Patrick Mauriès

An exclusive homage to – and retrospective of – the iconic fashion designer's couture accessories. ‘One can never overstate the importance of accessories. They are what turns a dress into something else. I like dresses to be sober and accessories to be wild’ – Yves Saint Laurent, 1977. Yves Saint Laurent Accessories is the first book to date to shed light on the breathtaking accessories created by one of the most influential fashion designers of all time. From his first collection in 1962 to his acclaimed final presentation in 2002, Yves Saint Laurent created exquisite jewellery, hats, shoes, and handbags to complement and enhance each of his couture creations. Beautifully designed, in a small format evocative of a jewellery box, the book offers an unprecedented glimpse into the highly confidential archives of The Yves Saint Laurent Foundation in Paris, which is home to over 20,000 remarkable accessories. The book features specially commissioned photography of the accessories alongside a treasure trove of rare materials including preparatory sketches, intimate portraits of Saint Laurent at work, behind-the-scenes snapshots of models, catwalk photographs, and advertising campaigns. Yves Saint Laurent Accessories introduces readers to a prominent yet rarely seen side of Saint Laurent's art, leading them backstage and through the history of a house that helped to shape the course of fashion.

Flowers have long been a source of inspiration for jewelers, many of whom have sought to capture their transient beauty in glittering gemstones and precious metals. In the 17th and 18th centuries, flowers were imitated in enamel or used as motifs for elaborate gemstone bodice ornaments. Brooches, pendants and rings took the form of bouquets or flower baskets. The stylized blooms of the Empire style were followed by the highly naturalistic blossoms of the later 19th century. Flowers continued to flourish in the sinuous shapes of Art Nouveau, the geometric designs of Art Deco and the sculptural simplicity of modernism, with great artists including René Lalique and Georges Fouquet constantly reworking nature’s forms for their style-conscious clientele. Now, contemporary designers such as Claude Lalanne, Lorenz Bäumer and JAR continue to create floral jewelry for today’s trendsetters. The floral pieces in this book have all been selected from the magnificent jewelry collection of the Musée des Arts Décoratifs in Paris, and range from the 17th century to the present day. Beautifully photographed by renowned photographer Jean-Marie del Moral, these intricate works of art will delight all lovers of jewelry and nature.

Presenting the love-themed designs created by fashion designer Yves Saint Laurent for his friends and collaborators, this beautifully produced edition is a perfect gift: stylish, heartfelt, and visually unforgettable In 1970, Yves Saint Laurent created the first in a series of poster-like greeting cards he sent each year to friends, collaborators, and clients. For the next thirty-eight years, until his death in 2007, Saint Laurent designed bespoke compositions using collage, drawing, gouache, and bold, varied color palettes. While many of these works were inspired by Morocco—where he often created them—they also reflect the influence of artists, such as Georges Braque, Jean Cocteau, Andy Warhol, and Henri Matisse. Each card is a unique, striking, and personal expression of the legendary designer’s imagination. What unites them is the word “LOVE,” always featured somewhere in the design. This updated edition of Yves Saint Laurent: LOVE includes a brand-new layout with 16 additional pages, captions that provide insight into Saint Laurent’s life, a luxuriously stunning cover, and an introduction from Maxime Catroux, Saint Laurent’s goddaughter and the vice president of the Yves Saint Laurent Museum. The foreword by French fashion writer Patrick Mauriès, which accompanied the original book, remains. Together, the vivid imagery and the text written by those close to Saint Laurent form a meditation on love that is a treat for the eye as well as the heart.

A spectacular celebration of Karl Lagerfeld and the house of Chanel, this is a deluxe gift edition with an iconic new cover design.​ Chanel: The Karl Lagerfeld Campaigns is the first complete collection of Karl Lagerfeld's Haute Couture and Ready-to-Wear campaigns for Chanel, featuring more than 600 photographs shot by the designer from 1987 onward. When Karl Lagerfeld was appointed to the helm of the then-sleepy fashion house Chanel in 1983, he set out to radically reinvent its image--not only through bold collections, but also by shooting the house's campaigns himself, a move unprecedented at the time. Lagerfeld's photographs breathed life into the brand. His campaigns spanned the house's collections--luxurious haute couture, ready-to-wear, cruise, accessories--and established Lagerfeld as a sought-after fashion photographer. Organized chronologically, Chanel: The Karl Lagerfeld Campaigns includes a carefully curated selection of photographs that showcase hundreds of spectacular clothes worn by the top fashion models and personalities of each era. The campaigns feature iconic women including Ines de La Fressange, Claudia Schiffer, Kate Moss, Cara Delevingne, Kristen Stewart, and Lily Rose Depp, photographed in glamorous locations such as Coco Chanel's Paris apartment, the French Riviera, and Rodeo Drive. Filled with more than 600 photographs, plus an essay by fashion writer Patrick Mauri s, the book offers an unrivaled overview of the house of Chanel as seen through the eyes--and lens--of Karl Lagerfeld himself.

