Nikhil Govind

This book discusses the question of subjectivity in modern Indian literature using some of the most influential literary texts of the last hundred years. Scholarship in Indian literature tends to be divided along the lines of region, language, historical period, class, caste and so on. However, this book, by foregrounding a concept---subjectivity---allows the concept to determine the architecture of the book. Thus there are chapters on the various modes of subjectivity---a sense of ethical subjectivity is often awakened by a fierce sense of injustice, and the first two chapters discuss this, in the context of a contemporary Malayalam novel by KR Meera, and Urmila Pawar's memoir about her Dalit identity. The next two chapters delve into the literary history of selfhood in India---canonical writers such as the Hindi novelist Agyeya, the Urdu novelist Ismat Chughtai, and the Bengali novelists Saratchandra Chatterjee and RabindranathTagore are discussed. The last chapter revisits these concerns through the many voices employed by the Hindi novelist Krishna Sobti, whose career straddles the second half of the twentieth century.

Between Love and Freedom interprets the figure of the revolutionary in the Hindi novel by establishing its lineage in representative Bengali novels, as well as in the contending moralities of Mahatma Gandhi and Bhagat Singh on the idea of violence. It reveals how conventional social realism and emergent modernist modes were brought together in the novelistic tradition by extending the political ideal of anti-colonial revolution into domains of sexual desire and subjective expression, especially in the works of Agyeya, Jainendra, and Yashpal. This work will deeply interest scholars and students of literature, modern Indian history, Hindi, and political science.

Between Love and Freedom interprets the figure of the revolutionary in the Hindi novel by establishing its lineage in representative Bengali novels, as well as in the contending moralities of Mahatma Gandhi and Bhagat Singh on the idea of violence. It reveals how conventional social realism and emergent modernist modes were brought together in the novelistic tradition by extending the political ideal of anti-colonial revolution into domains of sexual desire and subjective expression, especially in the works of Agyeya, Jainendra, and Yashpal. This work will deeply interest scholars and students of literature, modern Indian history, Hindi, and political science.