Osip Mandelstam

An extensive sampling of the whole of Mandelstam's career from his first collection up to the late poems that were memorised by his wife, when it was too dangerous to have them written down. One of the great poets of the first half of the 20th century, Mandelstam is one of the figures who needs to be translated and re-translated, being too important to be taken for granted.

Original poetry by Val Vinokur, accompanied by a selection of poems by Osip Mandelstam and Vladimir Mayakovsky, translated from the Russian by Vinokur. Edited by Emily Skillings, "Relative Genitive" is the second book from Poets & Traitors Press, which publishes hybrid books of poetry by a single author-translator.

Osip Mandelstam is one of the greatest of twentieth-century poets and Voronezh Notebooks, a sequence of poems composed between 1935 and 1937 when he was living in internal exile in the Soviet city of Voronezh, is his last and most exploratory work. Meditating on death and survival, on power and poetry, on marriage, madness, friendship, and memory, challenging Stalin between lines that are full of the sights and sounds of the steppes, blue sky and black earth, the roads, winter breath, spring with its birds and flowers and bees, the notebooks are a continual improvisation and an unapologetic affirmation of poetry as life.

Essayet er en original og dristig lyrikers prosabekjennelse med en vid flora av temaer, fra naturvitenskap, historie, malerkunst, arkitektur og poesi til de mest detaljerte observasjoner av planter og dyr. Mandelstam tar også et oppgjør med samtidens språklige klisjeer, som gjør oss bevisstløse og fremmer politistatens sak. Da Reisen til Armenia ble trykt i tidsskriftet Zvezda (Stjernen) fikk redaktøren sparken...

"....The fact of the matter is that everything that happens in culture ultimately comes down to this, to the four famous temperaments: melancholic, sanguine, phlegmatic, and choleric. That's what I think. It seems to me that our Big Four can also be divided by according to these temperaments, inasmuch as all of them are actually very distinctly represented in the group. Tsvetaeva is unquestionably the choleric author. Pasternak is sanguine. Mandelstam is melancholic. And Akhmatova is phlegmatic. Together they cover the whole poetic universe."-Joseph BrodskyIncluded in this dual-language book is a selection of 10 poems from each poet translated into English by Andrey Kneller.

Osip Mandelstam (January 15, 1891 - December 27, 1938) was a Russian poet and essayist, and a founding member of Acmeist school of Russian poetry. He is considered by many to be one of the most significant Russian poets of the twentieth century, along with Anna Akhmatova, Boris Pasternak, and Marina Tsvetaeva. Heavily censored and persecuted by the Soviet authorities for counter-revolutionary activities, he spent most of his later years in exile, until his death in Siberia.Presented in this book, which includes the original Russian, is a small sample of his work carefully translated by Andrey Kneller.

Peter France writes in his foreword: “I have always been conscious that Mandelstam was an outstanding figure, arguably the outstanding Russian poet of the twentieth century. This is a personal selection from the poetry — poems that for one reason or another I wanted to translate. I have tried to make it reasonably representative of different strands and periods in his work, with a certain stress on the brilliant and fragmentary Voronezh poems.”

Osip Mandelstam visited Armenia in 1930, and during the eight months of his stay he rediscovered his poetic voice and was inspired to write an experimental meditation on the country and its ancient culture. 'Armenia brought him back to his true self, a self depending on the "inner ear" which could never play a poet false. There was everything congenial to him in this country of red and ochre landscape, ancient churches, and resonant pottery.' (Henry Gifford). Conversation about Dante, Mandelstam's incomparable apologia for poetic freedom and challenge to the Bolshevik establishment, was dictated by the poet to his wife, Nadezhda Mandelstam, in 1934-35, during the last phase of his itinerant life. It has close ties to the Journey.

'There is a salubrious élan about much of the book, and the fact that it is a book, not just a selection the significant poems, amplifies our sense of what Stone really means to its contemporary readers'Seamus Heaney'What makes Robert Tracy's book invaluable is his feeling for context...Another thing that comes across in these translations is the verve and immediacy of the poems' occasions, recalling the Acmeist programme of 'this-worldliness': there are poems about tennis and ice-cream and silent movies, poems that seem to jump into being on impulse' Seamus Heaney, London Review of Books'A blend of classical serenity and brash iconoclasm. This is a splendid introduction to a poet who should be known thoroughly' G.E. Murray, Chicago Sun Times'Professor Tracy has done a superb job. His introduction is excellent, his notes are very comprehensive...and his verse translations are remarkably good. All one can say is "Thank you"' Irish TimesWhen Stone appeared in 1913, it marked the debut of one of Russia's greatest twentieth-century poets. Precision, clarity and concreteness, a concern with form and fascination with European culture, especially architecture, were touchstones for the young poet and remained so for the rest of his extraordinary writing life. This bilingual edition, based on the most complete edition of 1928, was published, alongside The Collected Critical Prose and Letters, to mark Mandelstam's centenary in 1991.

