Nikki Sullivan

Oracy plays a pivotal role in education, both as a goal in and of itself, and through the role it can play in securing learning. This exciting new book explores how Oracy can support academic success and develop confident communicators who can effectively engage with the world around them and are ready for life beyond school.The book first draws on cognitive science to show how Oracy can be used in the classroom to secure attention and engagement, enhance meaning-making, and for effective retrieval. It then offers strategies for embedding Oracy throughout the school to support debating and communication skills, respectful conversations around emotive and challenging subjects, and students’ wellbeing and confidence. Each chapter features practical classroom examples, research evidence, pitfalls to avoid, and case studies to help teachers apply the ideas to their own context.Part of the Teacher CPD Academy series from InnerDrive, this is essential reading for all teachers and school leaders looking to holistically develop their Oracy provision.

Oracy plays a pivotal role in education, both as a goal in and of itself, and through the role it can play in securing learning. This exciting new book explores how Oracy can support academic success and develop confident communicators who can effectively engage with the world around them and are ready for life beyond school.The book first draws on cognitive science to show how Oracy can be used in the classroom to secure attention and engagement, enhance meaning-making, and for effective retrieval. It then offers strategies for embedding Oracy throughout the school to support debating and communication skills, respectful conversations around emotive and challenging subjects, and students’ wellbeing and confidence. Each chapter features practical classroom examples, research evidence, pitfalls to avoid, and case studies to help teachers apply the ideas to their own context.Part of the Teacher CPD Academy series from InnerDrive, this is essential reading for all teachers and school leaders looking to holistically develop their Oracy provision.

Queering the Museum develops a queer analysis of the ways in which museums construct themselves, their core business, and their publics through the, often unconscious, use of inherited ways of knowing and doing. Providing a critique of both the practices and conventions associated with the modern public museum, and the ontological assumptions that inform them, the authors consider recent discourse around inclusion in museums and explore the ways this has been taken up in practice. Highlighting the limits of particular approaches to inclusion, and the failure to move away from a traditional museological paradigm, the book outlines an alternative critical museological approach that the authors refer to as ‘queer’. Providing readers with the critical tools necessary for a profound rethinking of museum practice, the book also responds to and problematises the growing call for social inclusion. Queering the Museum will appeal to academics, students, and museum and arts sector practitioners with an interest in critical theory or queer practice. It will be of particular interest to those working in the fields of museum studies, sociology, archaeology, anthropology, cultural studies, media, social policy, politics, philosophy, and history.

Queering the Museum develops a queer analysis of the ways in which museums construct themselves, their core business, and their publics through the, often unconscious, use of inherited ways of knowing and doing. Providing a critique of both the practices and conventions associated with the modern public museum, and the ontological assumptions that inform them, the authors consider recent discourse around inclusion in museums and explore the ways this has been taken up in practice. Highlighting the limits of particular approaches to inclusion, and the failure to move away from a traditional museological paradigm, the book outlines an alternative critical museological approach that the authors refer to as ‘queer’. Providing readers with the critical tools necessary for a profound rethinking of museum practice, the book also responds to and problematises the growing call for social inclusion. Queering the Museum will appeal to academics, students, and museum and arts sector practitioners with an interest in critical theory or queer practice. It will be of particular interest to those working in the fields of museum studies, sociology, archaeology, anthropology, cultural studies, media, social policy, politics, philosophy, and history.

One of the twentieth century's most controversial sexologists - or "fuckologists," to use his own memorable term - John Money was considered a trailblazing scientist and sexual libertarian by some, but damned by others as a fraud and a pervert. Money invented the concept of gender in the 1950s, yet fought its uptake by feminists. He backed surgical treatments for transsexuality, but argued that gender roles were set by reproductive capacity. He shaped the treatment of intersex, advocating experimental sex changes for children with ambiguous genitalia. He pioneered drug therapy for sex offenders, yet took an ambivalent stance towards pedophilia. In his most publicized case study, Money oversaw the reassignment of David Reimer as female following a circumcision accident in infancy. Heralded by many as proof that gender is pliable, the case was later discredited when Reimer revealed that he had lived as a male since his early teens. In Fuckology, the authors contextualize and interrogate Money's writings and his practices. The book focuses on his three key diagnostic concepts, "hermaphroditism," "transsexualism," and "paraphilia," but also addresses his lesser-known work on topics ranging from animal behavior to the philosophy of science. The result is a comprehensive collection of new insights for researchers and students within cultural, historical, and gender studies, as well as for practitioners and activists in sexology, psychology, and patient rights.

