Nicholas O’Connell

In Crush Nicholas O’Connell provides a behind-the-scenes look at the daily operations of some of the world’s most prestigious wineries on the West Coast. This insider’s view of the wine world includes the intense competition for the best grapes, the bizarre lingo of the tasting rooms, and the visionary winemakers who magically transform grapes into high-end wine. It is a world that includes not only romance and refinement but long hours, backbreaking labor, mind-numbing repetition, and fanatical dedication to quality. Such devotion resulted in the 1973 Stag’s Leap Wine Cellars Cabernet that won the best red wine at the 1976 Judgment of Paris and transformed the U.S. wine industry. O’Connell’s quest to master the art of wine making begins in his garage. From there he embarks on an apprenticeship at Betz and DeLille Cellar and other great wineries in California, Oregon, and Washington. He provides a first-person, ground-up view of a business not yet fully explored despite record interest in wine. O’Connell also includes conversations with some of the world’s most gifted vintners, including Warren Winiarski, former owner of Stag’s Leap Wine Cellars. Wine is surrounded by a seemingly impenetrable cloud of descriptors-“wet dog,” “kumquats,” “cat pee”-and a fog of pretention. Crush pierces this fog with colorful, concrete storytelling, in-depth portraits of famous winemakers, and a lively, down-to-earth description of the process by which wine is made: not in the critic’s mind but in the winery and vineyard.

On Sacred Ground explores the literature of the Northwest, the area that extends from the Pacific Ocean to the Rocky Mountains, and from the forty-ninth parallel to the Siskiyou Mountains. The Northwest exhibits astonishing geographical diversity and yet the entire bioregion shares a similarity of climate, flora, and fauna.For Nicholas O'Connell, the effects of nature on everyday Northwest life carry over to the region's literature. Although Northwest writers address a number of subjects, the relationship between people and place proves the dominant one, and that has been true since the first tribes settled the region and began telling stories about it, thousands of years ago. Indeed, it is the common thread linking Chief Seattle to Theodore Roethke, Narscissa Whitman to Ursula K. Le Guin, Joaquin Miller to Ivan Doig, Marilynne Robinson to Jack London, Betty MacDonald to Gary Snyder.Tracing the history of Pacific Northwest literary works--from Native American myths to the accounts of explorers and settlers, the effusions of the romantics, the sharply etched stories of the realists, the mystic visions of Northwest poets, and the contemporary explosion of Northwest poetry and prose--O'Connell shows how the most important contribution of Northwest writers to American literature is their articulation of a more spiritual human relationship with landscape. Pacific Northwest writers and storytellers see the Northwest not just as a source of material wealth but as a spiritual homeland, a place to lead a rich and fulfilling life within the whole context of creation. And just as the relationship between people and place serves as the unifying feature of Northwest literature, so also does literature itself possess a perhaps unique ability to transform a landscape into a sacred place.

Reaching 20,320 feet into the clouds, the peak of Denali is the highest and coldest summit in North America. In this novel of adventure and ambition, based on actual events, four men set out to conquer it. Seen from the perspective of leader John Walker, the group battles avalanches, fierce winds, and mind-numbing cold before their band begins to splinter, leading inexorably to tragedy.

On Sacred Ground explores the literature of the Northwest, the area that extends from the Pacific Ocean to the Rocky Mountains, and from the forty-ninth parallel to the Siskiyou Mountains. The Northwest exhibits astonishing geographical diversity and yet the entire bioregion shares a similarity of climate, flora, and fauna.For Nicholas O'Connell, the effects of nature on everyday Northwest life carry over to the region's literature. Although Northwest writers address a number of subjects, the relationship between people and place proves the dominant one, and that has been true since the first tribes settled the region and began telling stories about it, thousands of years ago. Indeed, it is the common thread linking Chief Seattle to Theodore Roethke, Narscissa Whitman to Ursula K. Le Guin, Joaquin Miller to Ivan Doig, Marilynne Robinson to Jack London, Betty MacDonald to Gary Snyder.Tracing the history of Pacific Northwest literary works--from Native American myths to the accounts of explorers and settlers, the effusions of the romantics, the sharply etched stories of the realists, the mystic visions of Northwest poets, and the contemporary explosion of Northwest poetry and prose--O'Connell shows how the most important contribution of Northwest writers to American literature is their articulation of a more spiritual human relationship with landscape. Pacific Northwest writers and storytellers see the Northwest not just as a source of material wealth but as a spiritual homeland, a place to lead a rich and fulfilling life within the whole context of creation. And just as the relationship between people and place serves as the unifying feature of Northwest literature, so also does literature itself possess a perhaps unique ability to transform a landscape into a sacred place.

At the Field's End is an exploration and celebration of Pacific Northwest literature. In their own words, twenty-two of the finest and best-known writers in America discuss their work and the region's influence on it. Interviews with Denise Levertov and John Haines have been added since the publication of the first edition in 1987, and the author introductions have been updated.