Olga Tabachnikova

Russia, once compared to a giant sphinx, is often considered in the Anglophone world an alien culture, often threatening and always enigmatic. Although recognizably European, Russian culture also has mystical features, including the idiosyncratic phenomenon of Russian irrationalism. Historically, Russian irrationalism has been viewed with caution in the West, where it is often seen as antagonistic to, and subversive of, the rational foundations of Western speculative philosophy. Some of the remarkable achievements of the Russian irrationalist approach, however, especially in the artistic sphere, have been recognized and even admired, though not sufficiently investigated. Bridging the gap between intellectual cultures, Olga Tabachnikova discusses such fundamental irrationalist themes as language and the linguistic underpinning of culture; the power of illusion in national consciousness; the changing relationship between love and morality; the cultural roots of humour, as well as the relevance of various individual writers and philosophers from Pushkin to Brodsky to the construction of Russian irrationalism.

Russia, once compared to a giant sphinx, is often considered in the Anglophone world an alien culture, often threatening and always enigmatic. Although recognizably European, Russian culture also has mystical features, including the idiosyncratic phenomenon of Russian irrationalism. Historically, Russian irrationalism has been viewed with caution in the West, where it is often seen as antagonistic to, and subversive of, the rational foundations of Western speculative philosophy. Some of the remarkable achievements of the Russian irrationalist approach, however, especially in the artistic sphere, have been recognized and even admired, though not sufficiently investigated. Bridging the gap between intellectual cultures, Olga Tabachnikova discusses such fundamental irrationalist themes as language and the linguistic underpinning of culture; the power of illusion in national consciousness; the changing relationship between love and morality; the cultural roots of humour, as well as the relevance of various individual writers and philosophers from Pushkin to Brodsky to the construction of Russian irrationalism.

We very much hope that this book will be read by the interested student (and not just be parked on a shelf for occasional consultation). If you want a comprehensive reference book on Group Theory, do not buy this text. There are much better books available, some of which are mentioned below. We have a tale to tell; the absolute essentials of the theory of groups, followed by some entertainments and some more advanced material. The theory of groups is an enormous body of material which interacts with other branches of mathematics at countless frontiers. Some parts of the theory are essentially complete, but in other areas all we see are questions. People happily read novels, so why not mathematics books? When math­ ematics was studied by only a few people, there was less need to try to write attractively or encouragingly since the likely readership consisted of a small group of highly motivated individuals who needed little encouragement. Even so, many talented academic writers managedto write brilliantly because they knew no other way. As higher education has opened up in economically devel­ oped countries, a much more diverse collection of people is exploring advanced mathematics and science. The challenge for authors is to produce books which engage this wider community without compromising the content.