The first publication dedicated to Karl Lagerfeld's glamorous homes, known for their eclectic interiors, ranging from the Art Deco to the ultramodern. While Karl Lagerfeld was famous for being at the very centre of the fashion industry for over half a century, he was equally opinionated when it came to interiors, which acted as a private creative outlet alongside his fashion designs. Following an overview by Patrick Mauriès, each house is introduced by a short text by Marie Kalt unveiling its history and identifying key designers and pieces. The homes are documented by date, beginning with rare photography of Lagerfeld’s early addresses in the 1960s and 1970s, through to his final house purchase in 2009. From the elegant Art-Deco inspired apartment in Saint-Sulpice, Paris, to the incredibly ornate 18th-century mansion, Hôtel Pozzo di Borgo (his muse and collaborator Amanda Harlech described Lagerfeld as having ‘a Versailles complex’) – Lagerfeld’s houses reveal he was a collector of a Renaissance scale, and showed spectacular range in his decorating styles. Lagerfeld would balance the old with the new, humorously describing the minimalist decor of his 200-year old apartment in Quai Voltaire, Paris as ‘like floating in your own spaceship over a very civilised past’, and moved from one atmosphere to the next, leaving a Memphis-designed apartment in Monte Carlo for a Grand-Tour themed Roman pied-à-terre, followed by bucolic French country houses and even a majestic Nordic villa in his native Hamburg. Presented in a large, elegant format, Karl Lagerfeld: A Life in Houses will be a rich source of inspiration for those interested in interior design, and will appeal to fans of the decorative arts and the fashion designer himself.

A stylish collection of legendary designer Yves Saint Laurent’s maxims on fashion, craft, women and inspiration, presented in an attractive gift format. Founded by Yves Saint Laurent and Pierre Bergé in 1962, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. The designer put the women who wore his clothes first (‘What’s most important in couture is the body we dress, the woman we dress, more so than the ideas we might have’) and was determined to change attitudes of the era (‘Fashion’s purpose was not only to make a woman look beautiful, but also to reassure them and to give them confidence’). He could be critical of the fashion industry (‘I adore clothes but I hate fashion’) and saw himself as a craftsman who perfectly understood his customer (‘I think there are three kinds of designers. The big ones, the real ones, and those who know how to strike a chord with a woman just by making a very simple dress, or a very simple suit’). Presented in a beautiful package and accessible format, The World According to Yves Saint Laurent is the perfect gift for fashion fans, capturing the essence of a true visionary.

The first substantial book on the French Neo-Romantics, a cosmopolitan group working in 1920s Paris who turned against modernist abstraction in favour of a new form of figurative painting. In 1926, the Galerie Druet in Paris made waves presenting a group of young painters who had spurned modernist abstraction and returned to a form of figurative painting. For most of them this was the first time they had exhibited, but their impact was considerable. Art critic Waldemar George baptized them the ‘Neo-Romantics’ or the ‘Neo-Humanists’. They were influenced by Picasso, in particular his Blue and Rose periods, but went beyond him to forge new ways of painting. These were artists who liked to play with forgotten references and obsolete visual devices such as trompe l’oeil. They produced work for secondary art forms including the theatre, set design and ballet. In some ways they were the first post-modernists in the history of art, yet until now there has only ever been one book about them, After Picasso, published ten years after their exhibition. Only more recently has their influence on contemporary artists and thinkers including Max Jacob, George Hugnet and Gertrude Stein been recognized. Though friends, these painters never formed a formal group or movement. The Second World War sent them on different paths, with the Berman brothers and Tchelitchev moving to the United States. Before their departure, however, their activities attracted the attention and admiration of a cosmopolitan group of characters, including Gertrude Stein, Alfred Barr, Lincoln Kirstein, George Balanchine and many others including leading fashion figures of the day, Christian Dior and Elsa Schiaparelli.

'The definitive overview of Karl Lagerfeld and Virginie Viard's creations for Chanel, now fully updated, featuring over 180 collections presented through original catwalk photography in a beautiful cloth-bound volume'.

