Pat Rogers

Authoritative yet accessible, this is the first-ever comprehensive account of a true landmark in eighteenth-century travel writing. Daniel Defoe's Tour thro' the Whole Island of Great Britain is constantly cited even now by students in practically every branch of history, and there are few topics essential to our understanding of the nation in the early modern period that do not show up in its pages. Historians since the late nineteenth century have looked to the Tour as one of the richest and most insightful works describing Britain in the lead-up to the Industrial Revolution, and critics and biographers of Defoe have regularly named it as among his most characteristic and central works. Indispensable for virtually any interdisciplinary approach to the nation in this period, this new study provides wide-reaching, up-to-date analysis of the content of the Tour, and of its methods, sources, form, and vast historical significance.

First published in 1974, The Augustan Vision looks at the entire spectacle of Augustan Society in an attempt to see English culture as a whole and thus gain greater insight into this critical period in English Literature. Later parts of the book explore poetry, drama, and aesthetics; that distinctive expression of the age, satire, where abuse is made into art, and the moral essay; and finally, the emerging novel, the crucial new form of this period. This is a must read for students and researchers of English literature.

Tris Carter Horne had dreamed of a beautiful girl with hair like flame and eyes of emerald green all his life. When he had grown, the dreams became nightmares so horrifying that he was afraid to sleep. Then the dreams became real, and he found himself battling a creature so savage it was beyond belief. Suddenly, he found himself falling down a brilliant corridor and heard the creature scream in pain. Then there was nothing but darkness. When he woke, he found himself in a strange land. What had happened, and was he safe? Would he see more of the creatures that attacked him? Suddenly, he was afraid. Very afraid.

My name is Pat Rogers. I'm eighty-one years old but have always had a passion for books. I wake up, in the night, with a new book, or poem or song running through my head. I don't know how to write the music but I know how the songs sound. I have so many handwritten books that I decided it was time to start getting them published. This is my third. I hope you enjoy all the people and activities in this book. I'd love to hear from my readers. Just go to patrogersbooks.com.

My name is Pat Rogers. I'm eighty-one years old but have always had a passion for books. I wake up, in the night, with a new book, or poem or song running through my head. I don't know how to write the music but I know how the songs sound. I have so many handwritten books that I decided it was time to start getting them published. This is my third. I hope you enjoy all the people and activities in this book. I'd love to hear from my readers. Just go to patrogersbooks.com.

Authoritative yet accessible, this is the first-ever comprehensive account of a true landmark in eighteenth-century travel writing. Daniel Defoe's Tour thro' the Whole Island of Great Britain is constantly cited even now by students in practically every branch of history, and there are few topics essential to our understanding of the nation in the early modern period that do not show up in its pages. Historians since the late nineteenth century have looked to the Tour as one of the richest and most insightful works describing Britain in the lead-up to the Industrial Revolution, and critics and biographers of Defoe have regularly named it as among his most characteristic and central works. Indispensable for virtually any interdisciplinary approach to the nation in this period, this new study provides wide-reaching, up-to-date analysis of the content of the Tour, and of its methods, sources, form, and vast historical significance.

First published in 1974, The Augustan Vision looks at the entire spectacle of Augustan Society in an attempt to see English culture as a whole and thus gain greater insight into this critical period in English Literature. Later parts of the book explore poetry, drama, and aesthetics; that distinctive expression of the age, satire, where abuse is made into art, and the moral essay; and finally, the emerging novel, the crucial new form of this period. This is a must read for students and researchers of English literature.

The quarrel between the poet Alexander Pope and the publisher Edmund Curll has long been a notorious episode in the history of the book, when two remarkable figures with a gift for comedy and an immoderate dislike of each other clashed publicly and without restraint. However, it has never, until now, been chronicled in full. Ripe with the sights and smells of Hanoverian London, The Poet and Publisher details their vitriolic exchanges, drawing on previously unearthed pamphlets, newspaper articles and advertisements, court and government records, and personal letters. The story of their battles in and out of print includes a poisoning, the pillory, numerous instances of fraud, and a landmark case in the history of copyright. Indecently entertaining, the book is a forensic account of events both momentous and farcical.

Tris Carter Horne had dreamed of a beautiful girl with hair like flame and eyes of emerald green all his life. When he had grown, the dreams became nightmares so horrifying that he was afraid to sleep. Then the dreams became real, and he found himself battling a creature so savage it was beyond belief. Suddenly, he found himself falling down a brilliant corridor and heard the creature scream in pain. Then there was nothing but darkness. When he woke, he found himself in a strange land. What had happened, and was he safe? Would he see more of the creatures that attacked him? Suddenly, he was afraid. Very afraid.

Tris Carter Horne had dreamed of a beautiful girl with hair like flame and eyes of emerald green all his life. When he had grown, the dreams became nightmares so horrifying that he was afraid to sleep. Then the dreams became real, and he found himself battling a creature so savage it was beyond belief. Suddenly, he found himself falling down a brilliant corridor and heard the creature scream in pain. Then there was nothing but darkness. When he woke, he found himself in a strange land. What had happened, and was he safe? Would he see more of the creatures that attacked him? Suddenly, he was afraid. Very afraid.

