. There are thirteen books in this series. Also, historical and sociological ideas and information regarding drama and the performing arts in the Africana are referenced and discussed.
MUSAUTHOR'S Law: Language Art Volume 9

MUSAUTHOR'S Law: Language Art Volume 9

Musau Mattmeachamjr

Independently Published
2019
nidottu
The Playwright's Comment and Justifications-The plays submitted in these volumes represent years of theatrical endeavor. These plays are written for both the stage and film, and also for the young and the old. The subject matters vary while technique is exploratory and experimental motivated by an endeavor to incite the audience. The stage script is written to be performed while the film script is written to entertain. Both should have a message embedded in the plot. This is just Volume 9 of a 31 book series dealing with writing and the performing arts. Also, what makes these volumes unique and iconoclastic is that I explore the evolution of language, and offer linguistical theories utilizing several different languages in an attempt to show the universality of the human being...
MUSAUTHOR'S Law: Language Art Volume 8

MUSAUTHOR'S Law: Language Art Volume 8

Musau Mattmeachamjr

Independently Published
2019
nidottu
"MUSAUTHOR's Law" is an encyclopedic collection of poetry, prose and drama. The central focus of this 31 book encyclopedic collection is Language Art: English, Swahili, Arabic, Russian, Chinese, Hindi and Amharic. The short stories, drama, etc. (all in English) are based on previous writings and publications which go back over a half a century (fifty years of writing). In many cases the writings used in other literary publications by the author are used here but used in a different light. New titles have sprung up from old titles - dialogue and narration. I have created new stories utilizing the exact same dialogue, etc. to create new and modern stories. My writings are based on "self -plagiarism". I write my new writings using dialogue and narration from my old books. This is Volume 8. This edition is the beginning of an audacious and prolific endeavor to experiment with drama and the screenplay. And, of course the reader of this encyclopedic collection will be aroused with my particular theories on Language Art; I will be concerned with six different languages, and once all this is documented, I will write another 21 book series to test my theories on language...A reading of the novella will show that the completed SCREENPLAY experimented in this volume is definitely a derivative of the novella. In fact dialogues for the SCREENPLAY, in many instances, are actual direct quotations from the novella. But common sense and the demands of film production dictate that plot development requires modification and fixing in order to proceed in the successful film production process geared from a particular point of view. So, audience anticipation is a consideration that is a paramount issue when adapting the novella for film. It would seem that a proficient director with an insight and specific artistic talents would be skilled enough to take a philosophical display like the one presented here and take it in a profitable direction.