Peter Guralnick

Written with grace, humour, and affection, Last Train to Memphis has been hailed as the definitive biography of Elvis Presley 'Elvis steps from the pages. You can feel him breathe' BOB DYLAN 'Wonderful' RODDY DOYLE 'Soars above all other accounts of Elvis' Guardian 'A triumph of biographical art... profound and moving' New York Times Last Train to Memphis is arguably the first serious biography that refuses to dwell on the myth of Elvis. Aiming instead to portray in vivid, dramatic terms the life and career of this outstanding artistic and cultural phenomenon, it draws together a plethora of documentary and interview material to create a superbly coherent and plausible narrative. The first of two volumes, covering Presley's rise to prominence up to his departure for Germany in 1958, Last Train to Memphis is undoubtedly the benchmark by which other biographies of him are judged.

'Homeric in its play of beauty and folly, this is a monumental work' INDEPENDENT ON SUNDAY 'Riveting ... A masterwork' WALL STREET JOURNAL The second volume of Peter Guralnick's critically acclaimed Elvis Presley biographies The next chapter in the definitive biography of Elvis picks up where Last Train to Memphis closed with Presley's military service in Germany 1958 and ends with his death in Memphis, 1977. Careless Love chronicles the unravelling of the dream that shone so brightly, homing in on his very close, and very complex relationship with his lifelong manager, Colonel Tom Parker. It's a breathtaking drama that places the events of a too often mistold tale in a fresh, believable and understandable context. This is the quintessential American story, encompassing race, class, wealth, sex, music, religion and personal transformation. Written with grace, sensitivity and passion, Careless Love is a unique contribution to our understanding of American popular culture and the nature of success, giving us true insight into one of the most misunderstood public figures of our times. 'It must be ranked among the most ambitious and crucial biographical undertakings yet devoted to a major American figure' NEW YORK TIMES

INCLUDED IN TIME'S 100 MUST READ BOOKS OF 2025 'Guralnick knows the intricacies of this story more than anyone, except perhaps the Colonel and Presley themselves' GUARDIAN The concluding volume of Peter Guralnick's critically acclaimed Elvis Presley biographies In early 1955, Colonel Tom Parker discovered a teenage Elvis Presley and declared him destined for greatness. What followed was one of the most extraordinary partnerships in music history and the creation of a bond built on loyalty, ambition and an unshakeable belief in each other. From the meteoric rise that reshaped popular culture to the struggles that shadowed their final years, this concluding volume of Peter Guralnick's acclaimed trilogy reveals the full complexity of their relationship. Drawing on previously unpublished letters and telegrams from Parker's own archives, it offers an intimate, unflinching portrait of two American originals: the visionary manager who invented the modern superstar and the artist who became one. Brilliant, flawed and inseparable, Elvis and the Colonel changed the music world forever. 'Guralnick's view of Parker is both clear-eyed and sympathetic, but best of all, it's persuasive' TIME 'A riveting and revelatory read' SUNDAY INDEPENDENT

In early 1955, Colonel Tom Parker (the manager of the number-one country music star of the day) heard that an unknown teenager from Memphis had just drawn a crowd of more than 800 people to a Texas schoolhouse and headed south to investigate. Within a matter of days, Parker was sending out telegrams and letters to promoters and booking agents: 'We have a new boy that is absolutely going to be one of the biggest things in the business in a very short time. His name is ELVIS PRESLEY.' The close personal bond between Elvis and the Colonel is something that has never been fully portrayed before. It was a relationship founded on mutual admiration and support. From the outset, the Colonel defended Elvis fiercely and indefatigably against RCA executives, Elvis' own booking agents and movie moguls. But in their final years together, the story grew darker, as the Colonel found himself unable to protect Elvis from himself - or to control growing problems of his own. Featuring troves of previously unpublished correspondence from the Colonel's own archives, revelatory for both their insights and their emotional depth, The Colonel and the King provides a groundbreaking dual portrait of the relationship between the iconic artist and his legendary manager and a unique perspective on not one but two American originals. A tale of the birth of the modern-day superstar (an invention almost entirely of Parker's making) by the most acclaimed music writer of his generation, it presents these two misunderstood icons as they've never been seen before: with all of their brilliance, humour and flaws on full display.

