Nicholas Luke

This exciting and challenging study reorients how we think about politics in Shakespeare and on the early modern stage. By reading Shakespeare's political drama as a negative mode of political experience and thought, Nicholas Luke allows us to appreciate the imaginative and disruptive elements of plays that might seem politically pessimistic. Drawing on a long religious and philosophical tradition of negativity and considering the writings of Hegel, Kierkegaard, Benjamin, Adorno, Derrida and Badiou, Luke pursues a phenomenology of political spirit that looks to the creative potential of experiences of failure, haunting, estrangement, impasse and dream. Through his notion of a negative political theology, he challenges traditional understandings of political theology and shows that Shakespeare's drama of negativity is more than a form of pessimistic critique, but rather a force of freedom and invention that animates the political imaginations of its audience.

In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.

In this distinctive study, Nicholas Luke explores the abiding power of Shakespeare's tragedies by suggesting an innovative new model of his character creation. Rather than treating characters as presupposed beings, Luke shows how they arrive as something more than functional dramatis personae - how they come to life as 'subjects' - through Shakespeare's orchestration of transformational dramatic events. Moving beyond dominant critical modes, Luke combines compelling close readings of Romeo and Juliet, Othello, Hamlet, Macbeth, and King Lear with an accessible analysis of thinkers such as Badiou, Žižek, Bergson, Whitehead and Latour, and the 'adventist' Christian tradition flowing from Saint Paul through Luther to Kierkegard. Representing a significant intervention into the way we encounter Shakespeare's tragic figures, the book argues for a subjectivity which is not singular or abiding, but perilous and leaping.