This is the first study to assess the entire career of Alexander Pope (16881744) in relation to the political issues of his time.

First published in 1979, this title presents the basic facts and the background information needed by a modern reader of Robinson Crusoe, as well as a careful exploration of the structure and style of the work itself. Pat Rogers pays particular attention to the book’s composition and publishing history, the critical history surrounding it from 1719 onwards, and the contemporary context of geographical discovery, colonialism and piracy, as well as more controversial areas of interpretation. A wide-ranging and practical reissue, this study will be of value to literature students with a particular interest in the critical interpretation of Robinsons Crusoe, as well as the novel’s place in the context of Defoe’s career.

In this concise introduction to Pope’s life and work, first published in 1975, the poet’s highly successful career as a man of letters is seen against the background of the Augustan age as a whole. Pat Rogers begins by examining the relationship of the eighteenth-century writer to his audience, and discusses the role of style and versification in this. The book covers the whole of Pope’s work and includes not only the translations of Homer and such minor poems as The Temple of Fame, but also the prose, both drama and correspondence. Based on extensive research, this book will provide literature students with a greater appreciation and understanding of Pope’s verse and the ways in which he addressed his eighteenth-century context in his work.

First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term ‘Grub Street’ has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists – Pope, Swift and Fielding – built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With detailed studies of a number of key authors, as well as the modern and metaphorical development of the term ‘Grub Street’, this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

In this concise introduction to Pope’s life and work, first published in 1975, the poet’s highly successful career as a man of letters is seen against the background of the Augustan age as a whole. Pat Rogers begins by examining the relationship of the eighteenth-century writer to his audience, and discusses the role of style and versification in this. The book covers the whole of Pope’s work and includes not only the translations of Homer and such minor poems as The Temple of Fame, but also the prose, both drama and correspondence. Based on extensive research, this book will provide literature students with a greater appreciation and understanding of Pope’s verse and the ways in which he addressed his eighteenth-century context in his work.

First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term ‘Grub Street’ has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists – Pope, Swift and Fielding – built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With studies of a number of key authors, as well as the modern and metaphorical development of the term ‘Grub Street’, this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

First published in 1979, this title presents the basic facts and the background information needed by a modern reader of Robinson Crusoe, as well as a careful exploration of the structure and style of the work itself. Pat Rogers pays particular attention to the book’s composition and publishing history, the critical history surrounding it from 1719 onwards, and the contemporary context of geographical discovery, colonialism and piracy, as well as more controversial areas of interpretation. A wide-ranging and practical reissue, this study will be of value to literature students with a particular interest in the critical interpretation of Robinson Crusoe, as well as the novel’s place in the context of Defoe’s career.

This book throws fresh light on British and Irish politics at the start of the 18th century. It tells for the first time the story of a powerful and eccentric peer, Thomas Coningsby, who played a key role in Ireland as the king's "saviour" at the Battle of the Boyne and as one of the top administrators of the Protestant ascendancy. It describes his tumultuous career in local and national politics in England, along with his hectic familial and private life, marked by his combative behaviour towards neighbours and tenants in Herefordshire, where he feuded with the Harley clan and the Duke of Chandos. The book describes his bitter quarrels with political rivals and shows how these were enlisted by the greatest poet of the age, Alexander Pope, to form a devastating critique of the Whig revenge against their discredited rivals. Based on extensive use of unpublished archives, including the numerous cache of letters to and from Coningsby; lawsuits; legal documents such as wills and marriage settlements; as well as newspapers, pamphlets and printed sources.

Documenting Eighteenth Century Satire provides a historicized view of Augustan satire, through detailed readings of individual works. It aims to show how these satires can be "documented" in various ways to reveal richer meanings. The book ranges across different modes of satire, in poetry, prose and drama. It covers some of the best known works of eighteenth-century British literature, including The Rape of the Lock, The Dunciad, and The Beggar's Opera. In addition it deals with less familiar but important texts, including Gay's Trivia, Pope's Epistle to Miss Blount, and Swift's poem on Sid Hamet, as well as works of great literary merit which have been unduly neglected, including Pope's Duke upon Duke and Swift's The Bubble. One essay offers the first full interpretation and edition of a poem that surfaced in the 1970s, still virtually unknown, written by Pope and/or Gay. Another describes a previously unsuspected hoax by the Scriblerians on the quest for the longitude, while one more finds an unsuspected, but close, link between poems by Pope and Pushkin. Sources are drawn from numerous unpublished documents (wills, private letters, inventories, estate deeds, marriage contracts and private correspondence). Extensive use is made of contemporary newspapers, magazines and pamphlets. Most of these have not been quarried heavily (if at all) before. Some essays are completely new while others have been extensively revised for this book.