Paul Wells

The thinking process behind drawing, characters, composition and movement, narrative and adaptation are all fully examined in the latest title "Drawing for Animation". Drawing is a fundamental part of the preparatory stages of virtually all design-led projects. It is the core method by which ideas and concepts may be envisaged and ultimately shared with collaborators, clients and audiences. Aimed at students and those interested in entering the animation business, this book explores the pre-production work essential for producing great animation. It is supported by student exercises and includes varied contributions from pioneers in the industry, as well as contemporary practitioners.

On Feb 14, 2022, Prime Minister Justin Trudeau made what might be the most controversial decision of his tenure, invoking the Emergencies Act to end a three-week occupation of downtown Ottawa by truckers protesting mandatory COVID-19 vaccine mandates. Proclaimed in 1988, the Emergencies Act is designed to give federal officials extraordinary powers in the event of threats to Canada's national security that can't be managed under existing laws. Trudeau used it to make the protest illegal, freeze the accounts and cancel the vehicle insurance of participants, requisition tow trucks to clear protestors from the streets, among other measures. The government defended the first-everinvocation of the act as just and necessary; several premiers and the Canadian Civil Liberties Association called it an assault on democratic rights and civil liberties. As required by the act, Trudeau appointed a commission of inquiry into its use. Last November, justice Paul Rouleau held three weeks of riveting hearings that included testimony by so-called Freedom Convoy organizers, police officials, cabinet ministers, and Trudeau himself.Award-winning author Paul Wells was a regular visitor to the inquiry. Witnesses described layer on layer of dysfunction and acrimony in every organization that converged on Parliament Hill -- three levels of government, three police forces, and the protesters themselves. How does a society make crucial decisions when everyone is exhausted, nothing works, and the noise from the truck horns and the shouting is deafening? And how do the protagonists regroup to make their case in the sterile, weird environment of a public inquiry? That's the story inside-a-story of the Emergency in Ottawa.

A detailed and abundantly-illustrated reference that focuses on the innovative curved score folding for sheet metal techniques to create beautiful, dynamic three-dimensional forms, much like metal origami, in jewellery and metalsmithing. Anastasia Young and Paul Wells, both renowned London-based jewellers, authors and lecturers, have created a practical visual handbook on curved scoring and folding techniques applied to jewellery and metalsmithing for small objects. The book's clear, hands-on approach, with explanatory photographs for each step, makes it an invaluable resource for established jewellers wishing to learn more about new techniques, jewellery students, home crafters and advanced amateurs. Readers will discover a variety of ways to score and fold metal and give it different finishes, shaping flat sheets into to visually stunningly organic forms, including guides on the tools needed for each method. A final section contains useful resources, from a detailed analysis of score depth based on the gauge of the wire used (through diagrams to aid design and planning) to information about where to source materials and facts about metalworking and jewellery in general. AUTHORS: Anastasia Young is a London-based jewellery artist, author and lecturer whose work has been exhibited internationally. Young's eclectic jewellery is often project-based and driven by a combination of ideas and technical investigation; she uses narrative to explore both the design of a piece and its display when not being worn. Examples of her work are held in the permanent collections of the Science Museum, London and Central Saint Martins Museum. Young is a graduate of the Royal College of Art and Central Saint Martins, where she lectures and teaches short courses in jewellery making. Having written three technical jewellery books (Thames & Hudson, A&C Black) which have been translated into seven languages, Young is well known as an educator and through her teaching and writing. In 2017, Anastasia was appointed to the board of the Association for Contemporary Jewellery, and is also the Technical Features Editor of its biannual magazine, Findings. Paul Wells is an award-winning London based silversmith and jeweler, renowned for his use of direct metalworking techniques. Wells' silverware makes innovative use of fold-forming and he has developed a method of creating curved scores which can be used to fold sheet metal in a visually stunning and unique style. His technique has been recognised by Goldsmiths' Crafts and Design Council with two Gold Awards for Technological Innovation. Wells' exploration of this technique has led to the production of intrinsically organic silver forms which almost appear to have grown themselves into existence, creating confounding biomorphic designs that are both functional and decorative. Having taught at several London colleges for two decades, Paul Wells is a respected educator and keen advocate of fold-forming, and has contributed to many books published by Quarto, Thames & Hudson and A&C Black. SELLING POINTS: . An essential, easy-to-understand reference for anyone who wants to perfect his or her metalworking techniques, full of photographs to illustrate every step of the way . The only book on the market that demonstrates the curved scoring technique . Filled with practical resources such as tips, advice on tools, diagrams, and a glossary of commonly-used industry terms . Renowned authors with ample experience both in jewellery making and teaching, thus providing a very instructional and informational text. Anastasia Young's previous books have become a reference in the field of jewellery . A detailed and richly-illustrated reference book on contemporary metalworking and jewellery techniques for home-crafters and serious amateurs, and even professional jewellers 450 illustrations

What does it mean to ‘grow in the grace and knowledge of our Lord and Saviour Jesus Christ’? In this valuable book, Paul Wells takes the reader through the five conditions favourable for growth in Christ: planting in the right place for spiritual life to begin; rooting in the biblical teaching of the word of God; growing up to stability in Christ; maturity and vitality through the work of the Spirit; and fruitfulness as the outcome of growth into Christ. Includes discussion questions at the end of each chapter.

