Peter Dickinson

THIRTEEN-YEAR OLD EVA wakes up in the hospital unable to remember anything since the picnic on the beach. Her mother leans over the bed and begins to explain. A traffic accident, a long coma . . . But there is something, Eva senses, that she's not being told. There is a price she must pay to be alive at all. What have they done, with their amazing medical techniques, to save her?

Chuck is a whippet. A very nervous whippet, who's scared of absolutely everything: paper bags, pigeons, supermarket trolleys, cats (even the little fluffy ones). Some people say Chuck's a wimpet, not a whippet, and Mum keeps pretending she's going to give Chuck away, but Danielle loves her scaredy-cat whippet and knows that there's more to Chuck than meets the eye... Seven funny, charming and totally whippet-friendly stories from Peter Dickinson, the winner of several major awards for his books for young readers - and the owner of three whippets!

In the past decade, Vancouver dance has received tremendous acclaim nationally and internationally, as witnessed by the success of choreographer Crystal Pite and a rejuvenated Ballet BC. But this is only part of a vibrant and diverse story of contemporary movement practices in the city. In My Vancouver Dance History Peter Dickinson crafts an embodied narrative that focuses on his critical and creative collaborations with nine Vancouver-based dance artists and companies. Mixing interview excerpts with fieldwork descriptions of studio research and performance analysis, Dickinson draws on ten years of close observation to delve into the individual histories of select members of this community, while also relating the cumulative story of Vancouver dance production and performance as it has unfolded in the past decade. The voices of other invested participants interpolate this rich history, and chapters are interspersed with a series of "movement intervals" that reflect key moments in Dickinson's history as a spectator, scholar, and collaborator. In innovative ways, Dickinson suggests that when we pay attention to the larger social topography of dance practice - the sites that give rise to it, the labour that goes into it, and the professional friendships it engenders - we can properly understand dance's contributions to civic life.

A London woman taking her grandson to the park finds her lonely life disrupted by murder in this award-winning author’s “gripping thriller” (Reginald Hill). Poppy Tasker never imagined this would be her life at age fifty: divorced, living alone, and stuck caring for a tiny grandson while his mother is busy seeking public office. Sad and resentful, Poppy feels completely detached from the nannies she’s now forced to associate with when she brings little Toby to the park to play. But her discomfort is replaced by a creeping dread when she notices a stranger watching her and the boy a bit too closely—and her fear turns to near panic when the man tries to follow them home. The following day, the stalker is found murdered in the park, his corpse decorated in an odd and troubling manner. Poppy’s terror grows as she realizes that she and her innocent grandson have become entangled in something twisted and very dangerous. Then the nanny of one of Toby’s playground friends meets an untimely end—and Poppy realizes that this may only be the beginning. One of the true greats of contemporary British crime fiction, Peter Dickinson is often compared to luminaries including Ruth Rendell, Peter Lovesey, P. D. James, and Reginald Hill. Play Dead is a shining example of his storytelling artistry.

CWA Gold Dagger winner Peter Dickinson is back: An Indian doctor joins the English underground to fight racial oppression Dr. P. P. Humayan expects prejudice from the English. Growing up in Bombay, he was raised on stories of the injustices of life in Britain, where racial status is marked on one’s papers and anyone of Celtic descent is born with green skin and forced to live in walled-off ghettos. But when he travels to London to announce that he has solved the genetic mystery of why the Celts are born green, he is shocked by the system’s brutality. Only one English girl is kind to him—and she will soon find herself in mortal peril. When his host family is murdered, Humayan slips underground, joining a small band of rebels who would do anything to see racial equality restored to England. There are powerful men working to maintain the sinister status quo, and bringing them down will be the toughest problem this mathematician has ever faced.

In this brilliant crime novel by CWA Gold Dagger winner Peter Dickinson, a writer looks back on his past and discovers the memory of a murder that needs to be solved It’s been forty years since Paul Rogers spent a night at St. Aidan’s Preparatory School. When a biographer asks the now-middle-aged novelist about his youth, it triggers memories that Rogers thought he had lost forever. He begins writing about the summer of 1940, when the Nazis took Paris and his entire boarding school was evacuated to a country house in Devon. There the boys discovered a pastoral countryside whose woods held untold mysteries—one of which, Rogers realizes in hindsight, might have been a murder. To write about this long-forgotten crime, Rogers digs deep into his past, uncovering terrifying recollections that may or may not be real. Something gruesome happened that summer, but understanding it will force Rogers to clear the fog of memory and unravel its mysteries once and for all.

