Nerys Williams

Nerys Williams’ new collection questions what makes a Republic? Machinations of power? The speeches of politicians? The broad sweep of official histories? This sequence of 80 prose-poems, each constructed in 20 sentences, has arisen from the author’s need to tell a more intimate history, to commit an untold oral history to paper. Williams returns to the meaning of “republic” in its Latin origins which meant “wealth of the people”. The poems tell the story of a young Welsh woman growing up and coming of age in the 1980s and 90s, a time that culminated with new devolutionary powers in Wales. The explosion of the arts and culture looms large, through bands from New Order to my bloody valentine, but it is explored specifically through Cwl Cymru’, and the power of Welsh-language bands like Datblygu. This story is also about class, as we explore a family history of hard work in jobs from retail to caregiving. The poems introduce us to family influences, from a father who urges the narrator as a child to ‘own the stage’ in an early school Eisteddfod, to a grandmother who worked long hours in her rural shop, and a mother who was the local midwife. There are stories told, overheard, handed down, sometimes translated from Welsh. Together, they create an expansive portrait of the era, including the challenges for women, Welsh-speakers, and other marginalized groups. Ferocious remarks about the Welsh in the popular media are dissected with satirical humour and appalled fascination, while other poems describe being a token woman and political outsider on a TV current affairs show panel, tolerated but ostracized. From her more recent home, the republic of Ireland, Williams poses the possibilities of a nation looking at itself and its history from afar. Wales has not been allowed to be a republic, but is subject to a state that has military claims on its landscape and a second home explosion which has a severe impact on its communities. There is rebellion to be found in the older meaning of “republic”: since the wealth of the people is a wealth of sounded stories, culture, art, and history.

The two volumes of Peter Finch’s Collected Poems chart the course of a remarkable writing career. After reading Allen Ginsberg’s Howl as a young man Finch was inspired to become a poet, found the Second Aeon magazine and publishing house, and become a poetry entrepreneur, bringing to all these things an unquenchable vitality which set him apart in contemporary poetry. This first volume makes available poems from long lost chapbooks, broadsheets and limited editions, as well as more conventionally published work. Here are concrete poems, sound poems, typographical poems, visual poems, poems in cartoon form or as crumpled photocopies. Whatever their form, Finch’s poems are always vivid and alive, pulsing with inventive energy. As he says himself, this is work which pushes the idea on until it breaks, flowers, or dissolves. It means that Finch’s writing can never be taken for granted. The Collected Poems is also a restless exploration of the ideas behind the poems. It is a testament to the experimental in literature, to ways of doing it differently, and to an alternative modernist culture in Wales and Britain. Consequently, invaluably, they also open a window on a poetry scene seemingly lost from view to the twenty-first century. They remind us that there was interesting and vital writing happening outside of what has calcified into the canon of twentieth century British poetry. And that Finch was at its cutting edge with poets like Bob Cobbing and Henri Chopin Paul. Editor Andrew Taylor has included an informative Introduction, a timeline of Finch’s artistic activity, and helpful notes. The book is completed by poet Nerys Williams’ appreciative Foreword.

Discussing the work of more than 60 poets from the US, UK, Ireland, Australia, New Zealand and the Caribbean, from Sujata Bhatt to M. Philip NourbeSe and from John Ashbery to Eliot Weinberger, Nerys Williams guides students through the key ideas and movements in the study of poetry today. With reference to original manifestos and web-based experiments, as well as the role of information culture in shaping and distributing poetry globally this book engages with the full vitality of the contemporary poetry scene. Key Features * Wide topic range - from performance to politics, from lyric expression to ecopoetics and from multilingual poetries to electronic writing - enables provocative thematic links to be made * Discussion of global Englishes, dialects and idiolects aimed at those studying poetry on postcolonial literature and contemporary poetics courses * Contemporary relevance: relates poetry to reporting on global conflict, including the impact of the Iraq War * Student resources include a chronology, web resources, a glossary, questions for discussion and a guide to further reading

"Managing Obesity in the Workplace" comprehensively examines how obesity impacts business and provides examples of action that can be taken by employers to prevent weight gain and facilitate weight loss in their staff. A considered, evidence-based analysis of the extent of the obesity problem reveals how this public health epidemic affects all workplaces influencing fitness to work, sickness absence, discrimination and bullying.Case studies from around the world clearly illustrate the extent of the problem and offer practical, innovative and budget friendly solutions for all businesses, large and small. With a focus on nutrition, physical activity, motivation and education, this book is ideal for occupational health professionals, public health and primary care doctors and nurses, health and safety officers, and nutritionists and dieticians. Organisations promoting workplace health, including sports/exercise equipment suppliers, will find it enlightening reading, as will business owners and managers.

This book considers the development of the lyric form in recent American poetry of the past three decades. By concentrating on the writing of three poets associated with language writing, Charles Bernstein, Michael Palmer and Lyn Hejinian, the discussion considers the attempts of contemporary poetry to problematise the identification of the lyric as a static model of subjectivity. Central considerations motivating the discussion are: How do contemporary lyric poets negotiate the propositions posed by postmodern thought? What reading of lyricism can one formulate once the self is displaced from centre stage and an 'experience' of language takes its place? The book proposes that an aesthetic of error enables us to approach the reconfiguration of the lyric in recent innovative poetry. Drawing from elements of modernist poetic practice, psychoanalytic theory, language philosophy and critical theory this book pursues methods for understanding the demands placed upon the reader of contemporary poetry.

Self-help organizations have an increasingly important role in helping patients, so that doctors can concentrate on those who need their medical skills. This guide details the service provided by each self-help organization, and is designed so that local information can be added by the user. It is a valuable source of reference to GPs, practice managers, practice and community nurses, community health councils and health service managers.