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Kirjailija

Paul Harris

Kirjat ja teokset yhdessä paikassa: 135 kirjaa, julkaisuja vuosilta 1981-2026, suosituimpien joukossa French Horn Basics. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

135 kirjaa

Kirjojen julkaisuhaarukka 1981-2026.

Improve your aural! Grade 2

Improve your aural! Grade 2

Paul Harris; John Lenehan

FABER MUSIC LTD
2011
pokkari
Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test.
Improve your aural! Grade 6

Improve your aural! Grade 6

Paul Harris

Faber Music Ltd
2011
nidottu
The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it’s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with downloadable online audio focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. The answers for this book are provided at the bottom of this page on the right hand side. Scroll down and click on the PDFs to download.
Improve your aural! Grade 1

Improve your aural! Grade 1

Paul Harris; John Lenehan

Faber Music Ltd
2011
nidottu
The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it’s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with downloadable online audio, focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This edition supports ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve your aural! Grade 1 are provided on the last page of the physical book.
Improve your aural! Grade 3

Improve your aural! Grade 3

Paul Harris

Faber Music Ltd
2011
muu
The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it’s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This edition supports ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve your aural! Grade 3 are provided on the last page of the physical book.
Improve your aural! Grade 4

Improve your aural! Grade 4

Paul Harris; John Lenehan

Faber Music Ltd
2010
nidottu
The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it’s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with downloadable online audio, focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This edition supports ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve your aural! Grade 4 are provided on the last page of the physical book.
Improve your aural! Grade 5

Improve your aural! Grade 5

Paul Harris; John Lenehan

Faber Music Ltd
2010
nidottu
The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it’s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with online audio focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. All the answers for Improve your aural! Grade 5 are provided on the last page of the physical book.
Improve your aural! Grades 7-8

Improve your aural! Grades 7-8

Paul Harris

Faber Music Ltd
2010
nidottu
The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it’s something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with downloadable online audio, focus on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This edition supports ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. The answers for this book are provided at the bottom of this page on the right hand side. Scroll down and click on the PDFs to download.
The Secret Keeper

The Secret Keeper

Paul Harris

Plume Books
2010
nidottu
One man's search for the truth in war-torn Sierra Leone, where the rules of civilized society don't apply... Journalist Danny Kellerman receives an urgent letter from an ex-lover in Sierra Leone, where he once was a war correspondent. But it's already too late; she's been murdered in a roadside robbery. Danny returns to Freetown, where his investigation uncovers secrets that shed a shocking light on the woman he though he knew-and reveals a hidden truth that could destroy those in power. Trapped in the heart of a dangerous nation where he can trust no one, Danny is soon forced to choose between his integrity and the devastating consequences of speaking the truth. Written with gritty and haunting realism and based on the author's first-hand experiences as a war correspondent in Africa, The Secret Keeper is a taut and powerful debut that reader's won't want to miss.
Piano

Piano

Paul Harris

Faber Music Ltd
2008
pokkari
Improve your sight-reading! Piano Grade 6 (Late Intermediate) is part of the best-selling series by Paul Harris, guaranteed to improve your sight-reading! This edition now includes supporting audio available online for students to check their performances against.
Improve your sight-reading! Piano Grade 5
Helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces.
Improve your sight-reading! Piano Grade 3
Helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces.
Improve your sight-reading! Piano Grade 2
Helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces.
Improve your sight-reading! Piano Grade 1
Helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces.
Improve your sight-reading! Piano Grade 7
Helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces.
Improve your sight-reading! Piano Grade 4
Helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously-graded sight-reading pieces.