Nancy Wu

This Element examines the tombstone for Andrew of Perugia (d. 1332?), the sole surviving object from the 14C Franciscan mission in China. The narrative begins in Zayton, where diverse groups brought to this maritime entrepot old antagonisms and new alliances. The discovery of Andrew's tombstone and that of other Christian monuments over the centuries, demonstrate how various Christian churches interacted with their host society from the eighth through the fourteenth centuries. Relying to the extent possible on words of the protagonists, this Element scrutinizes the Nestorian cross-and-lotus motif and questions prevailing interpretations about this quintessential Nestorian iconography and its presence on a Franciscan tombstone: the inter-religious borrowing of art and symbolism, the mode through which ideas and traditions were transmitted, the function and purpose of adaptation, and the plausible contribution of local artisans to the creation of the earliest Christian art in China.

This Element examines the tombstone for Andrew of Perugia (d. 1332?), the sole surviving object from the 14C Franciscan mission in China. The narrative begins in Zayton, where diverse groups brought to this maritime entrepot old antagonisms and new alliances. The discovery of Andrew's tombstone and that of other Christian monuments over the centuries, demonstrate how various Christian churches interacted with their host society from the eighth through the fourteenth centuries. Relying to the extent possible on words of the protagonists, this Element scrutinizes the Nestorian cross-and-lotus motif and questions prevailing interpretations about this quintessential Nestorian iconography and its presence on a Franciscan tombstone: the inter-religious borrowing of art and symbolism, the mode through which ideas and traditions were transmitted, the function and purpose of adaptation, and the plausible contribution of local artisans to the creation of the earliest Christian art in China.

With new co-authors, Ebbing's GENERAL CHEMISTRY, 12th Edition, includes an enhanced problem-solving approach and revisions that reflect the diversity of modern chemistry, offering an approachable chemistry text that emphasizes step-by-step skill building. New homework assignments, powered by WebAssign, offer targeted feedback and tools to help students master core concepts.

Home to an extraordinary collection of treasured masterworks, including the famed Unicorn Tapestries, The Cloisters is devoted to the art and architecture of medieval Europe. This splendid new guide, published to celebrate The Cloisters' seventy-fifth anniversary, richly illustrates and describes the most important highlights of its collection, from paintings, illuminated manuscripts, and exquisitely carved ivories to its monumental architecture evocative of the grand religious spaces and domestic interiors of the Middle Ages. The Cloisters remains a testament to design innovation—a New York City landmark with sweeping views of the Hudson River—featuring original elements of Romanesque and Gothic architecture dating from the 12th through the 15th century. Three of the structures enclose beautiful gardens cultivated with species known from tapestries, medieval herbals, and other historic sources. These exotic spaces, the art masterpieces, and the fragrant plants offer visitors an oasis of serenity and inspiration. This book both encapsulates and enhances that experience. Published by The Metropolitan Museum of Art / Distributed by Yale University Press