Peter Godwin

An "eloquent...beautiful" (The Wall Street Journal) memoir from award-winning writer Peter Godwin about his evolving relationships with the women and places that shaped his life. Peter Godwin's mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London home. Peter has spent his life missing his Zimbabwean childhood, a longing that does not diminish as he reflects on his time as a journalist on the frontlines of combat around the world, or life in New York with his English wife and transatlantic children. In his mother's final months, he must come to terms with everything his family was and wasn't: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them, and the beauty of the wildly different places they called home. With generations of history behind him, Godwin lyrically brings us into the spaces which make us question and suffer, shows us how we can heal our own scars, and celebrate the lives we have among family and friends.

'Masterful' DAVE EGGERS'Unforgettable' MAGGIE SMITH'Profound' CLAIRE MESSUD'Will leave you breathless' AMINATTA FORMAWhen she turned ninety, my mother sprang a final surprise on us. She started speaking in the voice of a stranger. Peter's mother is dying. She finally drops her guard, losing all fear of conflict to become the family provocateur.While confronting the revelations of what his family was - and wasn't - and the stoicism that sometimes threatened to destroy them, Peter reflects on his family's legacy of exile and their tenuous hold on home. He makes us question, suffer and celebrate the relationships we have among family and friends, and the healing of our own wounds.

An "eloquent...beautiful" (The Wall Street Journal) memoir from award-winning writer Peter Godwin about his evolving relationships with the women and places that shaped his life. Peter Godwin's mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London home. Peter has spent his life missing his Zimbabwean childhood, a longing that does not diminish as he reflects on his time as a journalist on the frontlines of combat around the world, or life in New York with his English wife and transatlantic children. In his mother's final months, he must come to terms with everything his family was and wasn't: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them, and the beauty of the wildly different places they called home. With generations of history behind him, Godwin lyrically brings us into the spaces which make us question and suffer, shows us how we can heal our own scars, and celebrate the lives we have among family and friends.

Award-winning writer Peter Godwin brings his "moving" (The Sunday Times, London) voice to his latest memoir about his evolving relationships with the women and places that shaped his life.Peter Godwin's mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London home. Peter has spent his life missing his Zimbabwean childhood, a longing that does not diminish as he reflects on his time as a journalist on the frontlines of combat around the world, or life in New York with his English wife and transatlantic children. In his mother's final months, he must come to terms with everything his family was and wasn't: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them, and the beauty of the wildly different places they called home. With generations of history behind him, Godwin lyrically brings us into the spaces which make us question and suffer, shows us how we can heal our own scars, and celebrate the lives we have among family and friends.

Peter's mother is dying. Born in England and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London apartment, her accent having overnight become posher than the Queen's. Unsentimental, fiercely stubborn and at times hilarious, she finally drops her guard, losing all fear of conflict to become the family provocateur.While confronting the revelations of what his family was - and wasn't - and the stoicism that sometimes threatened to destroy them, Peter also mourns the ending of his long marriage. At this point of rupture and healing, Peter reflects on his family's legacy of exile and their tenuous hold on home.In Exit Wounds: A Story of Love, Loss and Occasional Wars, Peter Godwin considers, with both tenderness and candour, the life of émigrés, exiles and refugees, and grieves the many losses that make life both magnificent and unbearable. He brings us into the spaces which make us question, suffer and celebrate the relationships we have among family and friends, and the healing of our own wounds.

Journalist Peter Godwin has covered wars. As a soldier, he's fought them. But nothing prepared him for the surreal mix of desperation and hope he encountered when he returned to Zimbabwe, his broken homeland. Godwin arrived as Robert Mugabe, the country's dictator for 30 years, has finally lost an election. Mugabe's tenure has left Zimbabwe with the world's highest rate of inflation and the shortest life span. Instead of conceding power, Mugabe launched a brutal campaign of terror against his own citizens. With foreign correspondents banned, and he himself there illegally, Godwin was one of the few observers to bear witness to this period the locals call The Fear. He saw torture bases and the burning villages but was most awed as an observer of not only simple acts of kindness but also churchmen and diplomats putting their own lives on the line to try to stop the carnage. The Fear is a book about the astonishing courage and resilience of a people, armed with nothing but a desire to be free, who challenged a violent dictatorship. It is also the deeply personal and ultimately uplifting story of a man trying to make sense of the country he can't recognize as home.

