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Kirjailija

Otin Lumã

Kirjat ja teokset yhdessä paikassa: 10 kirjaa, julkaisuja vuosilta 2018-2019, suosituimpien joukossa O Cristo Morto de Pedro Américo: Edição especial 2019. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

Mukana myös kirjoitusasut: Otin Lumâ

10 kirjaa

Kirjojen julkaisuhaarukka 2018-2019.

J'avoue que j'ai aimé et péché

J'avoue que j'ai aimé et péché

Otin Lumã

Independently Published
2019
nidottu
Inuit toil , avec un ciel tr s sombre ... Au milieu de la paille d'une ancienne grange, pr s de la belle ville d'Assise, dans la r gion de la ville d'Ombria, au centre de l'Italie, du plus profond amour qui puisse exister entre un couple, il commencerait appara tre dans la vie d'Augustos Juliano C sares. Fils d'un petit agriculteur et d'une humble et magnifique fille de ferme nomm e Lilia Gutthi. En tant que fils unique, il a b n fici de l' ducation la plus parfaite de cet ge. Depuis son enfance, il a toujours t passionn par les chiffres. Il tait profond ment impliqu dans les "maths". Il a v cu et grandi en jouant avec les calculs et les chiffres. Le premier livre qu'il a lu tait "Wonders of Mathematics", crit par l'illustre et adorable Malba Tahan Salamalec... Une nuit pluvieuse. Un orage effrayant secoue les piliers de la basilique Saint-Pierre de Rome. Les eaux du Tibre (Tevere) montent rapidement, atteignant presque le niveau des rues. Peu de gens s'aventurent sur les rues, face la forte pluie et au vent. De la haute fen tre, au loin, le pape Paul VI regarde pensivement la temp te. Il tait seul dans la grande salle, entour de longues et longues tag res remplies de livres et de parchemins. Au centre, une table minutieusement agenc e, devant un somptueux fauteuil rev tu de drap rouge et orn de nombreux d tails de couleur dor e. cette poque, se passe une foudre, il s' loigne de la fen tre, se dirige vers la table et s'assied. Attrap une petite photo dans l'un des tiroirs et fixe son regard dessus, pensif et pleura. Croisa les bras et appuya son visage contre la table.
J'avoue que je t'aimais: La littérature fantastique.
D di mes po tes pr f r s dans l'ordre d croissant.PABLO NERUDA ET VINICIUS DE MORAES. Je consacre galement toute ma famille, en particulier mon p re, ma m re. F lix Baracho et toute la famille. Ivan Baracho, Cynira et Antonella. Fernando Baracho, Juliana Baracho, Leila Zen et toute la famille. Marta Baracho et Danilo. Ma ch re soeur Marlucia da Silva Auricchio et Eg dio Auricchio. La belle grand-m re Tat . l' ternel Ari Peixoto, tante Maria et toute sa famille inoubliable. Au Dr Carlos Bonfim, Sheila Bonfim et sa famille. Les ternels: Lucinha T vora, Dora, Lourdes, Marluce, Zenilda et Ivanilde Baracho. Luciana M. Telles et famille. La belle Mel Telles Baracho, Gabrielle, Manuela et le Matheus Jr... Et tous les de vrais amis, comme: Eudardo Rosseto (D minas), Sergio Lazzarini (Jobinha - en m moire), Juliano Tonegutti (Juquinha - en m moire), Jos Luiz Gen ri (Z ca Past is - en m moire), Jos Expedito (Zel o - en m moire) Jos Carlos Alves Filho (Tim - en m moire) ...
O Cristo Morto de Pedro Américo: Edição especial 2019
Pr logoAh A doce fase de nossa vida a que chamamos de adolesc ncia. Erramos s por errar. Nos rebelamos contra tudo. Temos as ideias e as inten es mais louv veis que possa existir. O brilho em nossos olhos demonstra toda a intensidade de nossas vibra es e esta energia gasta muitas vezes em ideias mirabolantes e infundadas. Tal como esta est ria. A est ria de como um "Cristo Morto" poderia ter mudado o perfil social de uma pobre gente faminta, e mudado os par metros de desenvolvimento de uma pequena cidade do interior do estado da Para ba no Nordeste do Brasil. Areia.Introdu oAreia Cidade de clima muito agrad vel localizada na serra da Borborema a cerca de 130 km de Jo o Pessoa, capital do estado da Para ba. Atingindo uma altitude de 1700 m, as chuvas nesta regi o s o muito constantes, o que originou o nome carinhoso desta pacata cidade de: "Brejo de Areia". A sua popula o composta na maioria, por trabalhadores rurais, pequenos comerciantes, agricultores e pecuaristas. Como ocorria em todas as cidades do interior do Nordeste em Areia tamb m era comum a pr tica do "Coronelismo" *. A elite social, elegia o Prefeito e ele dirigia o rumo do desenvolvimento da cidade, para dentro das cercas de suas vistosas propriedades repletas de planta es e cria es afim. Enquanto isto, o povo nem se quer era reconhecido como gente. Criaturas famintas moravam ainda em habita o de pau-a-pique. Nem mesmo o Clero, representado pelo mission rio que administrava a elegante Igreja da cidade, se importava com os miser veis e necessitados. Lembro-me com lam ria de uma breve visita do bispo a cidade de Areia em que, um dia antes de sua chegada, na missa do dia, o padre pediu a todos os filhos ilustres de Areia, presentes para o cl rigo. "O bispo gosta muito de laranja..." dizia o Padre ao decorrer da missa, dirigindo-se a um dos fidalgos. "_Ele iria ficar muito contente se ganhasse uma daquelas suas vacas pintadas, senhor Borjes..." E assim foi feita a bel ssima recep o do honrado religioso. Este era o trabalho social do representante de Deus na cidade de Areia, servir a quem n o precisava. Contudo a cidade ainda era afamada por ser terra natal do grande pintor Pedro Am rico. Na simpl ria casa em que nascera o pintor, hoje "Museu de Pedro Am rico", encontra-se v rios objetos que lhe pertenceram. Desenhos, paletas, livros pessoais e at palmat ria, com a qual os seus pais, o reprimiam. Um pequeno quadro pintado em pastel compondo um dos, "Cristo Morto", pintado em 1901, e um autorretrato do pintor sem data, eram as nicas obras de pinturas originais no acervo do museu. A pequena pinacoteca do grande pintor Em contraste com a pobreza do acervo art stico e a falta de homenagens ao grande pintor reconhecido mundialmente, as homenagens a pol ticos e religiosos se destacavam consumindo dos fundos p blicos e dos fundos da Igreja, montantes incalcul veis. Isso acontece em todo nordeste do Brasil at os dias atuais. (Esta era a minha nica vis o nesta poca em que eu era adolescente).
The Dead Christ of Pedro Américo.: Special Edition 2019
Ah The sweet phase of our life that we call adolescence. We rebel against everything. We have the most commendable ideas and intentions that can exist. The glow in our eyes demonstrates the full intensity of our vibrations and this energy is often spent in fanciful and unfounded ideas. Equal this story. The story of how a "Dead Christ" could have changed the social profile of a hungry people and the development of a small town in the interior of the state of Para ba, in the Northeast of Brazil, called Areia.IntroductionAreia, a very nice city located in the mountain range of the Borborema to about 130 km of Jo o Pessoa, capital of Para ba.Reaching an altitude of 1700 m, the rains in this region are very constant, which gave rise to the affectionate name of this quiet town of "Brejo de Areia".Its population is mainly composed of rural workers, small traders, farmers and ranchers.As in all the cities of the interior of the Northeast, in Areia, the practice of "coronelismo" was also common.The social elite elegy the mayor and directed the course of the city's development after into the fences of its showy properties full of plantations and creations. Meanwhile, people did not even to be recognized as people. Hungry creatures still lived in stick-to-pic dwellings. Not even the Clergy, represented by the missionary who administered the elegant Church of the city, cared for the miserable and needy.I remember with the sadness of a brief visit of the bishop to the city of Areia, where one day before his arrival in the mass of the day the priest asked all the illustrious sons of Areia present for the clergyman. "_The bishop is very fond of orange ..." said the priest, addressing one of the gentlemen. "_"He will be very pleased if he wins a painted cow from Mr. Borjes...." And so, the beautiful reception of the honored religious was done.This was the social work of God's representative in the city of Areia, serving those who did not need it.However, the city was still famous for being the birthplace of the great painter Pedro Am rico.In the simple house where the painter was born, today " Museum de Pedro Am rico", there are several objects that belonged to him. Drawings, palettes, personal books, and even the instrument with which his parents repressed him.A painted image that composes one of the "Dead Christ" painted in 1901 and a self-portrait of the undated painter, are the only works of original paintings from the museum's collection. The little Pinacoteca of the great painter In contrast to the poverty of the artistic patrimony and the lack of homage to the painter of world-wide reputation, the tributes paid to politicians and religious stand out, spending untold amounts, of the public funds and of the Church. This happens throughout the northeast of Brazil until the present day.
The Dead Christ of Pedro Américo.

