Nicolás Kanellos

Spanning from the early nineteenth century to today, this intellectual history examines the work of Latino writers who explored the major philosophic and political themes of their day, including the meaning and implementation of democracy, their democratic and cultural rights under U.S. dominion, their growing sense of nationhood, and the challenges of slavery and disenfranchisement of women in a democratic republic that had yet to realize its ideals. Over the course of two centuries, these Latino or Hispanic intellectuals were natural-born citizens of the United States, immigrants, or political refugees. Many of these intellectuals, whether citizens or not, strove to embrace and enliven such democratic principles as freedom of speech and of the press, the protection of minorities in the Bill of Rights and in subsequent laws, and the protection of linguistic and property rights, among many others, guaranteed by treaties when the United States incorporated their homelands into the Union. The first six chapters present the work of lesser-known historical figures--most of whom have been consistently ignored by Anglo- and Euro-centric history and whose works have been widely inaccessible until recently--who were revolutionaries, editors of magazines and newspapers, and speechmakers who influenced the development of a Latino consciousness. The last three chapters deal with three foundational figures of the Chicano Movement, the last two of whom either subverted the concept of nationhood or went beyond it to embrace internationalism in an outreach to humanity as a whole.Latinos and Nationhood sheds new light on the biographies of FÉlix Varela, JosÉ Alvarez de Toledo y Dubois, Francisco RamÍrez, TomÁs Rivera, Rolando Hinojosa-Smith, and Gloria E. AnzaldÚa, among others.

Spanning from the early nineteenth century to today, this intellectual history examines the work of Latino writers who explored the major philosophic and political themes of their day, including the meaning and implementation of democracy, their democratic and cultural rights under U.S. dominion, their growing sense of nationhood, and the challenges of slavery and disenfranchisement of women in a democratic republic that had yet to realize its ideals. Over the course of two centuries, these Latino or Hispanic intellectuals were natural-born citizens of the United States, immigrants, or political refugees. Many of these intellectuals, whether citizens or not, strove to embrace and enliven such democratic principles as freedom of speech and of the press, the protection of minorities in the Bill of Rights and in subsequent laws, and the protection of linguistic and property rights, among many others, guaranteed by treaties when the United States incorporated their homelands into the Union. The first six chapters present the work of lesser-known historical figures--most of whom have been consistently ignored by Anglo- and Euro-centric history and whose works have been widely inaccessible until recently--who were revolutionaries, editors of magazines and newspapers, and speechmakers who influenced the development of a Latino consciousness. The last three chapters deal with three foundational figures of the Chicano Movement, the last two of whom either subverted the concept of nationhood or went beyond it to embrace internationalism in an outreach to humanity as a whole.Latinos and Nationhood sheds new light on the biographies of FÉlix Varela, JosÉ Alvarez de Toledo y Dubois, Francisco RamÍrez, TomÁs Rivera, Rolando Hinojosa-Smith, and Gloria E. AnzaldÚa, among others.

Immigration has been one of the basic realities of life for Latino communities in the United States since the nineteenth century. It is one of the most important themes in Hispanic literature, and it has given rise to a specific type of literature while also defining what it means to be Hispanic in the United States. Immigrant literature uses predominantly the language of the homeland; it serves a population united by that language, irrespective of national origin; and it solidifies and furthers national identity. The literature of immigration reflects the reasons for emigrating, records-both orally and in writing-the trials and tribulations of immigration, and facilitates adjustment to the new society while maintaining links with the old society.Based on an archive assembled over the past two decades by author NicolÁs Kanellos's Recovering the U. S. Hispanic Literary Heritage project, this comprehensive study is one of the first to define this body of work. Written and recorded by people from Mexico, Cuba, Puerto Rico, the Caribbean, and Central and South America, the texts presented here reflect the dualities that have characterized the Hispanic immigrant experience in the United States since the mid-nineteenth century, set always against a longing for homeland.

Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War-a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits.Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco.Kanellos charts the major achievements of Hispanic theatre in each city-playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York-as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record-reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.

This book promises to be a very useful reference work, covering material that has heretofore been hard to find. . . . . useful in academic libraries and large public libraries. Reference Books BulletinThis dictionary provides an exhaustive reference guide to representative figures in Hispanic literature within the geographic, political, and cultural boundaries of the United States. While concentrating on contemporary writers who have made or promise to make a lasting contribution to multiethnic letters in this country, it is designed to make accessible to the English-language reader a literary world that has until now been articulated primarily in Spanish. Focusing mainly on Puerto Rican and Cuban writers, each entry summarizes the importance of the subject and indicates the literary genres and themes cultivated. There is a brief biography of each author, an analysis of major works and themes, and a survey of the criticism of the author's works.The first and most comprehensive volume on the subject, this extraordinarily detailed sourcebook is a compilation of bio-bibliographical essays on leading Hispanic novelists, poets, and dramatists, and includes secondary bibliographies for each entry as well as a general bibliography on Hispanic literature. Especially highlighted are such authors as Nuyorican Miguel Pinero, winner of the New York Drama Critics Circle Award for Best American Play; Chilean novelist, critic, and editor Fernando Alegria; the Cuban-American chronicler of life in Miami's exile community, Roberto Fernandez, and others. Kanellos' work answers a definite need for comprehensive biographical and critical information on these writers, and it will be a significant addition to academic and public libraries, and to research in Spanish, English, bilingual education, and ethnic studies.