Distributed by the University of Nebraska Press for Whale and Star Press Modernist Archaist offers a comprehensive English-language selection of Osip Mandelstam's poetry, edited by Russian scholar Kevin M. F. Platt, who also contributes an illuminating essay. New translations by notable contemporary poets combined with an exceptional selection of previous translations are representative of the most up-to-date interpretation of Mandelstam's work. Osip Mandelstam (1891-1938), one of the most significant poets of twentieth-century Russian literature, also embodied more fully than any other its profound paradoxes. He was a Jew born in Poland who became a leading Russian poet. He was a committed Modernist who was nevertheless faithful to the great examples and strict forms of the past literary tradition. Most strikingly, he was a rebel and radical thinker who was ultimately hounded to death as an "enemy" of the revolutionary Soviet society. Yet while Mandelstam's poetry bore witness to the convulsions of twentieth-century Russian culture and politics, it was by no means limited or defined by these historical contexts. In an early statement of his creative credo Mandelstam wrote: "for an artist, a worldview is a tool or a means, like a hammer in the hands of a mason, and the only reality is the work of art itself." The poems offered in this volume, about half of them appearing in previously unpublished translations, present an overview of Mandelstam's major works. Introductory materials include an essay on his life and poetry.

Osip Mandelstam is a central figure not only in modern Russian but in world poetry, the author of some of the most haunting and memorable poems of the twentieth century. A contemporary of Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak, a touchstone for later masters such as Paul Celan and Robert Lowell, Mandelstam was a crucial instigator of the "revolution of the word" that took place in St. Petersburg, only to be crushed by the Bolshevik Revolution. Mandelstam's last poems, written in the interval between his exile to the provinces by Stalin and his death in the Gulag, are an extraordinary testament to the endurance of art in the presence of terror. This book represents a collaboration between the scholar Clarence Brown and W. S. Merwin, one of contemporary America's finest poets and translators. It also includes Mandelstam's "Conversation on Dante," an uncategorizable work of genius containing the poet's deepest reflections on the nature of the poetic process.

Osip Mandelstam was one of the great Russian poets of the 20th century, with a prophetic understanding of its suffering, which he transformed into luminous poetry. Childish and wise, joyous and angry, at once complex and simple, he was sustained for 20 years by his wife and memoirist Nadezhda Mandelstam, who became, with Anna Akhmatova, the saviour of his poetry. The Moscow Notebooks cover his years of persecution, from 1930 to 1934, when he was arrested for writing an unflattering poem about Stalin, and subjected to gruelling interrogations and torture. The Notebooks include that fatal poem – with its clinching line ‘His cockroach moustache laughs, perching on his top lip’ – and present a shattering portrait of Moscow before the Great Terror. He attempted suicide twice, slashing his wrists in prison, and jumping from a hospital window. Exiled to Voronezh, he seemed crushed. A friend described him then as ‘in a state of numbness. His eyes were glassy. His eyelids were inflamed, and this condition never went away. His eyelashes had fallen out. His arm was in a sling.’ But it was to be four more years before Mandelstam was completely beaten. In Voronezh he broke a silence of 18 months, writing the 90 poems of the three Voronezh Notebooks. Nadezhda’s memoir Hope Against Hope includes a moving account of their time in Voronezh, and Anna Akhmatova’s poem ‘Voronezh’ describes her visit there in 1936, when ‘in the room of the exiled poet / fear and the Muse stand duty in turn / and the night is endless / and knows no dawn’. With an introduction by Victor Krivulin, this edition combines the two previous separate editions of The Moscow Notebooks and The Voronezh Notebooks published by Bloodaxe.

Collected prose works by one of Russla's towering literary figures; Osip Mandelstam has in recent years come to be seen as a central figure in European modernism. Though known primarily as a poet, Mandelstam worked in many styles: autobiography, short story, travel writing, and polemic. Mandelstam's biographer, Clarence Brown, presents a collection of the poet's prose works that illuminates Mandelstam's far-ranging talent and places him within the canon of European modernism. This volume includes Mandelstam's ""The Noise of Time,"" a series of autobiographical sketches; ""The Egyptian Stamp,"" a novella echoing Gogol and Dostoevsky; ""Fourth Prose,"" and the famous travel memoirs ""Theodosia"" and ""Journey to Armenia.