The Dead Christ of Pedro Américo.

Otin Lumã

Independently Published
2018
nidottu
The story of the disappearance of the painting " Dead Christ", by the painter Pedro Am rico, in a small museum in his native city Areia, in the interior of the state of Para ba, in the Northeast of Brazil. IntroductionAreia, a very nice city located in the mountain range of the Borborema to about 60 km of Jo o Pessoa, capital of Para ba.Reaching an altitude of 1700 m, the rains in this region are very constant, which gave rise to the affectionate name of this quiet town of "Brejo de Areia".Its population is mainly composed of rural workers, small traders, farmers and ranchers.As in all the cities of the interior of the Northeast, in Areia, the practice of "coronelismo" was also common.The social elite elected the mayor and directed the course of the city's development into the fences of its showy properties full of plantations and creations. Meanwhile, people did not even want to be recognized as people. Hungry creatures still lived in stick-a-pits dwellings. Not even the Clergy, represented by the missionary who administered the elegant Church of the city, cared for the miserable and needy.I remember with the sadness of a brief visit of the bishop to the city of Areia, where one day before his arrival at the mass of the day the priest asked all the illustrious sons of Areia present for the clergyman. "_The bishop is very fond of orange ..." said the priest, addressing one of the gentlemen. "_"He will be very pleased if he wins a painted cow from Mr. Borjes...." And so, the beautiful reception of the honored religious was done.This was the social work of God's representative in the city of Areia, serving those who did not need it.However, the city was still famous for being the birthplace of the great painter Pedro Am rico.In the simple house where the painter was born, today " Museum de Pedro Am rico", there are several objects that belonged to him. Drawings, palettes, personal books, and even the instrument with which his parents repressed him.A painted image that composes one of the "Dead Christ" painted in 1901 and a self-portrait of the undated painter are the only works of original paintings from the museum's collection. The little Pinacoteca of the great painter In contrast to the poverty of the artistic patrimony and the lack of homage to the painter of world-wide reputation, the tributes paid to politicians and religious stand out, spending untold amounts, of the public funds and of the Church. This happens throughout the northeast of Brazil until the present day. (This was, my only view at this time when I was a teenager).