Writing for animation has its own very specific challenges and rewards. Does your story require a cast of thousands? Is it set underwater or on the edge of an active volcano? Do your characters need to fly to the rescue, or are they giants heavily stomping hapless villagers? Do they need to speak believably? Or is your film completely abstract with no characters at all? It's your film and the possibilities are endless. All these decisions must be carefully considered at the planning stage, alongside a realistic assessment of the available time, skills, budget and resources. It's also important to understand the theories that underpin successful storytelling, and how to use and play with genre conventions. Throughout Screenwriting for Animation, Paul Wells guides you through identifying promising concepts, selecting an appropriate medium, establishing an appropriate tone, theme and plot, as well as exploring narrative structures and character development. With case studies and interviews exploring the working methods of masters of the craft, including Adam Elliot, Bill Plympton and Joan C. Gratz, this is everything you need to get inspired and start writing!

The definitive portrait of Stephen Harper in power by this country's most trenchant, influential and surprising political commentator. Despite a constant barrage of outrage and disbelief from his detractors, Stephen Harper is on his way to becoming one of Canada's most significant prime ministers. He has already been in power longer than Lester B. Pearson and John Diefenbaker. By 2015, and the end of this majority term, he'll have caught up to Brian Mulroney. No matter the ups and downs, the triumphs and the self-inflicted wounds, Harper has been moving to build the Canada he wants--the Canada a significant proportion of Canadian voters want or they wouldn't have elected him three times. As Wells writes, "He could not win elections without widespread support in the land. . . . Which suggests that Harper has what every successful federal leader has needed to survive over a long stretch of time: a superior understanding of Canada."In The Longer I'm Prime Minister, Paul Wells explores just what Harper's understanding of Canada is, and who he speaks for in the national conversation. He explains Harper not only to Harper supporters but also to readers who can't believe he is still Canada's prime minister. In this authoritative, engaging and sometimes deeply critical account of the man, Paul Wells also brings us an illuminating portrait of Canadian democracy: "glorious, a little dented, and free."

This fascinating book is a guide to Dover's history, using over 150 images to illustrate how the town has developed into its present form. Recalling a bygone era, this volume explores Dover's most important features and attractions, and shows how they have evolved through several generations. Comparing modern photographs with rare images from the past, this collection documents the many changes that have taken place, but also includes the familiar sights that remain unspoilt by modern progress. Accompanied by informative captions, the true character of Dover is recreated through these evocative and compelling images of famous landmarks such as the docks, the White Cliffs and Dover Castle. Whether a resident or one of the town's many visitors, this nostalgic reminder of Dover's past is an essential companion to anyone interested in the town's rich history.

Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.

The post-modern society is so focussed on the internal life of the individual that it makes the significance of the cross a difficult concept to grasp. Even Christians are trying to find alternative ways of explaining it - some have abandoned the concept of atonement entirely.Jesus, though, is far more than a victim. When God receives and approves the condemned Jesus he transcends the world of oppressor and victim to create a new humanity, capable of new kinds of relationships. Atonement speaks of a transition from brokenness, alienation and the death of love to a place of restoration, healing, and wholeness. A place that holds out hope for deepening friendships and mutual confidence - the exact same things the post-modern mind is lacking, and is looking for.

In this work, Paul Wells examines the socio-political context of animation in American history and culture. The range of material covered includes the pioneering work that preceded Disney and the subversive contemporary animation of "The Simpsons", "Toy Story" and "Liquid TV".

A comprehensive introduction to the history and key themes of the genre, the main issues and debates raised by horror, and the approaches and theories that have been applied to horror. In addressing the evolution of the horror film in social and historical context, Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genres development, such as the "urban myth" narrative underpinning "Candyman" and "The Blair Witch Project." Over 300 films are treated, all of which are featured in the filmography.

First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium:* explains the defining characteristics of animation as a cinematic form* outlines different models and methods which can be used to interpret and evaluate animated films* traces the development of animated film around the world, from Betty Boop to Wallace and Gromit. Part history, part theory, and part celebration, Understanding Animation includes: * notes towards a theory of animation* an explanation of animation's narrative strategies* an analyis of how comic events are constructed* a discussion of representation, focusing on gender and race* primary research on animation and audiences. Paul Wells' argument is illustrated with case studies, including Daffy Duck in Chuck Jones' Duck Amuck, Jan Svankmajer's Jabberwocky, Tex Avery's Little Rural Riding Hood and King Size Canary ', and Nick Park's Creature Comforts. Understanding Animation demonstrates that the animated film has much to tell us about ourselves, the cultures we live in, and our view of art and society.

First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium:* explains the defining characteristics of animation as a cinematic form* outlines different models and methods which can be used to interpret and evaluate animated films* traces the development of animated film around the world, from Betty Boop to Wallace and Gromit. Part history, part theory, and part celebration, Understanding Animation includes: * notes towards a theory of animation* an explanation of animation's narrative strategies* an analyis of how comic events are constructed* a discussion of representation, focusing on gender and race* primary research on animation and audiences. Paul Wells' argument is illustrated with case studies, including Daffy Duck in Chuck Jones' Duck Amuck, Jan Svankmajer's Jabberwocky, Tex Avery's Little Rural Riding Hood and King Size Canary ', and Nick Park's Creature Comforts. Understanding Animation demonstrates that the animated film has much to tell us about ourselves, the cultures we live in, and our view of art and society.