After his father's heart attack in 1984, Peter Godwin began a series of pilgrimages back to Zimbabwe, the land of his birth, from Manhattan, where he now lives. On these frequent visits to check on his elderly parents, he bore witness to Zimbabwe's dramatic spiral downwards into the jaws of violent chaos, presided over by an increasingly enraged dictator. And yet long after their comfortable lifestyle had been shattered and millions were fleeing, his parents refuse to leave, steadfast in their allegiance to the failed state that has been their adopted home for 50 years. Then Godwin discovered a shocking family secret that helped explain their loyalty. Africa was his father's sanctuary from another identity, another world. When a Crocodile Eats the Sun is a stirring memoir of the disintegration of a family set against the collapse of a country. But it is also a vivid portrait of the profound strength of the human spirit and the enduring power of love.

Peter Godwin, an award-winning writer, is on assignment in Zululand when he is summoned by his mother to Zimbabwe, his birthplace. His father is seriously ill; she fears he is dying. Godwin finds his country, once a post-colonial success story, descending into a vortex of violence and racial hatred. His father recovers, but over the next few years Godwin travels regularly between his family life in Manhattan and the increasing chaos of Zimbabwe, with its rampant inflation and land seizures making famine a very real prospect. It is against this backdrop that Godwin discovers a fifty-year-old family secret, one which changes everything he thought he knew about his father, and his own place in the world. Peter Godwin’s book combines vivid reportage, moving personal stories and revealing memoir, and traces his family’s quest to belong in hostile lands – a quest that spans three continents and half a century. ‘Heartbreaking . . . Godwin plainly loves Africa, and he captures the baffling wayward contradictions of its people, their cruelties and unexpected kindnesses, their nobility of spirit in the face of appalling conditions, with humour and grace’ Daily Mail ‘A wonderful book . . . beautifully written, packed with insight and free of rancour’ Literary Review ‘A strong, heroic book . . . too vivid to bear and too central to our concerns to ignore’ Edmund White

Growing up in Rhodesia in the 1960s, Peter Godwin inhabited a magical and frightening world of leopard-hunting, lepers, witch doctors, snakes and forest fires. As an adolescent, a conscript caught in the middle of a vicious civil war, and then as an adult who returned to Zimbabwe as a journalist to cover the bloody transition to majority rule, he discovered a land stalked by death and danger.

Mukiwa opens with Peter Godwin, six years old, describing the murder of his neighbor by African guerillas, in 1964, pre-war Rhodesia. Godwin's parents are liberal whites, his mother a governement-employed doctor, his father an engineer. Through his innocent, young eyes, the story of the beginning of the end of white rule in Africa unfolds. The memoir follows Godwin's personal journey from the eve of war in Rhodesia to his experience fighting in the civil war that he detests to his adventures as a journalist in the new state of Zimbabwe, covering the bloody return to Black rule. With each transition Godwin's voice develops, from that of a boy to a young man to an adult returning to his homeland. This tale of the savage struggle between blacks and whites as the British Colonial period comes to an end is set against the vividly painted background of the myserious world of South Africa.

This book tells the story of how White Rhodesians, three-quarters of whom were ill-prepared for revolutionary change, reacted to the `terrorist' war and the onset of Black rule in the 1970s. It shows how internal divisions - both old and new - undermined the supposed unity of White Rhodesia, how most Rhodesians begrudgingly accepted the inevitability of Black majority rule without adjusting to its implications, and how the self-appointed defenders of Western civilization sometimes adopted uncivilized methods of protecting the 'Rhodesian way of life'. This is a lively and accessible account, based on careful archival research and numerous personal interviews. It sets out to tell the story from the inside and to incorporate the diverse dimensions of the Rhodesian experience. The authors suggest that the Rhodesians were more differentiated than has often been assumed and that perhaps their greatest fault was an almost infinite capacity for self-delusion.