From the award-winning biographer of Elvis Presley, a groundbreaking dual portrait of the relationship between the iconic artist and his legendary manager--drawing on a wealth of the Colonel's never-before-seen correspondence to reveal that this oft-reviled figure was in fact a confidant, friend, and architect of his client's success In early 1955, Colonel Tom Parker--manager of the number-one country music star of the day--heard that an unknown teenager from Memphis had just drawn a crowd of more than eight hundred people to a Texas schoolhouse, and headed south to investigate. Within days, Parker was sending out telegrams and letters to promoters and booking agents: "We have a new boy that is absolutely going to be one of the biggest things in the business in a very short time. His name is ELVIS PRESLEY." Later that year, after signing with RCA, the young man sent a telegram of his own: "Dear Colonel, Words can never tell you how my folks and I appreciate what you did for me.... I love you like a father." The close personal bond between Elvis and the Colonel has never been fully portrayed before. It was a relationship founded on mutual admiration and support. From the outset, the Colonel defended Elvis fiercely and indefatigably against RCA executives, Elvis's own booking agents, and movie moguls. But in their final years together, the story grew darker, as the Colonel found himself unable to protect Elvis from himself or control growing problems of his own. Featuring troves of previously unpublished correspondence, revelatory for both its insights and emotional depth, The Colonel and the King provides a unique perspective on not one but two American originals. A tale of the birth of the modern-day superstar (an invention almost entirely of Parker's making) by Peter Guralnick, the most acclaimed music writer of his generation, it presents these two misunderstood icons as they've never been seen before: with all of their brilliance, humor, and flaws on full display.

Feel Like Going Home vividly brings to life such early blues masters as Muddy Waters , Skip James, and Howlin' Wolf, along with illuminating excursions into the blues-based rock 'n' roll of Jerry Lee Lewis, Charlie Rich, and the Sun Records label. With unique insight and unparalleled access, celebrated author Peter Guralnick (Last Train to Memphis: The Rise of Elvis Presley) dramatically depicts the people, the songs, and the performances that forever changed not only the American music scene but America itself.With a brand-new introduction by David Keenan to cast new light on the book today, and published for the first time as part of White Rabbit's Deep Cuts series, Feel Like Going Home takes its place once again as a classic in the world of music literature.

The story of the birth of modern rhythm-and-blues, reborn in the White Rabbit Deep Cuts series

Peter Guralnick, dean of rock-and roll-storytellers, writes in the introduction to Johnny’s Cash & Charley’s Pride, “Peter Cooper has always been in the mix.” Whether spending time with Johnny Cash or Kris Kristofferson, playing bass for Loretta Lynn, discussing songwriting with Taylor Swift, or introducing the Grateful Dead’s Robert Hunter to Porter Wagoner, Peter Cooper has continually found himself in the presence of music royalty and the recipient of countless intimate conversations, asides, and confidences. In Johnny’s Cash & Charley’s Pride: Lasting Legends and Untold Adventures in Country Music, Cooper chronicles his many “in the mix” tales since arriving in Nashville in 2000 to cover the country music scene for the Tennessean. Filled with untold stories and newly revealed histories, it is an informal yet well-studied inside view of country music’s greatest characters and pivotal moments. Now a senior director at the Country Music Hall of Fame, Cooper’s stories are akin to a curated behind-the-scenes tour of country music. Spanning nineteen chapters, Cooper offers an original take on the formative days at WSM and engaging introductions to an ensemble cast of country music’s icons, quirks, and golden-but-hidden personalities. With a gem on every page, Cooper has crafted a perceptive, smiling, and atypical immersion into the world of country music that will keep any music fan engaged with its wit, passion, and authenticity.

For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley’s unique style—a blend of folk, country, blues, and social commentary—draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley’s story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley’s artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville’s star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was—and still is—fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.