Audiences often measure the success of film adaptations by how faithfully they adhere to their original source material. However, fidelity criticism tells only part of the story of adaptation. For example, the changes made to literary sources in the course of creating their film treatments are often fascinating in terms of what they reveal about the different processes of genre recognition and gender identification in both media, as well as the social, cultural, and historical contexts governing their production and reception. In Screening Gender, Framing Genre, Peter Dickinson examines the history and theory of films adapted from Canadian literature through the lens of gender studies. Unique in its discussion of a range of different adaptations, including films based on novels, plays, poetry, and Native orature, this study offers new and often provocative readings of works by such well-known Canadian authors as Margaret Atwood, Marie-Claire Blais, and Michael Ondaatje, and by such important Canadian filmmakers as Mireille Dansereau, Claude Jutra, Robert LePage, and Bruce McDonald. Drawing with equal facility from film and gender theory, and revealing a thorough knowledge of both literary and cinematic history, Dickinson has written a lively and engaging study that is sure to resonate with readers curious about the intersection of Canadian cultural production and broader issues of gender and national identity formation.

Tilja has grown up in the peaceful Valley, which is protected from the fearsome Empire by an enchanted forest. But the forest's power has begun to fade and the Valley is in danger. Tilja is the youngest of four brave souls who venture into the Empire together to find the mysterious magician who can save the Valley. And much to her amazement, Tilja gradually learns that only she, an ordinary girl with no magical powers, has the ability to protect her group and their quest from the Empire's sorcerers.

Harrowing Suspense in the Most Unexpected Places Paralyzed by a debilitating illness, 90-year-old Rachel Matson finds herself confronted by a disturbing mystery -- one that begins when a 19th-century pistol that belonged to her husband pops up on Antiques Roadshow. Determined to solved it, she begins the arduous task of teasing the past from the shadows, uncovering a tale bearing a sordid secret -- and an even more devastating truth.

The New York Times Book Review calls multiple-award winner Peter Dickinson "a stylist of subtle brilliance". Always surprising and incisive, the author of The Yellow Room Conspiracy and dozens of other unique novels returns with his first new book in five years; and proves again that in his masterful hands, powerful drama and devastating secrets can be found at the heart of even the smallest mysteries. For nearly her whole life, through most of the twentieth century, Rachel Matson saw the world through the lens of a camera, and produced stunning photographs that not only captured the moment but hinted at a greater truth. Now the ninety-year-old widow lies paralyzed, in the final stages of a debilitating illness. Yet while Rachel's body may be useless, her spirit remains indomitable, her mind razor sharp, and her eye, the trained eye of an artist, still picks up the most telling details. Together with her vast collection of photographs, these gifts are about to help her meet an extraordinary challenge, as she confronts a shattering mystery that harkens back over the decades... On a television program that showcases heirlooms, an antique pistol that belonged to her late husband, Colonel Jocelyn Matson, turns up, leaving Rachel bewildered and then profoundly disturbed. How could the prized Ladurie -- one of a matched pair of dueling pistols she had given to him to commemorate his return from the horrors of a Japanese POW camp -- appear hundreds of miles away in the possession of a stranger? Determined to learn the fate of Jocelyn's gun, Rachel falls back on the one thing left to her -- her intellect -- and soon begins the painful process of teasing the past from the shadows. Whatemerges from the vivid shards of her memories is a mesmerizing tale of honor, passion, and betrayal that stretches from colonial India to modern-day England ...a tale of a loving marriage interrupted by war, of a once-proud reg