The most famous embroidery house in the world, Maison Lesage has collaborated with the greatest names in the history of fashion, from Madeleine Vionnet, Elsa Schiaparelli, Cristóbal Balenciaga and Christian Dior to Yves Saint Laurent, Hubert de Givenchy and, of course, Chanel, which counts Lesage as one of its Métiers d’Art ateliers. Illustrated with specially commissioned photography of Maison Lesage’s historic creations and illuminated with texts by Patrick Mauriès, Maison Lesage is both a tribute to exceptional craftsmanship and a journey through 100 years of fashion at its most sumptuous and inventive.

All knowledge, the cosmos arranged on shelves, in cupboards, or hanging from the ceiling, ‘infinite riches in a little room’ – such were the cabinets of curiosities of the 17th century. This survey, now available in a compact edition, traces the amazing history of cabinets of curiosities, from their first appearance in the inventories and engravings commissioned by Renaissance nobles such as the Medici or the Hapsburgs, via those of the Dane Ole Wurm and the Italian polymath Athanasius Kircher, to the serious 17th- and 18th-century scientists Elias Ashmole and Levinas Vincent.

The definitive publication on Karl Lagerfeldâ??s pioneering and irreverent campaigns for Chanel, as photographed by the designer himself.

This is the third book in a series devoted to the splendid jewelry collection of the Musée des Arts Décoratifs in Paris. Following on from Flora and Fauna, the theme this time is the human figure, perhaps the most intimate and involving of subjects. Jewelry has always been a vehicle for the deepest of human emotions: remembrance, faith, devotion, love, belonging and mourning. The museum’s collection begins in the Byzantine era and ranges through the medieval and Renaissance periods and beyond, with mythological figures and biblical scenes represented on pendants and rings. In the 19th century, René Lalique, Alphonse Fouquet and the Maison Vever produced brooches and necklaces that were the very embodiment of elegant sophistication and technical brilliance, while in the 20th century, artists such as Pablo Picasso and Alberto Giacometti joined jewelers like Jean Lurçat, Line Vautrin and Claude Lalanne in creating works that interpret the body in a deeply personal way. Wonderfully photographed by Jean-Marie del Moral, Figures is packed with striking and witty works of art that will charm all lovers of jewelry.

‘This ad is gender neutral’, proclaimed a 2016 poster for the fashion brand Diesel; ‘I resist definitions’, announced a Calvin Klein ad in the same year, while a Louis Vuitton shoot featured Jaden Smith, son of actor Will Smith, wearing a skirt like a natural. Fashion magazines have printed countless features on the blurring of gender barriers, while brands including Yves Saint-Laurent, Gucci, Burberry, Givenchy and Dolce & Gabbana have all interpreted the concept ‘girls will be boys and boys will be girls’ in their own individual style. The previous turn of the century was as obsessed with androgyny as this one, as seen in the art of Edward Burne-Jones and Gustave Moreau, and the writings of Oscar Wilde and the mystic Joséphin Péladan. From the late 19th to the early 21st century, the genders have blended: from Berlin in the 1920s to Hollywood of the 1930s with Garbo to Dietrich; from the 1940s Bright Young Things to the androgynous pop stars of the 1970s, and beyond. What do these variations on a theme have in common? What has caused the dizzying rise of androgyny? Why has this concept, a staple of ancient myth that was first discussed in Plato’s Symposium, been revived today? Accompanied by a striking selection of contemporary photographs, Patrick Mauriès presents a condensed cultural history of androgyny, drawing on the worlds of art and literature to give us a deeper understanding of the strange but timeless human drive to escape from defined categories.

The animal kingdom has been a source of inspiration for jewelers since the days of antiquity. Chosen for their symbolism, their beauty or their personality, a whole menagerie of creatures has been depicted in gemstones and precious metals, ranging from fantastical dragons, griffins and sphinxes, to wild beasts such as boars and big cats, to the delicate forms of birds, fish and even insects. The 130 pieces in this book have been specially selected from the magnificent jewelry collection of the Musée des Arts Décoratifs in Paris, and include necklaces and earrings, bracelets and brooches by legendary names such as Boucheron, Falize and Lalique. They stretch from the Renaissance revival of the 19th century to the elegant lines of Art Nouveau and beyond, through to the playful naivety of modernist designs by Jean Lurçat and Line Vautrin. Beautifully photographed by renowned photographer Jean-Marie del Moral, this second title in the series that began with Flora: The Art of Jewelry is packed with clever and witty works of art that will delight all lovers of jewelry and nature.