Paul Morrow

In the 21st century, it is impossible to avoid seeing atrocities. Pictures of grievous death populate the pages of newspapers and aggregators almost daily. Billboards and banner ads for humanitarian organizations routinely feature scenes of famine and forced displacement. With the spread of social media, our closest friends and relatives have become key sources of visual encounters with intolerable harms. Seeing Atrocities explains what we stand to gain from such encounters, and supplies crucial tools for navigating them. Images--from photographs and films to children's drawings and VR-renderings--convey vital information about causes and culpability for atrocities. At the same time, images increasingly serve as vectors for mis- and disinformation, fueling conspiracy theories and inspiring acts of violent extremism. Whether in the classroom or the courtroom, the museum or the living room, the stakes of visual encounters with atrocities are substantial. So too are the risks of misjudging them. By showing what it means to see atrocities as atrocities, Paul Morrow forges new links between ethics, political philosophy, and the philosophy of perception. By surveying a broad range of visual encounters with atrocities, he aids lawyers, journalists, and educators in their efforts to teach, report on, or adjudicate such harms. Finally, by proposing specific norms for seeing, sharing, and exhibiting atrocities, he addresses moral questions confronting every reader in our globally connected world.

This practical book offers a multifaceted view of cultural inclusion from the perspective of special educational needs and disabilities (SEND). It provides a road map for teachers to ensure increased participation in arts and culture for children and young people with SEND, defining a series of characteristics for good practice. Chapters explore spaces as diverse as galleries, museums, theatres and performance venues and include a variety of case studies, highlighting the experiences of young people and the organisations who partner with schools.Cultural Inclusion for Young People with SEND offers a compelling call to action and is an essential resource for those who have the power to improve and support the development of future provision for children with SEND.

This practical book offers a multifaceted view of cultural inclusion from the perspective of special educational needs and disabilities (SEND). It provides a road map for teachers to ensure increased participation in arts and culture for children and young people with SEND, defining a series of characteristics for good practice. Chapters explore spaces as diverse as galleries, museums, theatres and performance venues and include a variety of case studies, highlighting the experiences of young people and the organisations who partner with schools.Cultural Inclusion for Young People with SEND offers a compelling call to action and is an essential resource for those who have the power to improve and support the development of future provision for children with SEND.

This collection of essays brings together the very best philosophical and legal writings on procedural justice over the last half century. Core concepts in Anglo-American jurisprudence, such as equal protection, due process, and the rule of law, are explained and criticized. The articles collected in this volume deal with the distinctive branch of justice that involves norms and processes of applying law to citizens. Authors from a variety of legal and philosophical backgrounds analyze such values as transparency, predictability, and even-handedness in law-making, law-enforcement, and adjudication. Considerable attention is also given to the complex ways in which concerns for justice in the application of the law intersect with long-standing concerns for justice in the content of law. There is also considerable discussion of how best to understand equal protection in debates about gender and racial discrimination. Authors include John Rawls, Martha Minow, Jeremy Waldron, Onora O'Neill, Joseph Raz, and Thomas Scanlon.