In the past decade, Vancouver dance has received tremendous acclaim nationally and internationally, as witnessed by the success of choreographer Crystal Pite and a rejuvenated Ballet BC. But this is only part of a vibrant and diverse story of contemporary movement practices in the city. In My Vancouver Dance History Peter Dickinson crafts an embodied narrative that focuses on his critical and creative collaborations with nine Vancouver-based dance artists and companies. Mixing interview excerpts with fieldwork descriptions of studio research and performance analysis, Dickinson draws on ten years of close observation to delve into the individual histories of select members of this community, while also relating the cumulative story of Vancouver dance production and performance as it has unfolded in the past decade. The voices of other invested participants interpolate this rich history, and chapters are interspersed with a series of "movement intervals" that reflect key moments in Dickinson's history as a spectator, scholar, and collaborator. In innovative ways, Dickinson suggests that when we pay attention to the larger social topography of dance practice - the sites that give rise to it, the labour that goes into it, and the professional friendships it engenders - we can properly understand dance's contributions to civic life.

Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time. Peter Dickinson made an enduring contribution to British musical life, and his music has been regularly performed and recorded by leading musicians. His writings, brought together here for the first time, are equally noteworthy. Covering well over half a century, the subjects are fascinatingly varied. Apart from musical interests ranging from Charles Ives to John Cage, they touch on literature; and Dickinson's meetings with W.H. Auden and Philip Larkin are an intriguing insight that led to his Auden songs and the chamber work Larkin's Jazz. American themes are prominent in this collection. There are unique reviews of concert life in New York from 1959 to 1961; an account of the teaching programme at the Juilliard School of Music at that time; three studies of Ives; and features containing original material on Copland, Thomson and Cage, all of whom Dickinson knew. Features on Erik Satie include the imaginary discussion marking his centenary in 1966. Dickinson also writes about his own music, providing an insight into what it was like being a British composer in the later twentieth century. Peter Dickinson was born in Lancashire in 1934 and lived in Suffolk until his passing. His 80th birthday was marked by a whole variety of tributes, including concerts, articles, broadcasts and various interviews - some included in this book. PETER DICKINSON was a British composer and pianist as well as author and editor of Boydell/URP books on Berkeley, Copland, Cage, Barber and Berners. As a pianist, Dickinson had a twenty-five-year, international partnership with his sister, the mezzo Meriel Dickinson, for whom he wrote song cycles to poems of E. E. Cummings, Gregory Corso and Stevie Smith. He was a regular contributor to BBC Radio 3 and was widely read as a critic on the Gramophone. He was an Emeritus Professor of the Universities of Keele and London and was chair of the Bernarr Rainbow Trust, for which he edited several books on music education.

When the town clock stops, a colony of telepathic mice comes to the rescue Unthinkable! The Branton Town Hall Clock has stopped! The intricately carved turret clock had attracted tourists from all over the world. Every day six small bells would chime at precisely fourteen minutes and twenty seconds past the hour. And out would come a procession of prancing lambs followed by a shepherd playing Pan-pipes and, finally, old Father Time himself. The impressive clock tower is also home to a group of Clock Mice, extraordinary rodents who are twice as bright as rats and just as smart as humans. They speak their own complex language of mind-pictures and elude Juno, the clock tower cat. When the clockmaker’s grandson fails to repair the town’s beloved clock, will the Clock Mice be able to save Time? Filled with unforgettable characters, including the Hickory, Dickory, and Dock mouse families and some eccentric humans, Time and the Clock Mice, Etcetera is a whimsical tale of mice, magic, cats, clocks, science, people, and the nature of time. This book features full-color illustrations by Emma Chichester-Clark.

Can a child defeat a frozen giant and bring summer back to Apple Island? It’s the last night of a family’s holiday on a tropical island filled with black beaches, sweetfruit, and red-necked looby birds. Their final adventure is to climb the island’s tallest mountain before they leave in the morning. But when the child—who might be you—wakes up the next morning, the world has become a frozen wasteland and the father has been transformed into ice. Setting out in search of Giant Cold, a frozen monster no one has ever seen, you—now a tiny elf—meet two giants: white-beard, a scholar; and black-beard, a sailor. You’re forced to live inside a bottle and travel with black-beard—until the looby birds snatch up the bottle. Flying over forests, fields, and seas, you must rescue Apple Island from Giant Cold and his armies of wind, snow, and ice. With only the warmth of your own life—a tiny spark—you take on the powerful giant. Riding the wind up to the mountain peak, your tiny size will become your greatest asset as you make a surprising discovery about yourself. Giant Cold is a strikingly original, big-hearted fantasy about love, family, and finding your way home.