For many diehard music fans and critics, Oklahoma-born James Talley ranks among the finest of American singer-songwriters. Talley’s unique style—a blend of folk, country, blues, and social commentary—draws comparisons with the likes of Woody Guthrie, Merle Haggard, and Johnny Cash. In this engaging, down-to-earth memoir, Talley recalls the highs and lows of his nearly fifty-year career in country music. Talley’s story begins in the hardscrabble towns of eastern Oklahoma. As a young man, he witnessed poverty and despair and worked alongside ordinary Americans who struggled to make ends meet. He has never forgotten his Oklahoma roots. These experiences shaped Talley’s artistic vision and inspired him to write his own songs. Eventually Talley landed in Nashville, where his first years included exciting brushes with fame but also bitter disappointments. As an early champion of social justice causes, his ideals did not fit neatly into Nashville’s star-making machine. By his own admission, Talley at times made poor business decisions and trusted the wrong people. His relationship with the country music industry was—and still is—fraught, but he makes no apology for staying true to his core principles. Nashville City Blues offers hard-won wisdom for any aspiring artist motivated to work hard and handle whatever setbacks might follow. Readers will also gain valuable understanding about the country music industry and the inescapable links between commerce and artistry.

In Memphis, Tennessee, in the 1950s, there was hard-edged blues playing on Beale Street, and hillbilly boogie on the outskirts of town. But at Sam Phillips’ Sun Records studio on Union Avenue, there’s something different going on – a whole lotta shakin’, rockin’, and rollin’. This is where rock ’n’ roll was born. Sun Records: the company that launched Elvis Presley, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and Carl Perkins. The label that brought the world, “Blue Suede Shoes,” “Whole Lotta Shakin’ Goin’ On,” “Breathless,” “I Walk the Line,” “Mystery Train,” “Good Rockin’ Tonight.” The Birth of Rock ’n’ Roll: 70 Years of Sun Records is the official history of this legendary label, and looks at its story in a unique way: through the lens of 70 of its most iconic recordings. From the early days with primal blues artists like Howlin’ Wolf and B.B. King to long nights in the studio with Elvis and Jerry Lee Lewis, you will see how the label was shaped and how it redefined American music. Accompanying the recordings is the label’s origin story and a look at the mission of the label today, as well as “Sun Spot” sidebars—a fascinating dive into subjects such as how the iconic logo was created, the legendary Million Dollar Quartet sessions, and how the song “Harper Valley, PTA” funded the purchase of the label. Written by two of the most acclaimed music writers of our time, Peter Guralnick and Colin Escott, and featuring hundreds of rare images from the Sun archives as well as a foreword by music legend Jerry Lee Lewis, this is a one-of-a-kind book for anyone who wants to know where it all started.

The first official history of Sun Records, written for the celebration of their 70th anniversary.

From the 1980s through the early 2000s, a golden era for southern roots music, producer and three-time Grammy winner Scott Billington recorded many of the period’s most iconic artists. Working primarily in Louisiana for Boston-based Rounder Records, Billington produced such giants as Irma Thomas, Charlie Rich, Buckwheat Zydeco, Johnny Adams, Bobby Rush, Ruth Brown, Beau Jocque, and Solomon Burke. The loving and sometimes irreverent profiles in Making Tracks reveal the triumphs and frustrations of the recording process, and that obsessive quest to capture a transcendent performance. Billington's long working relationships with the artists give him perspective to present them in their complexity—foibles, failures, and fabled feats—while providing a vivid look at the environs in which their music thrived. He tells about Boozoo Chavis’s early days as a musician, jockey, and bartender at his mother’s quarter horse track, and Ruth Brown’s reign as the most popular star in rhythm and blues, when the challenge of traveling on the "chitlin’ circuit" proved the antithesis of the glamour she exuded on stage. In addition, Making Tracks provides a widely accessible study in the craft of recording. Details about the technology and psychology behind the sessions abound. Billington demonstrates varying ways of achieving the mutual goal of a great record. He also introduces the supporting cast of songwriters, musicians, and engineers crucial to the magic in each recording session. Making Tracks sings unforgettably like a "from the vault" discovery.

It covers old ground from new perspectives, offering deeply felt, masterful, and strikingly personal portraits of creative artists, both musicians and writers, at the height of their powers."You put the book down feeling that its sweep is vast, that you have read of giants who walked among us," rock critic Lester Bangs wrote of Guralnick's earlier work in words that could just as easily be applied to this new one. And yet, for all of the encomiums that Guralnick's books have earned for their remarkable insights and depth of feeling, Looking to Get Lost is his most personal book yet. For readers who have grown up on Guralnick's unique vision of the vast sweep of the American musical landscape, who have imbibed his loving and lively portraits and biographies of such titanic figures as Elvis Presley, Sam Cooke, and Sam Phillips, there are multiple surprises and delights here, carrying on and extending all the themes, fascinations, and passions of his groundbreaking earlier work.One of NPR's Best Books of 2020One of Kirkus Review/Rolling Stone's Top Music Books of 2020One of No Depression's Best Books of 2020