One of the twentieth century's most controversial sexologists - or "fuckologists," to use his own memorable term - John Money was considered a trailblazing scientist and sexual libertarian by some, but damned by others as a fraud and a pervert. Money invented the concept of gender in the 1950s, yet fought its uptake by feminists. He backed surgical treatments for transsexuality, but argued that gender roles were set by reproductive capacity. He shaped the treatment of intersex, advocating experimental sex changes for children with ambiguous genitalia. He pioneered drug therapy for sex offenders, yet took an ambivalent stance towards pedophilia. In his most publicized case study, Money oversaw the reassignment of David Reimer as female following a circumcision accident in infancy. Heralded by many as proof that gender is pliable, the case was later discredited when Reimer revealed that he had lived as a male since his early teens. In Fuckology, the authors contextualize and interrogate Money's writings and his practices. The book focuses on his three key diagnostic concepts, "hermaphroditism," "transsexualism," and "paraphilia," but also addresses his lesser-known work on topics ranging from animal behavior to the philosophy of science. The result is a comprehensive collection of new insights for researchers and students within cultural, historical, and gender studies, as well as for practitioners and activists in sexology, psychology, and patient rights.

Explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged in the West in the late twentieth century. Sullivan goes on to provide a detailed overview of the complex ways in which queer theory has been employed, covering a diversity of key topics including: race, sadomasochism, straight sex, fetishism, community, popular culture, transgender, and performativity. Each chapter focuses on a distinct issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Freud, Foucault, Derrida, Judith Butler, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), introduces key terms, and uses contemporary cinematic texts as examples.

Explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how and why queer theory emerged in the West in the late twentieth century. Sullivan goes on to provide a detailed overview of the complex ways in which queer theory has been employed, covering a diversity of key topics including: race, sadomasochism, straight sex, fetishism, community, popular culture, transgender, and performativity. Each chapter focuses on a distinct issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Freud, Foucault, Derrida, Judith Butler, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), introduces key terms, and uses contemporary cinematic texts as examples.

This new take on Queer Theory explores the ways in which sexuality, subjectivity and sociality have been discursively produced in various historical and cultural contexts. The book begins by putting gay and lesbian sexuality and politics in historical context and demonstrates how, and why, Queer Theory emerged in the West in the late twentieth century. It goes on to provide a detailed overview of the complex ways in which Queer Theory has been practised. Topics covered include: * race * sadomasochism * 'straight' sex * fetishism * community * popular culture * transgender * performativity Each chapter focuses on an issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Sigmund Freud, Michel Foucault, Judith Butler, Jacques Derrida, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), and introduces key terms. Each chapter also discusses contemporary cinematic texts. Key Features * Extends current accounts of Queer Theory by analysing its relation to our everyday lives. * Provides historical overviews of key concepts such as heterosexuality, sadomasochism and fetishism. * Up to date coverage of issues and debates. * Examples are taken from contemporary popular cultural texts such as films, documentaries and art projects.

Drawing on the works of a number of postmodern theorists, this study suggests that the tattooed body is symptomatic of a general process of marking and being marked and is a social production of identity and difference. Shifting the focus away from what the tattooed body means to what it does, this work analyzes how it functions and what effects it produces. It challenges the ways in which identity and difference are discursively produced, particularly in psychological, criminological, and counter-cultural discourses. The writings of such theorists as Foucault, Levinas, Barthes, and Lingis are scrutinized to reveal how their discourse interprets the tattooed body as simply an aberrant threat to the body or simply a positive counter-cultural challenge. These theories are supplanted with this unique approach to notions of subjectivity, textuality, ethics, and pleasure and to the relationships among them. This examination of the role of the body in social, political, and ethical relations will attract scholars from a number of disciplines, including cultural studies, gender studies, philosophy, visual arts, sociology, and English. It will also appeal to critics and practitioners in contemporary practices of body modification.