Namwali Serpell

The essential companion to Toni Morrison's work, written by Namwali Serpell, ‘one of the most innovative and intelligent writers today’ (Financial Times)A giant in American letters, and one of our most beloved writers, Nobel laureate Toni Morrison has inspired generations. But her artistic genius is often overshadowed by her monumental public persona, perhaps because, as Serpell puts it, ‘she is our only truly canonical black, female writer—and her work is complex.’ In On Morrison, Serpell brings her unique experience as both an award-winning writer and a professor of literature at Harvard University, to illuminate Morrison’s masterful experiments with literary form.This is Morrison as you’ve never encountered her before, a journey through her oeuvre—her fiction, poetry, dramatic works, and criticism—with contextual guidance, archival discoveries, and original close readings. At once accessible and uncompromisingly rigorous, On Morrison is a primer not only on how to read one of the most significant black American authors of all time, but also on how to read great works of literature.Stylish, edifying, and electrifying in its intelligence, this dialogue on the page between two artist-readers is literary criticism at its very best.'Stunning reconsiderations of Morrison…incisive, tender, and also honest and unsparing’ HANIF ABDURRAQIB, author of A Little Devil in America

A powerful new novel about grief and mourning from the acclaimed and prize-winning author of The Old DriftA BARACK OBAMA BOOK OF THE YEAR and NEW YORK TIMES BOOK OF THE YEARI don't want to tell you what happened. I want to tell you how it felt.Cassandra is twelve; her little brother Wayne is seven. One day, when they're alone together, there's an accident and Wayne is lost forever. Though his body is never recovered, their mother can't stop searching.As Cassandra grows older, she sees her brother everywhere: in cafes, aeroplane aisles, subway cars. But it can't be, of course. Or can it? And then one day, there's another accident, and she meets a man both mysterious and familiar, a man who shares her brother's name and who is also searching for someone...'In Namwali Serpell's hands, grief is a kind of possession. The Furrows is a piercing, sharply written novel about the conjuring power of loss' - RAVEN LEILANI, author of Luster

National Book Critics Circle Award FinalistA New Yorker Best Book of 2020"Wise, warm, witty and dizzyingly wide-ranging."—The New York Times"Serpell’s vital treatise is one readers will find themselves returning to again and again."—Publishers Weekly, Starred ReviewIf evolutionary biologists, ethical philosophers, and social media gurus are to be believed, the face is the basis for what we call "humanity." The face is considered the source of identity, truth, beauty, authenticity, and empathy. It underlies our ideas about what constitutes a human, how we relate emotionally, what is pleasing to the eye, and how we ought to treat each other. But all of this rests on a specific image of the face. We might call it the ideal face.What about the strange face, the stranger's face, the face that thwarts recognition? What do we make of the face that rides the line of legibility? In a collection of speculative essays on a few such stranger faces—the disabled face, the racially ambiguous face, the digital face, the face of the dead—Namwali Serpell probes our contemporary mythology of the face. Stranger Faces imagines a new ethics based on the perverse pleasures we take in the very mutability of faces.

"A dazzling debut, establishing Namwali Serpell as a writer on the world stage."--Salman Rushdie, The New York Times Book Review A BEST BOOK OF THE YEAR: Dwight Garner, The New York Times - The New York Times Book Review - Time - NPR - The Atlantic - BuzzFeed - Tordotcom - Kirkus Reviews - BookPage WINNER: The Arthur C. Clarke Award - The Los Angeles Times Art Seidenbaum Award - The Anisfield-Wolf Book Award for Fiction - The Windham-Campbell Prizes for FictionOne of The Atlantic's Great American Novels of the Past 100 Years 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives--their triumphs, errors, losses and hopes--emerge through a panorama of history, fairytale, romance and science fiction. From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time. Finalist for the Los Angeles Times Ray Bradbury Prize - Longlisted for the Center for Fiction First Novel Prize "An intimate, brainy, gleaming epic . . . This is a dazzling book, as ambitious as any first novel published this decade."--Dwight Garner, The New York Times "A founding epic in the vein of Virgil's Aeneid . . . though in its sprawling size, its flavor of picaresque comedy and its fusion of family lore with national politics it more resembles Salman Rushdie's Midnight's Children."--The Wall Street Journal "A story that intertwines strangers into families, which we'll follow for a century, magic into everyday moments, and the story of a nation, Zambia."--NPR

Clarke Award 2020'The great African novel of the twenty-first century' Tade ThompsonOn the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift. In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M.