Vienna in the 1880s. Paris in the 1920s. Memphis in the 1950s. These are the paradigm shifts of modern culture. Memphis then was like Seattle with grunge or Brooklyn with hip-hop--except the change was more than musical: Underground Memphis embraced African American culture when dominant society abhorred it. The effect rocked the world. We're all familiar with the stars' stories, but It Came From Memphis runs with the the kids in that first rock and roll audience, where they befriended the older blues artists, the travails of blazing a rock and roll career path where one had not existed (nor did society welcome it), and the adventures--sometimes drug-fueled, often accidental, always pushing the envelope--that epitomize the rock and roll experience. Stars pass through--Elvis, Aretha, Jerry Lee--but the emphasis is on the singular achievements of Alex Chilton, Jim Dickinson, Furry Lewis and wrestler Sputnik Monroe. This is a book about the weirdos, winos and midget wrestlers who forged the rock and roll spirit, unwittingly changing the fabric of America. Music liberated that Memphis audience, and the world followed.

In his first collection of essays, Peter Guralnick dives deep into question at the heart of his body of work: What is the source of creativity? Spanning his decades-long career as America's foremost music scholar, this book brings us into the minds of the artists who inspire him.Looking to Get Lost brings the reader into Guralnick's one-of-a-kind relationships with his subjects, and we peek into how he was able to engage with musicians, writers, and creators as only he can: as a fan, a student, a peer, and in many cases as a friend.

Wie ein Mann Howlin' Wolf, Ike Turner, Jerry Lee Lewis, Johnny Cash und Elvis Presley entdeckte, und sein winziges Label Sun Records aus Memphis die Welt auf den Kopf stellte! Der Autor der von Kritikern gefeierten Elvis-Presley-Biografie Last Train to Memphis bringt uns das Leben von Sam Phillips, dem visionaren Genie, das im Alleingang den revolutionaren Weg von Sun Records lenkte. Die Musik, die er in seinem winzigen Studio im Memphis formen wurde mit so unterschiedlichen Kunstlern wie Elvis Presley, Ike Turner, Howlin Wolf, Jerry Lee Lewis und Johnny Cash -, brachte einen Sound hervor, den man so noch nie zuvor gehoert hatte. Phillips brachte eine einzigartige Mischung aus schwarzen und wei en Stimmen hervor, die voller Leidenschaft die Vitalitat der einheimischen, amerikanischen Tradition verkundeten und gleichzeitig ein fur alle Mal eine neue, integrierte Musikwelt proklamierten. Mit umfangreichen Interviews und persoenlichen Beobachtungen aus erster Hand, die sich uber einen Zeitraum von 25 Jahren mit Phillips erstreckten, sowie umfassenden Interviews mit fast allen legendaren Kunstlern von Sun Records, liefert Guralnick ein leidenschaftliches, vorbehaltloses Portrat eines amerikanischen Originals.

From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandedly steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.

How one man discovered B. B. King, Johnny Cash, Jerry Lee Lewis and Elvis Presley, and how his tiny label, Sun Records of Memphis, revolutionised the world.

A major figure in American blues and folk music, Big Bill Broonzy (1903-58) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman's groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. "I Feel So Good" traces Big Bill's career from his rise as a nationally prominent blues star, including his historic 1938 appearance at Carnegie Hall, to his influential role in the post-World War II folk revival, when he sang about racial injustice alongside Pete Seeger and Studs Terkel. Riesman's account brings the reader into the jazz clubs and concert halls of Europe, as Big Bill's overseas tours in the 1950s ignited the British blues-rock explosion of the 1960s. Interviews with Eric Clapton, Pete Townshend, and Ray Davies reveal Broonzy's profound impact on the British rockers who would follow him and change the course of popular music. Along the way, Riesman details Big Bill's complicated and poignant personal saga: he was married three times and became a father at the very end of his life to a child half a world away. He also brings to light Big Bill's final years, when he lost first his voice, then his life, to cancer, just as his international reputation was reaching its peak. Featuring many rarely seen photos, as well as a foreword by the celebrated music writer and historian Peter Guralnick, "I Feel So Good" will be the definitive account of Big Bill Broonzy's life and music.