When Theodore’s safe, predictable world is destroyed, his life—and his faith—are in danger Thirteen-year-old Theodore has lived in China all his life and never felt terror, until his father’s missionary settlement is attacked and burned in the night. Theodore follows his father’s orders and hides in the forest, only creeping back the next morning to see if anything—or anyone—has survived. But before he reaches the smoldering wreckage he runs into the formidable Mrs. Jones, a botanist and adventurer who’s traveling across China on horseback with her young companion, Lung. The three head into the Himalayan foothills, where a mountainside escape puts them at the mercy of the Lama Amchi. The holy man seems interested in Theodore and leads the group to an extraordinary hidden monastery. But deep in the mountains, with winter coming and monks following their every move, will rescue come at a price? Are Theodore and his friends honored guests—or prisoners?

In a far-off kingdom, an English boy befriends the mad ruler’s daughter The Khan of Dirzhan is a monster. Nigel, the son of the English ambassador to a backward Asian country, is transfixed by stories of the Khan’s brutality. It is said that he had his own brother strangled, that he once shot two cabinet ministers to death during a government meeting, and that he will stop at nothing to keep his daughter safe. At first, these are nothing but stories, but when Nigel and the Khan’s daughter form an unlikely friendship, the terror of the Khan will become all too real. Enlisted by the Khan to help beautiful young Taeela with her English, Nigel gets a firsthand look at life in a palace ruled by fear. When the Khan’s enemies threaten Taeela, Nigel helps her escape. Together, they flee across a barren countryside where sheer survival is an adventure.

To save a country, a girl and her grandfather must learn what it means to be a hero The greatest hero in the history of Varina was baptized in a cave. Every schoolchild knows the story. His parents were on their way to the city when a storm drove them to take shelter in the mountainside, along with a priest, a bandit, and a scholar. When the storm did not abate, they asked the priest to give their child a name, and he christened the boy Restaur Vax. The boy would grow to be a warrior, a scholar, and a man of god, and his name would lead an oppressed people to independence for the first time. Alas, that liberty would not survive. Generations later, Vax’s oldest living descendant is in London, teaching the language of Varina to his inquisitive young granddaughter. When his homeland is torn apart once more by war, calls come for this man to take up the mantle of the Vax name—and become a hero for a new age.

A former child soldier tries to learn the ways of peace in an African nation in this “rip-roaring adventure story” by a Carnegie Medal winner (Publishers Weekly). Paul remembers nothing from before the conflict. Twelve years old, he is no longer a child. He is a warrior—one of a handful of elite commandos who live only to fight the corrupt government of Nagala. He has no family but the boys who fight beside him, and he owns nothing but his AK-47 rifle. This is the only life he has ever known, and it is one he understands—right until the day the standoff ends and his life changes forever. Paul buries his AK and heads north to attend school and attempt to live life as just another child. But at night, the battlefield consumes his dreams. When a rogue faction stages a coup in the capital and Paul’s adoptive father is put in prison, the boy turns into a warrior once more. It is too late for him to have a childhood, but Paul will do whatever it takes to guarantee himself a future. From the author Philip Pullman called “one of the real masters of children’s literature,” this is an extraordinary novel for readers of all ages, a winner of the prestigious Whitbread Award in which “Dickinson deals intelligently with vital issues, devises potent symbols with his usual skill, and offers much to discuss in a vivid and compelling setting” (Kirkus Reviews).

On a prehistoric shore, a young girl fights to help her tribe survive She is at home in the ocean, as comfortable in the water as she is on dry land. The child’s people have made their homes by the bay for as long as anyone can remember, diving for mussels and any other food the ocean will serve to them. They have no language; they have no names. Although they know love and jealousy and pride, they are not quite human—not yet. This child of the sea will show them the way. Two million years later, Vinny is visiting her father at an archaeological site in Africa when they discover the remains of that forgotten tribe of cliff dwellers. Across the ocean of time, these two young women will find a connection, an inexplicable bond that builds slowly but arrives with all the power of a tidal wave. This book features an illustrated personal history of Peter Dickinson including rare images from the author’s collection.