Paul Laurence Dunbar

This collection contains the complete poetic works of Paul Laurence Dunbar, who was among the first African Americans to gain wide renown for literature in the United States. A poet of unquestionable skill and ability, Paul Laurence Dunbar was the son of two former slaves. His father, who managed to escape slavery, was an early enlistee who fight for the Union army in the American Civil War - a fact which profoundly influenced his son's outlook upon the U.S. military and life as a citizen of the USA. The poetry of Dunbar shows his flair for observation and superb knack for smooth-flowing yet profound words. Noticing immediately how he could swiftly create and sell poems to popular magazines, the young Dunbar turned down offers for educational support and instead devoted his time and effort to writing. Uniquely, Dunbar would write poets in regional dialects, incorporating slang of both white and black Americans.

African-American Classics presents great stories and poems from America"s earliest Black writers, illustrated by contemporary African-American artists. Featured are "Two Americans" by Florence Lewis Bentley, "The Goophered Grapevine" by Charles W. Chesnutt, "Becky" by Jean Toomer, two short plays by Zora Neale Hurston, and six more tales of humor and tragedy. Also featured are eleven poems, including Langston Hughes" "Danse Africaine" and "The Negro", plus Paul Laurence Dunbar"s "Sympathy" ("I know why the caged bird sings...")

This collection contains the complete poetic works of Paul Laurence Dunbar, who was among the first African Americans to gain wide renown for literature in the United States. A poet of unquestionable skill and ability, Paul Laurence Dunbar was the son of two former slaves. His father, who managed to escape slavery, was an early enlistee who fight for the Union army in the American Civil War - a fact which profoundly influenced his son's outlook upon the U.S. military and life as a citizen of the USA. The poetry of Dunbar shows his flair for observation and superb knack for smooth-flowing yet profound words. Noticing immediately how he could swiftly create and sell poems to popular magazines, the young Dunbar turned down offers for educational support and instead devoted his time and effort to writing. Uniquely, Dunbar would write poets in regional dialects, incorporating slang of both white and black Americans.

W. D. HOWELLS. What struck me in reading Mr. Dunbar's poetry was what had already struck his friends in Ohio and Indiana, in Kentucky and Illinois. They had felt, as I felt, that however gifted his race had proven itself in music, in oratory, in several of the other arts, here was the first instance of an American negro who had evinced innate distinction in literature. In my criticism of his book I had alleged Dumas in France, and I had forgetfully failed to allege the far greater Pushkin in Russia; but these were both mulattoes, who might have been supposed to derive their qualities from white blood vastly more artistic than ours, and who were the creatures of an environment more favorable to their literary development. So far as I could remember, Paul Dunbar was the only man of pure African blood and of American civilization to feel the negro life aesthetically and express it lyrically.

The Complete Poems of Paul Laurence Dunbar brings together the full range of work by one of America's most beloved and influential poets. First published in the late 19th and early 20th centuries, Dunbar's poetry bridges the Reconstruction era and the dawn of the Harlem Renaissance, offering an extraordinary window into the beauty, pain, humor, and dignity of African American life. Known for his mastery of both dialect and standard English, Dunbar wrote with a lyrical sensitivity that captured the struggles and triumphs of his people. His verses range from deeply emotional reflections on love and loss to poignant social commentaries on race, identity, and freedom. Poems such as "Sympathy," "We Wear the Mask," and "When Malindy Sings" remain timeless testaments to the resilience of the human spirit. This comprehensive volume celebrates Dunbar's immense literary legacy and enduring influence on generations of poets, writers, and readers. It is an essential cornerstone of African American and American literary history.

Paul Laurence Dunbar (June 27, 1872 - February 9, 1906) was an American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio to parents who were enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child. He published his first poems at the age of 16 in a Dayton newspaper, and served as president of his high school's literary society. Much of Dunbar's more popular work in his lifetime was written in the "Negro dialect" associated with the antebellum South, though he also used the Midwestern regional dialect of James Whitcomb Riley. Dunbar was one of the first African-American writers to establish an international reputation.